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    Cover of The Woman in Me (Britney Spears)
    Memoir

    The Woman in Me (Britney Spears)

    by
    The Woman in Me by Britney Spears is an intimate, candid memoir that offers an unfiltered look at the pop icon’s life, career, and struggles. With raw honesty, Spears shares her experiences in the spotlight, her battles with fame, and the challenges of reclaiming her freedom. This deeply personal account is a must-read for fans who want to understand the woman behind the headlines and the power of resilience.

    You are being provided with a book chapter by chapter. I will request you to read the book for me after each chapter. After reading the chapter, 1. shorten the chapter to no less than 300 words and no more than 400 words. 2. Do not change the name, address, or any important nouns in the chapter. 3. Do not translate the original language. 4. Keep the same style as the original chapter, keep it consistent throughout the chapter. Your reply must comply with all four requirements, or it’s invalid.
    I will provide the chapter now.

    37
    As performers, we girls have our hair. That’s the real thing guys want to see.
    They love to see the long hair move. They want you to thrash it. If your hair’s
    moving, they can believe you’re having a good time.
    In the most demoralizing moments of my Las Vegas residency, I wore tight
    wigs, and I’d dance in a way where I wouldn’t move a hair on my head. Everyone
    who was making money o me wanted me to move my hair, and I knew it—and
    so I did everything but that.
    When I look back, I realize how much of myself I withheld onstage, how
    much by trying to punish the people who held me captive I punished everyone
    else, too—including my loyal fans, including myself. But now I know why I’d
    been sleepwalking through so much of the past thirteen years. I was traumatized.
    By holding back onstage, I was trying to rebel in some way, even if I was the
    only one who knew that was what was happening. And so I didn’t toss my hair
    or irt. I did the moves and I sang the notes, but I didn’t put the re behind it
    that I had in the past. Toning down my energy onstage was my own version of a
    factory slowdown.
    As an artist, I didn’t feel able to reach the sense of freedom that I’d had before.
    And that’s what we have as artists—that freedom is who we are and what we do.
    I wasn’t free under the conservatorship. I wanted to be a woman in the world.
    Under the conservatorship, I wasn’t able to be a woman at all.
    It was dierent, though, with Glory. As the Glory singles rolled out, I started
    getting more passionate about my performances. I started to wear high heels
    again. When I wasn’t trying so hard and I just let myself elevate as a star onstage,
    that’s when it came across the most powerfully. And that’s when I could really
    feel the audiences lifting me up.
    Promoting Glory, I began to feel better about myself. That third year in Vegas I
    got a little bit of re back. I started to appreciate the dazzle of performing in Sin
    City every night, and the spontaneity of feeling alive in front of an audience.
    Even though I might not have been doing my best onstage, there were pieces of
    me that began to awaken again. I was able to tap back into that connection
    between a performer and an audience.
    I have trouble explaining to people who haven’t been onstage what it’s like to
    sense that current between your physical body and the bodies of other human
    beings in a space. The only metaphor that really works is electricity. You feel
    electric. The energy runs out of you and into the crowd and then back into you
    in a loop. For such a long time, I’d had to be on autopilot: the only current I
    could access was whatever was inside of me that kept me moving.
    Slowly, I began to believe in my capabilities again. For a while I didn’t tell
    anyone. I kept it a secret. Just as I escaped into my dreams to get away from the
    chaos of my parents when I was a little girl, in Las Vegas, now as an adult but
    with less freedom than I’d had as a child, I began to escape into a new dream—
    freedom from my family and a return to being the artist I knew I had in me.
    Everything began to seem possible. Hesam and I became so close that we
    started to talk about having a baby together. But I was in my thirties, so I knew
    that time was running out.
    At the beginning of the conservatorship I was overwhelmed with doctor
    appointments. Doctor after doctor after doctor—probably twelve doctors a
    week—coming to my home. And yet, my father wouldn’t let me go to the
    doctor when I asked for an appointment to get my IUD removed.
    When the conservatorship happened, everything became controlled, with
    security guards everywhere. My whole life changed in a way that might have
    been safer for me physically but was absolutely horrible for my sense of joy and

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    Cover of The Woman in Me (Britney Spears)
    Memoir

    The Woman in Me (Britney Spears)

    by
    The Woman in Me by Britney Spears is an intimate, candid memoir that offers an unfiltered look at the pop icon’s life, career, and struggles. With raw honesty, Spears shares her experiences in the spotlight, her battles with fame, and the challenges of reclaiming her freedom. This deeply personal account is a must-read for fans who want to understand the woman behind the headlines and the power of resilience.

