Cover of Champion
    FictionPolitical FictionScienceThrillerYoung Adult

    Champion

    by Lu, Marie
    “Champion” by Marie Lu is the gripping conclusion to the Legend trilogy, a dystopian series set in a divided future America. The story follows prodigy June Iparis and former criminal Day as they navigate political turmoil, war, and personal sacrifices. Key themes include loyalty, power, and the cost of revolution. As tensions escalate between the Republic and its enemies, June and Day must confront their pasts and make difficult choices to save their nation. The novel explores the complexities of leadership and the blurred lines between right and wrong, delivering a thought-provoking and action-packed finale. Lu’s world-building and character development shine, making “Champion” a standout in young adult dystopian literature.

    The chap­ter opens with Day arriv­ing in Den­ver for an “emer­gency ban­quet” on Inde­pen­dence Day, which he finds iron­ic giv­en the friv­o­li­ty of a feast dur­ing a cri­sis. After set­tling into a gov­ern­ment apart­ment with his younger broth­er Eden, he leaves Eden under Lucy’s care, express­ing his usu­al para­noia about his brother’s safe­ty. Day then meets Faline, a Senator’s daugh­ter assigned to help him dress for the event. Her pol­ished appear­ance con­trasts sharply with his rough street attire, and she humor­ous­ly cri­tiques his out­fit before guid­ing him through the upscale shop­ping dis­trict. Day notices an unusu­al­ly heavy mil­i­tary pres­ence, spark­ing his sus­pi­cions about the Republic’s motives.

    As Faline takes Day to pre­pare for the ban­quet, he observes the opu­lent sur­round­ings and the wealthy cit­i­zens, feel­ing out of place. The exces­sive num­ber of sol­diers patrolling the streets unset­tles him, and Faline’s vague reas­sur­ance does lit­tle to ease his mind. Day reflects on June’s sud­den request for his pres­ence at the event, won­der­ing what the Repub­lic tru­ly wants from him. His thoughts turn to flee­ing the coun­try with Eden, ques­tion­ing why he remains in a place that clear­ly dis­trusts him. The chap­ter high­lights Day’s inter­nal con­flict and grow­ing unease about the polit­i­cal cli­mate.

    Lat­er, Day arrives at Col­burn Hall amidst chaot­ic cel­e­bra­tions, where crowds cheer for him despite his dis­com­fort. Faline, now dressed in gold, greets him and hints that some­one oth­er than the Elec­tor is eager to see him, caus­ing Day’s heart to race. As they nav­i­gate the lav­ish hall, Day attempts to blend in with the elite but feels over­whelmed by the arti­fi­cial­i­ty of the envi­ron­ment. His atten­tion is drawn to the ner­vous under­cur­rent among the Sen­a­tors and guests, mir­ror­ing his own anx­i­ety. The opu­lence of the set­ting con­trasts sharply with Day’s street-born skep­ti­cism, empha­siz­ing his alien­ation from this world.

    The chap­ter cul­mi­nates in Day spot­ting June across the room, stun­ning in a scar­let gown but appear­ing unchar­ac­ter­is­ti­cal­ly restrained. His momen­tary awe turns to dis­com­fort when he notices Anden by her side, seem­ing­ly engrossed in con­ver­sa­tion with her. The encounter leaves Day con­flict­ed, torn between his lin­ger­ing feel­ings for June and his dis­trust of the Republic’s lead­er­ship. The chap­ter ends with Day silent­ly turn­ing away, his emo­tions unre­solved, as Faline observes his reac­tion with con­cern. The scene under­scores the ten­sion between per­son­al loy­al­ties and polit­i­cal intrigue.

    FAQs

    • 1. How does Day’s initial reaction to the “emergency banquet” reflect his perspective on the Republic’s leadership?

      Answer:
      Day’s sarcastic internal monologue about the “emergency banquet” reveals his deep skepticism toward the Republic’s elite. He finds the concept absurd—associating banquets with excessive feasting rather than crisis management—and criticizes the Senators for potentially indulging while ignoring real issues (“stuffing their fat faces”). This highlights his street-born distrust of authority figures and their priorities, contrasting his survivalist mindset with their apparent opulence. The irony of celebrating Independence Day amid heightened military presence further underscores his unease about the Republic’s true motives.

