Header Background Image
    Cover of The Woman in Me (Britney Spears)
    Memoir

    The Woman in Me (Britney Spears)

    by
    The Woman in Me by Britney Spears is an intimate, candid memoir that offers an unfiltered look at the pop icon’s life, career, and struggles. With raw honesty, Spears shares her experiences in the spotlight, her battles with fame, and the challenges of reclaiming her freedom. This deeply personal account is a must-read for fans who want to understand the woman behind the headlines and the power of resilience.

    You are being provided with a book chapter by chapter. I will request you to read the book for me after each chapter. After reading the chapter, 1. shorten the chapter to no less than 300 words and no more than 400 words. 2. Do not change the name, address, or any important nouns in the chapter. 3. Do not translate the original language. 4. Keep the same style as the original chapter, keep it consistent throughout the chapter. Your reply must comply with all four requirements, or it’s invalid.
    I will provide the chapter now.

    34
    While overall I was miserable, day-to-day I was able to nd joy and comfort in
    the boys and in my routine. I made friends. I dated Jason Trawick. He was ten
    years older than me and really had his life together. I loved that he wasn’t a
    performer but was an agent, so he knew the business and understood my life. We
    ended up dating for three years.
    When we went out together, he was hypervigilant. I knew I could be clueless
    sometimes. (I’m not clueless anymore. Now I’m basically a CIA agent.) He was
    always scoping everything out, obsessively controlling situations. I’d been
    around the paparazzi so much that I knew what was up; I knew the deal. So to
    see him in a suit, working at this huge agency, getting in the car with me, I felt he
    was almost too aware of who I was. He cared too much about managing things.
    I was used to photographers swarming me on the streets and I hardly noticed
    them anymore, which I suppose isn’t really good, either.
    We did have a great relationship. I felt a lot of love for him and from him.
    I was still messed up psychologically from everything that had happened with
    Kevin and my kids, and from living under the strictures of the conservatorship
    my father had set up. I had a place in Thousand Oaks, California. My kids were
    young at the time and my father was still in charge of my life.
    Even though I was on a break after the Femme Fatale Tour, my father second-
    guessed every little thing I did, including what I ate. It puzzled me that my mom
    never said anything about it—my parents got back together in 2010, eight years
    after their divorce. And I felt so betrayed by the state of California. My mom
    seemed to love that because of the conservatorship, my dad now had a real job.
    They watched Criminal Minds on the couch every fucking night. Who does
    that?
    When my father told me I couldn’t have dessert, I felt that it was not just him
    telling me but my family and my state, like I was not allowed legally to eat
    dessert, because he said no.
    Eventually, I started to ask myself, Wait, where am I? Nothing really made
    sense anymore.
    Feeling like I needed more direction, I decided to go back to work. I tried to
    occupy myself by being productive. I began appearing on more TV shows—
    including, in 2012, as a judge on The X Factor.
    I think a lot of people are really professional on TV, like Christina Aguilera
    and Gwen Stefani. When the camera is on them, they thrive. And that’s great. I
    used to be able to do that when I was younger, but again, I feel like I age
    backward when I’m afraid. And so I got to where I was very, very nervous if I
    knew I had to be on air, and I didn’t like being nervous all day long. Maybe I’m
    just not cut out for that anymore.
    I’ve accepted that now, and it’s okay. I can tell people who try to push me in
    that direction no. I’ve been forced into things I didn’t want to do and been
    humiliated. It’s not my thing at this point. Now, if you got me a cute cameo on a
    fun TV show where I’m in and out in a day, that’s one thing, but to act skeptical
    for eight hours straight while judging people on TV? Uh, no thank you. I
    absolutely hated it.
    It was around that time that I got engaged to Jason. He got me through a lot
    of things. But in 2012, not long after he became my co-conservator, my feelings
    changed. I couldn’t see it then, but I see now that having him tied up with the
    organization controlling my life might have played a part in draining the
    romance out of our relationship. There came a point when I realized that I
    didn’t have any bad feelings toward him, but I also didn’t love him anymore. I
    stopped sleeping in the same room with him. I just wanted to cuddle my kids. I
    felt such a bond with them. I literally closed the door to him.
    My mom said, “That is hateful.”
    “I’m sorry, I can’t help it,” I said. “I don’t love him anymore like that.”
    He broke up with me, but I didn’t care because I’d fallen out of love with
    him. He wrote me a long letter and then he disappeared. He resigned as my co-
    conservator when our relationship ended. To me it seemed that he had
    something of an identity crisis. He put colored streaks in his hair and went to the
    Santa Monica Pier and rode bikes every day with a bunch of tattooed dudes.
    Hey, I get it. Now that I’m in my forties, I’m going through my own identity
    crisis. I think it was just time for us to part ways.
    The tours under the conservatorship were strictly sober, so we weren’t allowed
    to drink. Once, I ended up with most of the same dancers as Christina Aguilera.
    The dancers and I met up with Christina in Los Angeles. She seemed pretty
    messed up. But the dancers and I wound up swimming in a beautiful pool and
    sitting in a Jacuzzi. It would have been nice to have drinks with them, to get
    rebellious, sassy, fun. I wasn’t allowed to do that because my life had become a
    Sunday-school Bible church camp under the conservatorship.
    In some ways, they turned me into a teenager again; in other ways, I was a
    girl. But sometimes I just felt like a trapped adult woman who was pissed o all
    the time. This is what’s hard to explain, how quickly I could vacillate between
    being a little girl and being a teenager and being a woman, because of the way
    they had robbed me of my freedom. There was no way to behave like an adult,
    since they wouldn’t treat me like an adult, so I would regress and act like a little
    girl; but then my adult self would step back in—only my world didn’t allow me
    to be an adult.
    The woman in me was pushed down for a long time. They wanted me to be
    wild onstage, the way they told me to be, and to be a robot the rest of the time. I
    felt like I was being deprived of those good secrets of life—those fundamental
    supposed sins of indulgence and adventure that make us human. They wanted
    to take away that specialness and keep everything as rote as possible. It was death
    to my creativity as an artist.