    You are being provided with a book chapter by chapter. I will request you to read the book for me after each chapter. After reading the chapter, 1. shorten the chapter to no less than 300 words and no more than 400 words. 2. Do not change the name, address, or any important nouns in the chapter. 3. Do not translate the original language. 4. Keep the same style as the original chapter, keep it consistent throughout the chapter. Your reply must comply with all four requirements, or it’s invalid.
    I will provide the chapter now.

    CHAPTER 37
    Patricia told Carter that Korey was on drugs. Korey was so sick and
    confused from James Harris that Carter believed her immediately. It
    helped that this was one of his biggest nightmares.
    “This is from your side,” he said as they threw Korey’s clothes into
    an overnight bag. “No one on my side of the family has ever had this
    kind of problem.”
    No, Patricia thought. They just murdered a man and buried his
    body in the backyard.
    She prayed for forgiveness. She prayed hard. Then they took Korey
    to Southern Pines, the local psychiatric and substance abuse
    treatment center.
    “You’ll make sure she’s monitored twenty-four hours a day?”
    Patricia asked the intake administrator.
    Her nightmare was that Korey would do what the other children
    had done. She thought of Destiny Taylor and the dental floss, Orville
    Reed stepping in front of the car, Latasha Burns and the knife. They
    had the money to weigh the odds in their favor, but she didn’t want
    odds when it came to her daughter. She wanted a guarantee.
    She tried to talk to Korey, she tried to say she was sorry, she tried
    to explain things, she tried hard, but whether it was because of
    James Harris or because of what they were doing to her, Korey didn’t
    even acknowledge she was in the room.
    “Some of them do this,” the intake administrator said. “I saw one
    kid break his mother’s nose during intake. Others just shut down.”
    When they got home the quiet in the house ate at Patricia,
    reminding her of the damage she had done to her family. She felt a
    sense of urgency. She had to finish this. She had to get her family
    back and glue the pieces together before it got any worse. It was only
    a matter of time before they hit a point beyond which nothing could
    be fixed.
    That night, Carter left to bury himself in work at his office. Half an
    hour later, the phone rang. She answered.
    “Where’s Korey?” James Harris asked.
    “She’s sick,” Patricia said.
    “She wouldn’t be sick if she were still with me,” he said. “I can
    make her better.”
    “I need time,” she said. “I need time to figure things out.”
    “What am I supposed to do while you dither?” he asked.
    “You have to be patient,” she said. “This is hard for me. It’s my
    entire life. My family. It’s everything I know.”
    “Think fast,” he said.
    “Until the end of the month,” she said, trying to buy time.
    “I’ll give you ten days,” he said, and hung up.
    She tried to be around Blue as much as possible. She and Carter
    asked if he had any questions, they told him it wasn’t his fault, they
    said that he could see Korey in a week or two, whenever her doctors
    said it was all right, but Blue barely spoke. She sat next to him while
    he played games on the computer in the little study. He clattered
    away on the keyboard, moving colored shapes and lines onscreen.
    “What does this one do?” she asked about a button, and then
    pointed to a number at the top of the monitor. “Does that mean
    you’re winning? Look at your score, it’s so high.”
    “That’s the amount of damage I’ve taken,” he said.
    She wanted to tell him she was sorry she hadn’t protected him and
    his sister better. But whenever she began, it sounded like a farewell
    speech and she stopped. Let him have one more untroubled week.
    Before she was ready, Saturday arrived and Patricia woke up
    scared. She cleaned Korey’s room to keep herself busy, stripped her
    bed, collected all her clothes off the floor and washed them, folded
    them, put them back into drawers in neat stacks, ironed her dresses
    and hung them up, stacked her magazines, found the cases for all her
    CDs. She recovered $8.63 in change from the carpet and put it in a
    jar for when Korey came home.
    Around four, Carter stood in the door and watched her work.
    “We have to go soon if we want to see the pregame,” he said.
    They had made plans to watch the Clemson-Carolina game