      2. Analyze the significance of the heightened military presence in Denver. What might it imply about the Republic’s political climate?

      Answer:
      The unusual number of soldiers patrolling Denver suggests underlying instability. Faline’s evasion and Day’s observation of nervous elites hint at unrest, possibly tied to divided public opinion about Elector Anden (evidenced by conflicting graffiti). The militarization could foreshadow impending conflict or a crackdown on dissent, aligning with Day’s suspicion that June summoned him for a hidden agenda. The juxtaposition of festive decorations with armed guards creates tension, implying the Republic is masking turmoil with propaganda—a theme reinforced by the live-streamed festivities on JumboTrons.

      3. How does the description of June’s appearance and demeanor reveal her emotional state and relationship with power?

      Answer:
      June’s striking scarlet gown and regal posture project authority, yet Day notices her uncharacteristic restraint—a departure from her usual confidence. This subtle vulnerability suggests internal conflict, possibly due to her proximity to Anden and political pressures. The Elector’s focused attention on her (ignoring other admirers) hints at their close, possibly strategic relationship. Day’s visceral reaction to her beauty contrasts with his unease about her alignment with power, symbolizing his torn feelings between personal attachment and distrust of the system she represents.

      4. Why might Day’s concern for Eden’s safety persist despite Lucy’s assurances?

      Answer:
      Day’s lingering anxiety (“Eden will disappear if I blink”) stems from trauma—his past experiences with the Republic’s exploitation of his brother’s illness. Lucy’s reassurance, while comforting, doesn’t erase his ingrained paranoia. The chapter emphasizes his protective instincts, especially amid suspicions of renewed war (“maybe I should get Eden out”). His reluctance to trust reflects broader themes of institutional betrayal; even with newfound freedom, he questions why he stays, revealing unresolved trauma and the weight of responsibility as Eden’s guardian.

      5. Evaluate the role of propaganda in this chapter. How does it shape public perception and Day’s observations?

      Answer:
      Propaganda permeates the scene: giant Republic seals, Anden’s portrait, and controlled JumboTron footage create a facade of unity. Day acknowledges reduced overt propaganda but notes the absence of external news—a form of censorship. The public’s performative patriotism (wearing red/gold) contrasts with graffiti divisions, revealing societal fractures. Day’s sarcasm (“guess you can’t have everything”) underscores his awareness of manipulation. This duality—spectacle versus hidden tension—mirrors the Republic’s attempt to manufacture loyalty while suppressing dissent, a dynamic Day navigates as both insider and critic.

    Quotes

    • 1. “Is that how these Senators deal with crises—by stuffing their fat faces?”

      This sarcastic inner monologue from Day critiques the hypocrisy of political elites hosting lavish banquets during emergencies, setting the tone for his distrust of the Republic’s leadership.

      2. “If the Republic really is going back to war, then maybe I should find a way to get Eden out of the country. We have the power to leave now, after all. Don’t know what’s keeping me here.”

      This vulnerable reflection reveals Day’s protective instincts toward his brother and his growing disillusionment with the Republic, hinting at his internal conflict about staying or fleeing.

      3. “She’s the most beautiful girl I’ve ever seen, easily the most breathtaking girl in the room… Almost perfection. At closer look, I notice something that makes me frown. There’s an air of restraint about her, something uncertain and unconfident. Not like the June I know.”

      Day’s poignant observation of June captures both his enduring admiration and his sharp perception of her changed demeanor, highlighting their complicated relationship and the political tensions affecting her.

      4. “Where am I? What am I doing here?”

      This existential questioning marks a key moment of disorientation for Day as he navigates the opulent but alien world of Republic elites, emphasizing his outsider status and internal conflict.

      5. “Behind their cheerful masks are signs of nervousness, flickering eyes, and furrowed brows.”

      This description of the banquet attendees reveals the underlying tension in the Republic’s leadership, foreshadowing political unrest despite the surface-level celebrations.

    Quotes

    1. “Is that how these Senators deal with crises—by stuffing their fat faces?”

    This sarcastic inner monologue from Day critiques the hypocrisy of political elites hosting lavish banquets during emergencies, setting the tone for his distrust of the Republic’s leadership.