    0 Comments

    Heads up! Your comment will be invisible to other guests and subscribers (except for replies), including you after a grace period.
    Cover of The Woman in Me (Britney Spears)
    Memoir

    The Woman in Me (Britney Spears)

    by
    The Woman in Me by Britney Spears is an intimate, candid memoir that offers an unfiltered look at the pop icon’s life, career, and struggles. With raw honesty, Spears shares her experiences in the spotlight, her battles with fame, and the challenges of reclaiming her freedom. This deeply personal account is a must-read for fans who want to understand the woman behind the headlines and the power of resilience.

    You are being provided with a book chapter by chapter. I will request you to read the book for me after each chapter. After reading the chapter, 1. shorten the chapter to no less than 300 words and no more than 400 words. 2. Do not change the name, address, or any important nouns in the chapter. 3. Do not translate the original language. 4. Keep the same style as the original chapter, keep it consistent throughout the chapter. Your reply must comply with all four requirements, or it’s invalid.
    I will provide the chapter now.

    CHAPTER 34
    They took Slick to the Medical University on Tuesday. On
    Wednesday, they started making visitors wear paper gowns and
    masks.
    “We don’t know precisely what’s going on,” her doctor said. “She’s
    got an autoimmune disease but it’s developing faster than we’d
    expect. Her immune system is attacking her white blood cells, and
    more red blood cells than we’d like are hemolytic. But we’re keeping
    her oxygenated and screening for everything. It’s too early to hit the
    panic button.”
    The diagnosis simultaneously excited and horrified Patricia. It
    confirmed that whatever James Harris was, he wasn’t human. He’d
    put a part of himself inside Slick, and it was killing her. He was a
    monster. On the other hand, Slick wasn’t getting better.
    Leland visited every day around six, but always seemed like he
    needed to leave the moment he arrived. When Patricia followed him
    out into the hall to ask how he was doing, he stepped in close.
    “You haven’t told anyone her diagnosis?” he asked.
    “She doesn’t have one as far as I know,” Patricia said.
    He stepped in closer. Patricia wanted to back up but she was
    already standing against the wall.
    “They say it’s an autoimmune disease,” he whispered. “You can’t
    repeat that. People are going to think she has AIDS.”
    “No one’s going to think that, Leland,” Patricia said.
    “They’re already saying it at church,” he said. “I don’t want it
    coming back on the kids.”
    “I haven’t said anything to anyone,” Patricia said, unhappy to be
    forced to participate in something that felt wrong.
    Friday morning, they taped a sign to Slick’s door that had been
    photocopied so many times it was covered with black dots saying
    that if you had a temperature, or been exposed to anyone with a cold,
    you were not allowed in the room.
    Slick looked pale, her skin felt papery, and she didn’t want to be
    left alone, especially at night. The nurses brought blankets and
    Patricia slept in the chair by her bed. After Leland went home,
    Patricia held the phone so Slick could say bedtime prayers with her
    kids, but most of the time Slick lay still, the sheets pulled up almost
    to her chin, her doll-sized arms wrapped in white tape, pricked with
    IV needles and tubes. She sweated out fevers most of the afternoon.
    When she seemed lucid Patricia tried to read to her from Men Are
    from Mars, Women Are from Venus, but after a paragraph she
    realized Slick was saying something.
    “What’s that?” Patricia asked, leaning over.
    “Anything…else…,” Slick said. “…anything…else.”
    Patricia pulled the latest Ann Rule out of her purse.
    “‘September 21, 1986,’” she read, “‘was a warm and beautiful
    Sunday in Portland—in the whole state of Oregon, for that matter.
    With any luck the winter rains of the Northwest were a safe two
    months away…’”
    The facts and firm geography soothed Slick, who closed her eyes
    and listened. She didn’t sleep, just lay there, smiling slightly. The
    light outside got dimmer and the light inside got stronger, and