    downtown near the hospital with Leland and Slick’s children.
    “You go on,” Patricia said. “I have things to do.”
    “You sure you don’t want to come?” he asked. “It’ll be good to do
    something normal. It’s morbid to sit around the house alone.”
    “I need to be morbid,” she said, and gave him her “brave soldier”
    smile. “Have a nice time.”
    “I love you,” he said.
    It took her by surprise and she faltered for a moment, thinking of
    everything James Harris had told her about Carter’s out-of-town
    trips and wondering how much of it was true.
    “I love you, too,” she made herself say back.
    He left and she waited until she heard his car back out of the
    driveway, and then she got ready to die.
    Patricia’s stomach felt empty. Her whole body felt drained. She felt
    sick, light-headed, fluttery. Everything felt hollow, like it was all
    about to float away.
    In her bathroom, she put on her new black velvet dress. It felt tight
    and awful and hugged her in all the wrong places and made her self-
    conscious of her new curves, and then she adjusted it and pulled it
    down and cinched and strapped and smoothed. It clung to her like a
    black cat’s skin. She felt more naked with it on than off.
    The phone rang. She answered it.
    “Finally,” he said.
    “I want to see you,” she said. “I made my decision.”
    There was a long pause.
    “And,” he prompted.
    “I decided that I want someone who values me,” she said. “I’ll be at
    your place by 6:30.”
    Eyeliner, a bit of eyebrow pencil, mascara, some blush. She blotted
    her lipstick with Kleenex and dropped red balls of tissue into the
    trash. She brushed her hair, curled it just a touch to give it body, then
    sprayed it with Miss Brecks. She opened her eyes and they stung
    from the falling mist of hairspray droplets. She looked at herself in
    the mirror and saw a woman she didn’t know. She didn’t wear
    earrings or jewelry. She took off her wedding ring. She fed Ragtag,
    left a note for Carter saying she’d had to run downtown to see Slick
    in the hospital and she might spend the night, and left home.
    Outside, a cold wind thrashed the trees. Cars lined the block, all of
    them there to watch the Clemson-Carolina game at Grace’s. Bennett
    was a hardcore Clemson alum, and he hosted the big get-together for
    the game every year. Patricia wondered how he would deal with
    everyone drinking. She wondered if he’d start again.
    The wind came black and bleak off the harbor, tossing the waves
    into whitecaps. She passed Alhambra Hall and looked at the far end
    of the parking lot, close to the water, and saw the minivan parked
    there. She could just see a few huddled shapes inside. They looked
    pathetically small.
    Friends, Patricia thought. Be with me now.
    James Harris’s house was dark. His porch lights were off and only
    a single lamp shone from his living room window. She realized he’d
    done it so no one would see her come to his front door. Cars filled
    every single driveway, and as she walked, a swelling of cheers
    erupted from all the houses. Kickoff. The game had begun.
    She knocked on the front door, and James Harris opened it, lit
    from behind by the dim glow of the living room lamp, the only light
    in the house. The radio purred classical music, a piano riding gentle
    orchestral surges. Her heart danced inside her rib cage as he locked
    the door behind her.
    Neither moved, they just stood in the hall, facing each other in the
    soft spill of light from the living room.
    “You’ve hurt me,” she said. “You’ve scared me. You’ve hurt my
    daughter. You’ve made my son a liar. You’ve hurt the people I know.
    But the three years you’ve been here feel more real than the entire
    twenty-five years of my marriage.”
    He raised his hand and traced the side of her jaw with his fingers.
    She didn’t flinch. She tried not to remember him screaming in her
    face, spattering it with her daughter’s blood, her daughter who would
    hurt forever because of his hunger.
    “You said you made up your mind,” he said. “So. What do you
    want, Patricia?”
    She walked past him into the living room. She left a trace of
    perfume in the air. It was a bottle of Opium she’d found while
    cleaning Korey’s room. She almost never wore perfume. She stopped
    in front of the mantel and turned to face him.
    “I’m tired of my world being so small,” she said. “Laundry,
    cooking, cleaning, silly women talking about trashy books. It’s not