    2. “If the Republic really is going back to war, then maybe I should find a way to get Eden out of the country. We have the power to leave now, after all. Don’t know what’s keeping me here.”

    This vulnerable reflection reveals Day’s protective instincts toward his brother and his growing disillusionment with the Republic, hinting at his internal conflict about staying or fleeing.

    3. “She’s the most beautiful girl I’ve ever seen, easily the most breathtaking girl in the room… Almost perfection. At closer look, I notice something that makes me frown. There’s an air of restraint about her, something uncertain and unconfident. Not like the June I know.”

    Day’s poignant observation of June captures both his enduring admiration and his sharp perception of her changed demeanor, highlighting their complicated relationship and the political tensions affecting her.

    4. “Where am I? What am I doing here?”

    This existential questioning marks a key moment of disorientation for Day as he navigates the opulent but alien world of Republic elites, emphasizing his outsider status and internal conflict.

    5. “Behind their cheerful masks are signs of nervousness, flickering eyes, and furrowed brows.”

    This description of the banquet attendees reveals the underlying tension in the Republic’s leadership, foreshadowing political unrest despite the surface-level celebrations.

    FAQs

    1. How does Day’s initial reaction to the “emergency banquet” reflect his perspective on the Republic’s leadership?

    Answer:
    Day’s sarcastic internal monologue about the “emergency banquet” reveals his deep skepticism toward the Republic’s elite. He finds the concept absurd—associating banquets with excessive feasting rather than crisis management—and criticizes the Senators for potentially indulging while ignoring real issues (“stuffing their fat faces”). This highlights his street-born distrust of authority figures and their priorities, contrasting his survivalist mindset with their apparent opulence. The irony of celebrating Independence Day amid heightened military presence further underscores his unease about the Republic’s true motives.

    2. Analyze the significance of the heightened military presence in Denver. What might it imply about the Republic’s political climate?

    Answer:
    The unusual number of soldiers patrolling Denver suggests underlying instability. Faline’s evasion and Day’s observation of nervous elites hint at unrest, possibly tied to divided public opinion about Elector Anden (evidenced by conflicting graffiti). The militarization could foreshadow impending conflict or a crackdown on dissent, aligning with Day’s suspicion that June summoned him for a hidden agenda. The juxtaposition of festive decorations with armed guards creates tension, implying the Republic is masking turmoil with propaganda—a theme reinforced by the live-streamed festivities on JumboTrons.

    3. How does the description of June’s appearance and demeanor reveal her emotional state and relationship with power?

    Answer:
    June’s striking scarlet gown and regal posture project authority, yet Day notices her uncharacteristic restraint—a departure from her usual confidence. This subtle vulnerability suggests internal conflict, possibly due to her proximity to Anden and political pressures. The Elector’s focused attention on her (ignoring other admirers) hints at their close, possibly strategic relationship. Day’s visceral reaction to her beauty contrasts with his unease about her alignment with power, symbolizing his torn feelings between personal attachment and distrust of the system she represents.

    4. Why might Day’s concern for Eden’s safety persist despite Lucy’s assurances?

    Answer:
    Day’s lingering anxiety (“Eden will disappear if I blink”) stems from trauma—his past experiences with the Republic’s exploitation of his brother’s illness. Lucy’s reassurance, while comforting, doesn’t erase his ingrained paranoia. The chapter emphasizes his protective instincts, especially amid suspicions of renewed war (“maybe I should get Eden out”). His reluctance to trust reflects broader themes of institutional betrayal; even with newfound freedom, he questions why he stays, revealing unresolved trauma and the weight of responsibility as Eden’s guardian.

    5. Evaluate the role of propaganda in this chapter. How does it shape public perception and Day’s observations?

    Answer:
    Propaganda permeates the scene: giant Republic seals, Anden’s portrait, and controlled JumboTron footage create a facade of unity. Day acknowledges reduced overt propaganda but notes the absence of external news—a form of censorship. The public’s performative patriotism (wearing red/gold) contrasts with graffiti divisions, revealing societal fractures. Day’s sarcasm (“guess you can’t have everything”) underscores his awareness of manipulation. This duality—spectacle versus hidden tension—mirrors the Republic’s attempt to manufacture loyalty while suppressing dissent, a dynamic Day navigates as both insider and critic.

    Note