    Patricia kept reading, speaking louder to compensate for her paper
    mask.
    “Am I too late?” Maryellen said, and Patricia looked up to see her
    pushing open the door.
    “Is she awake?” Maryellen whispered from behind her paper mask.
    “Thank you for coming,” Slick said without opening her eyes.
    “Everyone wants to know how you’re feeling,” Maryellen said. “I
    know Kitty wanted to come.”
    “Are you reading this month’s book?” Slick asked.
    Maryellen pulled a heavy brown armchair to the foot of the bed.
    “I can’t even open it,” she said. “Men Are from Mars? That’s giving
    them too much credit.”
    Slick started coughing, and it took Patricia a moment to realize she
    was laughing.
    “I made…,” Slick whispered, and Patricia and Maryellen strained
    to hear her. “I made Patricia stop reading it.”
    “I miss the books we used to read where at least there was a
    murder,” Maryellen said. “The problem with book club these days is
    too many men. They don’t know how to pick a book to save their lives
    and they love to listen to themselves talk. It’s nothing but opinions,
    all day long.”
    “You sound…sexist,” Slick whispered.
    She was the only one not in a mask, so even though her voice was
    weakest, it sounded loudest.
    “I wouldn’t mind listening if any of them had an opinion worth a
    damn,” Maryellen said.
    With three of them in Slick’s little hospital room, Patricia felt the
    absence of the other two more acutely. They felt like some kind of
    survivors’ club—the last three standing.
    “Are you going to Kitty’s oyster roast on Saturday?” she asked
    Maryellen.
    “If she has one,” Maryellen said. “The way she’s acting they might
    call it off.”
    “I haven’t spoken to her since before Halloween,” Patricia said.
    “Give her a call when you have a chance,” Maryellen said.
    “Something’s wrong. Horse says she hasn’t left the house all week
    and yesterday she barely left her room. He’s worried.”
    “What does he say is wrong?” Patricia asked.
    “He says it’s nightmares,” Maryellen said. “She’s drinking, a lot.
    She wants to know where the children are every second of the day.
    She’s scared something might happen to them.”
    Patricia decided it was time more people knew.
    “Do you want to talk to Maryellen about anything?” she asked
    Slick. “Do you have something you need to tell her?”
    Slick shook her head deliberately.
    “No,” she croaked. “The doctors don’t know anything yet.”
    Patricia leaned down.
    “He can’t hurt you here,” she said, quietly. “You can tell her.”
    “How is she?” a gentle, caring male voice said from the door.
    Patricia hunched as if she’d been stabbed between the shoulder
    blades. Slick’s eyes widened. Patricia turned, and there was no
    mistaking the eyes above the mask or the shape beneath the paper
    gown.
    “I’m sorry I didn’t come earlier,” James Harris said through his
    mask, moving across the room. “Poor Slick. What’s happened to
    you?”
    Patricia stood and put herself between James Harris and Slick’s
    bed. He stopped in front of her and placed one large hand on her
    shoulder. It took everything she had not to flinch.
    “You’re so good to be here,” he said, and then gently brushed her
    aside and loomed over Slick, one hand resting on her bed rail. “How
    are you feeling, sweetheart?”
    What he was doing was obscene. Patricia wanted to scream for
    help, she wanted the police, she wanted him arrested, but she knew
    no one would help them. Then she realized Maryellen and Slick
    weren’t saying anything, either.
    “Do you not feel up to talking?” James Harris asked Slick.
    Patricia wondered who would break first, which one of them would
    cave in to niceties and make conversation, but they all stood firm,
    and looked at their hands, at their feet, out the window, and none of
    them said a word.
    “I feel like I’m interrupting,” James Harris said.
    The silence continued and Patricia felt something bigger than her
    fear: solidarity.
    “Slick’s tired,” Maryellen finally said. “She’s had a long day. I think
    we should all leave her to get some rest.”
    As everyone shuffled around each other, trying to say good-bye,
    trying to get to the door, trying to get their things, Patricia worked