    enough for me anymore.”
    He sat in the armchair across from her, legs spread, hands on its
    arms, watching her.
    “I want you to make me the way you are,” she said. Then she
    lowered her voice to a whisper. “I want you to do to me what you did
    to my daughter.”
    He looked at her, his eyes crawling across her body, seeing all of
    her, and she felt exposed, and frightened, and just a little bit aroused.
    And then James Harris stood up and walked over to her and laughed
    in her face.
    The force of his laughter slapped her, and sent her stumbling a half
    step back. The room echoed with his laughter, and it bounced crazily
    off the walls, trapped, doubling and redoubling, battering at her ears.
    He laughed so hard he flopped back down in his chair, looked at her
    with a crazy grin on his face, and burst out laughing, again.
    She didn’t know what to do. She felt small and humiliated. Finally,
    his laughter rolled to a stop, leaving him short of breath.
    “You must think,” he said, gasping for air, “that I’m the stupidest
    person you’ve ever met. You come here, all dolled up like a hooker,
    and give me this breathless story about how you want me to make
    you one of the bad people? How did you get to be so arrogant?
    Patricia the genius, and the rest of us are just a bunch of fools?”
    “That’s not true,” she said. “I want to be here. I want to be with
    you.”
    This brought another wave of ugly laughter.
    “You’re embarrassing yourself and you’re insulting me,” James
    Harris said. “Did you think I’d believe any of this?”
    “It’s not an act!” she shouted.
    He grinned.
    “I wondered when you’d get to righteous indignation.” He smiled.
    “Look at you: Patricia Campbell, wife of Dr. Carter Campbell, mother
    of Korey and Blue, debasing herself because she thinks she’s smarter
    than someone who’s lived four times as long as her. See, Patricia, I
    never underestimated you. If you told Slick you planned to come into
    my house, I knew you came into my house. And if you got into my
    house, I knew you’d gotten into my attic and found everything there
    was to find. Was her license supposed to be bait? Leave it in my car
    and go to the police and tell them you found it and they’d pull me
    over and find it and get a search warrant? In what sad housewife’s
    dream does something like that work? Those books you girls read
    have really rotted your brains.”
    She couldn’t make her legs stop shaking. She sat down on the
    raised brick hearth. The velvet dress rode up and bunched around
    her stomach and hips. She felt ridiculous.
    “Then again, I moved here because you people are all so stupid,”
    he said. “You’ll take anyone at face value as long as he’s white and
    has money. With computers coming and all these new IDs I needed
    to put down roots and you made it so easy. All I had to do was make
    you think I needed help and here comes that famous Southern
    hospitality. Y’all don’t like talking about money, do you? That’s low
    class. But I waved some around and you all were so eager to grab it
    you never asked where it came from. Now your children like me
    more than they like you. Your husband is a weakling and a fool. And
    here you are, dressed up like a clown, with no cards left to play. I’ve
    been doing this for so long I’m always prepared for the moment
    when someone tries to run me out of town, but you’ve truly surprised
    me. I didn’t expect the attempt to be so sad.”
    A rhythmic, wet huffing sound filled the room as Patricia bent
    double and tried to breathe. She attempted to start a sentence a few
    times, but kept running out of breath. Finally she said, “Make it
    stop.”
    From far away, she heard a chorus of faint voices shouting with
    disappointment.
    “I tried once,” he said. “But an artist is only as good as his
    materials. I thought for sure the humiliation I inflicted on you three
    years ago would make you kill yourself, but you couldn’t even do that
    right.”
    “Make it stop,” Patricia said. “Just make it all stop. I can’t do this
    anymore. My son hates me. For the rest of his life I’ll be the crazy
    woman who tried to kill herself, the one he found convulsing on the
    kitchen floor. I put my daughter in a mental hospital. I have ruined
    my family. I couldn’t protect them from you.”
    She sat, hunched over, spitting her words at the floor, her hands
    were claws digging into her knees, her voice scouring her ears like
