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Chapter
The Paper Windmill
In "Men, Women and Ghosts," the chapter starts with a vivid, unsettling nightmare where Mr. Spruggins is tormented by a bizarre, grotesque figure mounted on a pig. This nightmarish figure, with rolling eyes and a cap represented by a ten-pound weight, intimidates Spruggins with a scimitar, before plunging it into his mouth. This dream sequence is rich with surreal imagery, including a green light that undulates like the tide, filled with claws and scales, and a moon that crashes through the window,…-
48.3 K • Ongoing
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Chapter
Chapter Twenty-nine
The chapter "Orkideh, Martyr!" reflects on the narrator's life through a lens of gratitude and acceptance. Despite acknowledging that happiness was not a constant state, the speaker emphasizes experiencing profound joy, particularly during moments shared with Leila. This perspective challenges conventional notions of tragedy, suggesting that even a life cut short can be rich in meaning if it contained genuine happiness. The tone is introspective yet defiant, rejecting pity in favor of celebrating the…-
74.6 K • Ongoing
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Chapter
Pontus De Tyard, 1570
Dreams and Despair: In this contemplative segment of "Grass of Parnassus," the concept of dreams versus reality and the fleeting hope provided by the emotion of love are deeply explored. The passage opens with a lament for a figure who, without the saving grace of love, is deemed to spend her days in desolation, her wisdom derived from dull experiences rather than joyful discovery. This character’s last hope is the transformative power of Love—a force capable of rendering her the "fairest of fair…-
9.0 K • Ongoing
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Chapter
The Real Successes
Chapter 39 of "Just Folks" opens with a contemplative piece titled "The Real Successes," exploring the notion of true achievement beyond material wealth. It challenges the conventional yardsticks of success, emphasizing virtues and integrity over financial gains. This poem underscores the idea that many who appear to have failed by societal standards are, in God's eyes, of substantial worth. It argues that true success lies not in the accumulation of riches but in honest struggle, moral character, and the…-
57.4 K • Ongoing
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"Legends and Lyrics--First Series" presents "The Lesson of the War (1855)," a verse that paints a vivid image of England during a time of war. The nation is depicted in a state of collective suspense and unity, irrespective of social class or background, as it awaits news from the Crimean front. The opening lines introduce a feast spread across England, not just for celebration but as a gathering that masks the underlying anxiety and apprehension felt by all. England is personified as a mother, nervously…-
49.7 K • Ongoing
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In the dim confines of a damp dressing room within the grand Theatre Royal, World, an actor, his face shrouded by a flowing wig and his jaws adorned with a lengthy beard, prepares for his seasonal performance in the cherished pantomime, "HARLEQUIN LIFE AND DEATH." Draped in a gown designed to exaggerate his frail form, he stands ready, urging for the limelight to shine upon the stage, transforming him into the embodiment of jolly Old Christmas. As the curtain rises, the darkness of the stage symbolizes…-
67.2 K • Ongoing
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Legends and Lyrics: Second Series is a collection of poems by Adelaide Anne Procter, published in 1861. It features reflective and lyrical works exploring themes of faith, love, compassion, and social justice, showcasing Procter’s delicate and heartfelt poetic style.-
1.7 K • Nov 8, '24
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2.1 K • Nov 8, '24
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2.2 K • Nov 8, '24
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Chapter
Chapter Nine: Bobby Sands
The chapter opens with Cyrus Shams, a young Iranian-American man, confessing his preoccupation with death to artist Orkideh during an encounter at the Brooklyn Museum. He awkwardly reveals his fascination with historical figures like Bobby Sands who died for their beliefs, contrasting their meaningful deaths with his own existential uncertainty. Orkideh, a terminally ill cancer patient conducting a living exhibition called "DEATH-SPEAK," listens intently while subtly challenging Cyrus's romanticized…-
74.6 K • Ongoing
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Chapter
CHAPTER X -The Bhagavad-Gita
In Chapter X of the Bhagavad-Gita, Lord Krishna extends his discourse to Arjuna, emphasizing the uniqueness and vast extent of his divine existence. Krishna begins by asserting that neither the multitude of gods nor the ancient sages fully comprehend his true nature. He alone is free from sin and possesses wisdom, for he is the unborn, undying origin of all creation. The variety of natural qualities and emotions humans experience—intelligence, skill, truthfulness, joy, sorrow, fear, and courage, among…-
39.0 K • Ongoing
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Chapter
As It Is
In the poem "As It Is," the narrator muses on his wishes for a better world, one with kinder people, less greed, and softer views on the faults of others. Despite his longing for improvement, he accepts the world and its inhabitants as they are, acknowledging that life, with all its sorrow, bitterness, and pain, also brings joy, friendship, and love. He concludes that the world, in all its complexity, is ultimately a place of more gladness than sorrow, suggesting an acceptance of life's imperfections and a…-
57.4 K • Ongoing
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