    spit into her dry mouth. She didn’t want to do what she was about to
    do, but right before she said good-bye to Slick, she spoke as loudly as
    she could.
    “James?”
    He turned, his eyebrows raised above his mask.
    “Korey took my car,” she said. “Could you give me a ride home?”
    Slick tried to push herself up in bed.
    “I’ll be back tomorrow,” she told Slick. “But I need to go home and
    get some groceries in the fridge and make sure the children are still
    alive.”
    “Of course,” James Harris said. “I’ll be happy to give you a ride.”
    Patricia bent over Slick.
    “I’ll see you soon,” she said, and kissed her on the forehead.
    Maryellen insisted on walking with her to James Harris’s car,
    which was on the third level of the parking garage. Patricia
    appreciated the gesture, but then came the moment when she had to
    go.
    “Well,” Maryellen said, like a bad actor on television. “I thought I
    was parked up here but I guess I was wrong again. You go on, I’ll
    have to figure out where I put my car.”
    Patricia watched Maryellen walk to the stairwell until all she could
    hear were her heels, and then those faded, and the parking garage
    was silent. The door locks chunked up and Patricia jumped. She
    pulled the handle, slid self-consciously into the front seat, pulled the
    door closed, and clicked her seat belt on. The car engine came to life,
    idled, and then James Harris reached for her head. She flinched as
    he put his hand on the back of her headrest, looked over his
    shoulder, and reversed out of his space. They drove down the ramps
    in silence, he paid the attendant, and they pulled out onto the dark
    Charleston streets.
    “I’m glad we can have this time together,” he said.
    Patricia tried to say something, but she couldn’t force air through
    her throat.
    “Do they have any idea what’s wrong with Slick?” he asked.
    “An autoimmune disorder,” she managed.
    “Leland thinks she has AIDS,” James Harris said. “He’s terrified
    people will find out.”
    His turn signal clicked loudly as he made a left onto Calhoun
    Street, past the park where the columns from the old Charleston
    Museum still stood. They reminded Patricia of tombstones.
    “You and I have been making a lot of assumptions about each
    other,” James Harris said. “I think it’s time we got on the same
    page.”
    Patricia dug her nails into her palms to make herself keep quiet.
    She had gotten into his car. She didn’t need to talk.
    “I would never hurt anyone,” he said. “You know that, right?”
    How much did he know? Had they cleaned his stairs completely?
    Did he know she’d been in his attic, or did he just suspect? Had she
    missed a spot, left something behind, given herself away?
    “I know,” she said.
    “Does Slick have any idea how she got this?” he asked.
    Patricia bit the inside of her cheeks, feeling her teeth sink into
    their soft, spongy tissue, making herself more alert.
    “No,” she said.
    “What about you?” he asked. “What do you think?”
    If he had attacked Slick, what would he do to her now that they
    were alone? The position she’d put herself in began to sink in. She
    needed to reassure him that she was no danger.
    “I don’t know what to think,” she managed.
    “At least you’re admitting it,” he said. “I find myself in a similar
    position.”
    “What’s that?” she asked.
    They mounted the Cooper River Bridge, rising in a smooth arc over
    the city, leaving the land below, soaring over the dark harbor. Traffic
    was light, with only a few cars on the bridge.
    The moment Patricia dreaded was coming soon. At the end of the
    bridge, the road forked. Two lanes curved toward the Old Village.
    The other two veered left and became Johnnie Dodds Boulevard,
    running out past strip malls, past Creekside, out into the country
    where there were no streetlights or neighbors, deep into Francis
    Marion National Forest where there were hidden clearings and
    logging roads, places where occasionally the police found abandoned
    cars with dead bodies in the trunk, or babies’ skeletons wrapped in
    plastic bags and buried under the trees.
    Which road he took would tell her if he thought she posed a threat.
    “Leland did this to her,” James Harris said. “Leland made her