    acid.
    “I thought you were filth. I thought you were an animal,” she said.
    “But I’m worse. I’m nothing. I was a good nurse, I really was, and I
    walked away from the one thing I loved because I wanted to be a
    bride. I wanted to get married because I was terrified of being alone.
    I wanted to be a good wife and a good mother, and I gave everything
    I had, and it wasn’t enough. I’m not enough!”
    She shouted the last words, then looked up at James Harris, her
    face a grotesque mask of streaked makeup.
    “My husband has no more consideration for me than a dog,” she
    said. “He goes off and screws little girls with the other men and we
    sit home like good little women and wash their shirts and pack their
    bags for their sex trips. We keep their houses warm and clean for
    when they’re ready to come home and shower off some other
    woman’s perfume before tucking their children into bed. For years
    I’ve pretended I don’t know where he goes, or who those girls are on
    the phone, but every time he comes home, I lie there in bed beside
    my husband, who doesn’t touch me, who doesn’t talk to me, who
    doesn’t love me, and I pretend I can’t smell some twenty-year-old’s
    body on him. Our children hate us. Look at mine. It would have been
    better if a dog raised them.”
    She hooked her fingers into claws and pulled them through her
    hair, harrowing it into a crazed haystack, jutting out in every
    direction.
    “So here I am,” she said. “Giving you the last thing I have of value
    and begging you to spare my daughter. Take me. Take my body. Use
    me until you throw me away, but leave Korey alone. Please. Please.”
    “You think you can bargain with me?” he asked. “This is some kind
    of sad seduction, trading your body for your daughter’s?”
    She nodded, meek and small.
    “Yes.”
    She sat, a long runnel of snot dangling from her nose, dripping
    onto her dress. And finally, James Harris said:
    “Come.”
    She pushed herself up, and walked to him on shaky legs.
    “Kneel,” he said, pointing to the floor.
    Patricia lowered herself onto the floor at his feet. He leaned
    forward and took her jaw in one big hand.
    “Three years ago you tried to make a fool of me,” he said. “You
    don’t get any more dignity. We’re going to finally be honest with each
    other. First, I’m going to replace Carter in your life. Is that what you
    want?”
    She nodded, then realized he needed more. “Yes,” she whispered.
    “Your son loves me already,” he said. “And your daughter belongs
    to me. I’ll take you now, but she’s next. Will you do that? Will you
    give me your body to buy her another year?”
    “Yes,” Patricia said.
    “One day it will be Blue’s turn,” he said. “But for now, I’m the
    family friend who helps put your life back together after your
    husband dies. Everyone will think that we just naturally felt a
    powerful attraction, but you’ll know the truth: you gave up your
    pathetic, miserable, broken failure of a life to accept your place at my
    feet. I’m not some doctor, or lawyer, or rich mommy’s boy trying to
    impress you. I am singular in this world. I am what you people make
    legends from. And now I’ve turned my attention on you. When I’m
    done, I’ll adopt your children and make them mine. But you’ve
    bought them one more year of freedom. Do you understand?”
    “Yes,” she said.
    James Harris stood and walked up the stairs without looking back.
    “Come,” he said over his shoulder.
    After a moment, Patricia followed, only pausing on the way to
    unlock the deadbolt on his front door.
    In the darkness of the upstairs hall, she saw white solid walls all
    around her, each one a closed door, and then she saw a black hole
    like the entrance to a tomb. She walked into the master bedroom.
    James Harris stood in the moonlight. He had taken off his shirt.
    “Strip,” he said.
    Patricia stepped out of her shoes and inhaled sharply. Standing
    barefoot on the cool wooden floor made her feel naked. She couldn’t
    do this, but before she could stop herself her hands were already
    moving to her back.
    She unzipped the dress and let it fall to the floor and stepped out of
    it. Blood rushed and flowed to parts of her body that were dry,
    leaving her light-headed. Her head spun and she wondered if she
    would faint. The darkness seemed very close around her and the
    walls seemed very far away. A fever seized her as she unsnapped her

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    Cover of The Woman in Me (Britney Spears)
    Memoir

    The Woman in Me (Britney Spears)

    by
    The Woman in Me by Britney Spears is an intimate, candid memoir that offers an unfiltered look at the pop icon’s life, career, and struggles. With raw honesty, Spears shares her experiences in the spotlight, her battles with fame, and the challenges of reclaiming her freedom. This deeply personal account is a must-read for fans who want to understand the woman behind the headlines and the power of resilience.

    You are being provided with a book chapter by chapter. I will request you to read the book for me after each chapter. After reading the chapter, 1. shorten the chapter to no less than 300 words and no more than 400 words. 2. Do not change the name, address, or any important nouns in the chapter. 3. Do not translate the original language. 4. Keep the same style as the original chapter, keep it consistent throughout the chapter. Your reply must comply with all four requirements, or it’s invalid.
    I will provide the chapter now.

    37
    I haven’t been in a hospital since I was fifteen, when I broke my elbow trying to impress a guy on a
    skateboard. I’d hated the experience then and it’s not my favorite now.
    I’m supposed to go home tomorrow, but where home is, I have no idea. The house in Thornfield
    Estates is gone, burned to the ground, and the new life I had tried to build is gone with it.
    It probably says something about me that this is the part I’m fixated on, not the part where the man
    I was engaged to had locked his wife in a panic room for months. Weirdly, in a way, that part of the
    story was almost a relief. Everything that hadn’t quite added up, everything that had triggered my
    fight-or-flight instincts made sense now. Everything was clear.
    And I know that for the rest of my life, I’ll see the look on Bea’s face as she charged up the stairs
    to save Eddie. No matter what I felt for him, it was never that. It never could’ve been that.
    Just like Eddie never could have loved me like he clearly loved Bea.
    When Bea had opened the panic room door, there’d been a whooshing sound, crackling, a blaze of
    heat that had sent me stumbling back, and instinct kicked in.
    I ran.
    Down the stairs, out the door, onto the lawn, falling into the grass, choking and gasping.
    In the end, I’d done the thing I’d been doing all my life—I saved myself.
    Which meant I’d left Bea and Eddie to die.
    Sighing, I unwrap the Popsicle my nurse had sneaked me. Banana.
    I’m lucky. Everyone says so. No burns, just smoke inhalation, which makes my throat and chest
    still ache, but given that the house is literally ashes, I got out pretty lightly, all things considered.
    Except for the part where I’m homeless and adrift now.
    I’m about to settle even deeper into self-pity when there’s a soft rapping at my door, and I turn to
    see Detective Laurent there.
    “Knock-knock,” she says, and my heart leaps up into my throat, making me bite down on the
    Popsicle, the cold burning my teeth.
    “Hi,” I say, awkward, and she gestures toward the plastic chair near my bed.
    “Can we have a quick chat?”
    It’s not like I can tell her no, and I’m guessing she knows that since she doesn’t wait for me to
    answer before she sits down.
    Crossing her legs, she smiles at me, like we’re friends and this is just a fun bedside visit, and I try
    to make myself smile back until I remember that I’m supposed to be traumatized and upset.
    The last few days have completely thrown me off my game.
    I look down, fiddle with the wrapper of the Popsicle, and wait for her to say something.
    “How are you feeling?” she asks, and I shrug, tucking my hair behind my ears.
    “Better. Still raspy,” I say, gesturing to my throat. “It all still seems so unreal, I guess.”
    Detective Laurent nods, the corners of her eyes crinkling as she gives me a sympathetic look, but
    there’s something about the way she’s watching me that I don’t like. Something that makes me feel
    naked and exposed.
    “I suppose you know by now that your fiancé didn’t make it out of the fire.”
    I press my lips together, closing my eyes briefly, but inside, my wind is whirring. Is this where
    she tells me they found two bodies in the ashes? What do I say? Do I tell her the truth about Bea and
    Eddie, about all of it?
    “I do,” I manage to croak out, fear sounding like sadness, which is good.
    “And I imagine you also know that our working theory is that he burned the house down on
    purpose. That he wanted to kill himself and you as well.”
    No.
    No, I did not know that, and my shock and confusion as I look at the detective isn’t feigned. “On
    purpose?” I say, and she nods, sighing as she leans back in her chair.
    “Jane, there is a very good chance Edward Rochester was involved in the murder of Blanche
    Ingraham and the disappearance of his wife.”
    “Oh my god,” I say softly, pressing a hand to my mouth.
    Detective Laurent shifts in her chair as outside, I hear the squeak of a wheelchair, the beep of
    various machines. “In looking into Tripp Ingraham’s involvement, we found signs that Eddie had also
    been there that night. His car on the security camera at the Thornfield Estates entrance, one of your
    neighbors remembering that he also left home late the night his wife and Blanche had gone to the lake.
    Nothing concrete, and we were still in the process of gathering evidence, but now…”
    She trails off, and I see her hand go to the badge at her waist for a second.
    “What about Tripp?” I ask. “What happens now?”
    It’s weird and more than a little off-putting to feel any sympathy for Tripp Ingraham, and I’ll
    eventually get over it, but now that I know the whole story, it’s hard not to see him as a victim, too.
    Another person caught up in the shitstorm that was Eddie and Bea.
    “He’s been cleared of any suspicion,” Detective Laurent says. “Truthfully, we never had as much
    on him as we let him think. We were hoping he’d crack, or bring down Eddie in the process.”
    Then she sighs. “Anyway, the fire was clearly set on purpose, which makes us think Eddie knew
    we were getting close.”
    Leaning over, she takes my hand. “I’m so sorry. I know this all must be a shock.”
    It is, but not in the way she thinks. They think Eddie killed himself because he killed Blanche and
    Bea. Which means they didn’t find Bea’s body in the fire.
    Which means she’s still out there.
    “We may have some more questions later on,” the detective says, patting my hand and standing up,
    “but I just wanted to let you know where things stood right now.”
    “Thank you,” I say, and she smiles again.
    “Take care of yourself, Jane.”
    As she heads for the door, I can’t help but ask one more question.
    “Did you … is Eddie’s body…”