    sick.”
    Patricia’s thoughts fragmented. What was he saying? She tried to
    pay attention, but he was already talking.
    “It all started with those damn trips,” he said. “If I’d known, I
    never would have suggested them. It was that one last February to
    Atlanta, do you remember? Carter had that Ritalin conference and
    Leland and I went on Sunday to take some of the doctors out golfing
    and talk to them about investing in Gracious Cay. At dinner, this
    psychiatrist from Reno asked if we wanted to see some girls. He told
    us there was a place called the Gold Club owned by a former New
    York Yankee, so it must be on the level. It wasn’t my kind of thing,
    but Leland spent almost a thousand dollars. That was the first time.
    After that, it seemed to get easier for him.”
    “Why are you telling me this?” Patricia asked.
    “Because you need to know the truth,” he said, and they were
    coming down the last rise of the bridge. Up ahead, the road
    branched: right or left. “I became aware of the girls last summer.
    Leland would be with a different one almost every trip. Sometimes,
    when it was places like Atlanta or Miami where we went a few times,
    he would see the same girl. Some of them were professionals, some
    weren’t. You know what I mean by that?”
    He waited. She nodded stiffly in acknowledgment, eyes on the
    road. He drove in the middle lane, which could go either way. She
    wondered if this was a full and final confession because he knew she
    wouldn’t be able to tell anyone soon.
    “He got a disease from one of them and gave it to Slick,” James
    Harris said. “There’s no way to know what it is. But I know that’s
    what happened. I asked him once if he used protection and he just
    laughed and said, ‘Where’s the fun in that?’ Someone needs to tell
    her doctor.
    He didn’t put on his turn signal to change lanes; his car just came
    down off the bridge and then drifted, so slightly she almost didn’t
    notice, and they were on the road to the Old Village. The muscles in
    her back unclenched.
    “What about Carter?” she asked, after a moment.
    They rode Coleman Boulevard’s gentle curves toward the Old
    Village, passing houses, streetlights, then stores, restaurants, people.
    “Him, too,” he said. “I’m sorry.”
    She hadn’t expected it to hurt so much.
    “What do you want from me?” she asked.
    “He’s treated you like a fool,” James Harris said. “Carter doesn’t
    see what a wonderful family he has, but I do. I have all along. I was
    there when your mother-in-law passed, and she was a good woman.
    I’ve watched Blue grow up and he’s having a hard time but he’s got so
    much potential. You’re a good person. But your husband has thrown
    it all away.”
    They passed the Oasis gas station in the middle of the road and
    entered the Old Village proper, the interior of the car getting darker
    as the streetlights became spaced farther apart.
    “If Leland gave Slick something,” he said, “Carter could do the
    same to you. I’m sorry to be the one to tell you, but you need to
    know. I want you to be safe. I care about you. I care about Blue and
    Korey. Y’all are a big part of my life.”
    He looked earnest as a suitor asking someone to be his bride as he
    turned from Pitt Street onto McCants.
    “What are you saying?” she asked, lips numb.
    “You deserve better,” he said. “You and the children deserve
    someone who knows your true value.”
    Her stomach slowly turned inside out. He passed Alhambra Hall
    and she wanted to shove open the door and jump out of the car. She
    wanted to feel the asphalt slap and cut and scrape her. It would feel
    real, not like this nightmare. She made herself look at James Harris
    again, but she didn’t trust herself to speak. She kept quiet until he
    pulled up in front of her driveway.
    “I need time to think,” she said.
    “What are you going to tell Carter?” he asked.
    “Nothing,” Patricia said, and made her face a mask. “Not yet. This
    is between us.”
    She fumbled with the door handle, and as she did, she dropped
    Francine’s license onto the floor of his car and slipped it beneath the
    passenger seat with her foot.
    It wasn’t his wallet, but it was the next best thing.

    She woke up in the dark. She must have turned off the bedside light
    at some point and didn’t remember. Now she lay there, scared to
    move, stiff as a board, listening. What had woken her? Her ears
    strained, scanning the darkness. She wished Carter were here, but he
    was on another drug company trip to Hilton Head.
    Her ears wandered through the dark house. She heard the higher-
    pitched heat coming through the air registers, the ticking sound it
    made deep in the tin ducts. Behind the ticking came the high-pitched
    rush of warm air, and the drip from the bathroom faucet.
    She thought about Blue. She needed to reach him, somehow,
    before James Harris got him further under control. He’d lied about a

    0 Comments

    Heads up! Your comment will be invisible to other guests and subscribers (except for replies), including you after a grace period.
    Cover of The Woman in Me (Britney Spears)
    Memoir

    The Woman in Me (Britney Spears)

    by
    The Woman in Me by Britney Spears is an intimate, candid memoir that offers an unfiltered look at the pop icon’s life, career, and struggles. With raw honesty, Spears shares her experiences in the spotlight, her battles with fame, and the challenges of reclaiming her freedom. This deeply personal account is a must-read for fans who want to understand the woman behind the headlines and the power of resilience.

    You are being provided with a book chapter by chapter. I will request you to read the book for me after each chapter. After reading the chapter, 1. shorten the chapter to no less than 300 words and no more than 400 words. 2. Do not change the name, address, or any important nouns in the chapter. 3. Do not translate the original language. 4. Keep the same style as the original chapter, keep it consistent throughout the chapter. Your reply must comply with all four requirements, or it’s invalid.
    I will provide the chapter now.

    34
    I couldn’t tell you why I went down to the lake.
    Maybe it was because Tripp had stopped by, asking if I wanted a ride there, too, and I hadn’t
    known Bea had invited him.
    Tripp and I hadn’t been friends or anything, but something about it, about the girls (women, I heard
    Jane say) going up there alone, then Bea texting Tripp to join them … something about it felt off.
    I’d seen the way Tripp had been looking at Bea lately, with these sad puppy-dog eyes. I told
    myself it was because Blanche was making it so obvious that she was into me. He’d transferred
    affection or some shit.
    But that didn’t mean I had to like it.
    So, it had bothered me, Bea inviting him, and long after Tripp left, I’d sat there in the living room,
    thinking about it, probing it like a sore tooth.
    Why would Bea want him there? She didn’t even like Tripp, and this was supposed to be some
    kind of girls’ bonding weekend.

    The house is dark and empty when Eddie gets there.
    Or he thinks it’s empty. After standing there in the living room, calling out to someone, he
    hears a snore from upstairs.
    Tripp is in the guest room, passed out, his mouth open, his hand hanging off the bed. His snores
    are deep, congested, his breaths taking a while to come, and something about it strikes Eddie as
    weird. Unnatural.
    But then again, Tripp is a drunk, maybe this is how they all sound.
    The boat is gone, and there are signs they’d all three been there—Blanche’s purse hanging up
    by the door, Tripp’s keys on the counter, Bea’s overnight bag on one of the bar chairs by the
    counter.
    Standing there in the living room, Eddie tells himself he’d been a complete jackass, that the
    girls had taken the boat out and were having a great time, and he’d let Blanche get to him with all
    that shit about Bea’s mom.
    Then he looks out the back door and sees her.
    Bea. Walking up the dock, soaking wet.
    And Eddie knows.
    And she had known he knew. He would remember the look on her face for the rest of his life, the
    way her jaw had clenched and her shoulders had gone back, head lifting as if to say, Try it,
    motherfucker.
    And at first, Eddie makes the right decision. Taking her into his arms. Telling her he
    understands. Blanche knew this horrible thing about her, and she was telling people, what else
    could Bea do? She was protecting them, protecting everything they’d built, and wasn’t she smart,
    getting Tripp down here to take the fall? He was so drunk, they would say. He and Blanche got into
    a fight, and he hit her, hit her so hard. Bea had tried to save her—Blanche was her best friend!—
    but she’d been drinking, too, and it was so dark. She’d been so brave, diving into the water,
    swimming away to get help.
    Smiling at Eddie, Bea rises up on tiptoes and kisses him. “I knew you’d get it,” she says.
    Which is when Eddie grabs her, his arm cutting off her air, her feet scrabbling on the ground,
    fingers tearing a button off his shirt that he forgets about until days later, once Bea was safe in the
    panic room.
    Safe.
    That’s what he tells himself.