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    Cover of The Woman in Me (Britney Spears)
    Memoir

    The Woman in Me (Britney Spears)

    by
    The Woman in Me by Britney Spears is an intimate, candid memoir that offers an unfiltered look at the pop icon’s life, career, and struggles. With raw honesty, Spears shares her experiences in the spotlight, her battles with fame, and the challenges of reclaiming her freedom. This deeply personal account is a must-read for fans who want to understand the woman behind the headlines and the power of resilience.

    Chapter 37 of “The Tenant of Wildfell Hall” by Anne Brontë reflects the protagonist’s continued struggle with personal boundaries and unwanted affection, as well as her determination to preserve her values in the face of persistent temptation.

    On December 20th, 1825, the protagonist finds herself reflecting on her life’s hardships, especially concerning her role as a guide and protector for her son in a world she perceives as dark and wicked. Despite her challenges and loneliness, she remains committed to her duties and principles, primarily because of her son and the absence of anyone else to fulfill her role.

    The chapter then transitions to the protagonist’s ongoing interactions with Mr. Hargrave, who has shown a respectful demeanor for several months, causing her to lower her guard and start to see him as a friend. However, Hargrave oversteps boundaries, declaring his love in a manner that demands a definitive rejection from the protagonist. This incident and his later attempts to woo her underline her struggles with male attention and her firm stance against compromising her integrity. The protagonist rebuffs Hargrave’s advances, emphasizing the importance of her morals and responsibilities over fleeting happiness.

    Hargrave’s inability to respect the protagonist’s wishes leads to a decisive confrontation where she demands he cease his advances or leave. She holds steadfast to her belief in a higher moral duty and the importance of a clear conscience over succumbing to desires that would bring shame and dishonor. Hargrave’s reaction—first one of shock and then resignation—highlights the profound emotional turmoil and conflict but ultimately leads to his decision to leave for Paris, providing temporary relief to the protagonist.

    The chapter closes with the protagonist feeling a sense of deliverance, reinforcing themes of resilience, the quest for personal autonomy, and the complexity of navigating relationships within societal confines. Her reflections and decisive actions reveal her inner strength and commitment to living by her principles, even when faced with difficult choices and the prospect of continued loneliness.

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