    I couldn’t turn her in, or let her go to prison. Not for a murder this calculated, not in a death-penalty
    state, not when they might start asking the same questions about her mother that I’d been asking.
    (Not to mention that a trial would kill the business. No one wants charming knickknacks from a
    murderer.)
    But I also couldn’t let her just do this, couldn’t stomach the thought that the next time someone
    failed to fall in line with what Bea wanted, she’d just do away with them.
    The panic room had been a solution.
    Not the smartest, not the best, but fuck, what else could I have done?
    Some of the pain was starting to recede now, or maybe I was just getting used to it. In any case, I
    could move more now, and even though my stomach roiled again, I was able to sit up.
    Jane.
    I didn’t love her, not really. I knew that now.
    I’d wanted to. So much. In the beginning, it had felt so easy. I could just love someone else. I
    could have a fresh start. I could put everything with Bea behind me, forget what she’d done, what I’d
    done, what we’d done, and start over with Jane. Smart, funny Jane who saw the good parts of me,
    never the bad.
    Bea had learned the truth about my family eventually. That I hadn’t spoken to my mom or my
    brother since I was eighteen even though they were both good people who hadn’t done anything
    wrong. Their only crime was that they were a reminder of how thoroughly mediocre my beginnings
    had been.
    Jane didn’t know that, though. She didn’t know that my mom still tried to email me through the
    public address I had at Southern Manors, or that I deleted them as soon as they came in. Or that when
    my brother had tried to send us a Christmas card, I’d sicced our lawyers on him, implying that he was
    harassing us.
    With Jane, I was getting a blank slate.
    But a part of me had always known it was never going to be that easy. I might’ve told myself that I
    hid Bea away to protect the business, that it was better the world think she was dead than a murderer,
    but the truth was … I couldn’t bear to give her up.
    It was that simple. That fucking terrifying.
    I still loved her.
    That’s what this had been, fucked up as it was. Love. Trying to save her from the outside world—
    and from herself.
    “This is the best thing for you,” I’d told her that first night when I’d put her in the panic room as
    she’d gaped at me, confused and angry, and maybe a little scared.
    And I’d believed that. I still did. But Jesus, now she was loose, in the house with Jane, resilient
    Jane who I should’ve let go from the start. She didn’t deserve this. I should never have proposed to
    her, not when I was still going into Bea’s room, seeing her, talking to her, sleeping with her. But I’d
    wanted to give Jane the thing she’d wanted. I’d somehow, stupidly, thought this might work out. That

    0 Comments

    Heads up! Your comment will be invisible to other guests and subscribers (except for replies), including you after a grace period.
    Cover of The Woman in Me (Britney Spears)
    Memoir

    The Woman in Me (Britney Spears)

    by
    The Woman in Me by Britney Spears is an intimate, candid memoir that offers an unfiltered look at the pop icon’s life, career, and struggles. With raw honesty, Spears shares her experiences in the spotlight, her battles with fame, and the challenges of reclaiming her freedom. This deeply personal account is a must-read for fans who want to understand the woman behind the headlines and the power of resilience.

    Chapter 34 of “The Tenant of Wildfell Hall” by Anne Brontë, titled “Concealment,” delves into the complex emotional landscape of the protagonist, who grapples with feelings of betrayal, hatred, and the daunting prospect of her future. The chapter opens with a reflection on how to endure the company of her husband and their guests, noting a distinct shift in her feelings towards her husband—from love to an admission of hate, underscored by her resolution for no vengeance other than his realization of guilt.

    The narrative swiftly moves to interactions with Mr. Hargrave, who presents as both annoying and seemingly considerate, forcing the protagonist into a fine balance between politeness and the preservation of her dignity. Despite Hargrave’s intentions, the protagonist reminisces about previous interactions that affirm her distrust and resolve to remain vigilant against his advances.

    A significant part of the chapter revolves around the protagonist’s confrontation with Lady Lowborough, who has been carrying on an affair with her husband. This confrontation is marked by the protagonist’s decision to directly address Lady Lowborough’s behavior, leading to a heated exchange where personal grievances and moral standings are aired. Despite the tension, the protagonist decides against disclosing the affair to either Lady Lowborough’s husband or the wider public, acting from a place of principle rather than revenge or spite.

    The chapter concludes with a stark examination of personal integrity and the consequences of one’s actions, as seen through the protagonist’s interactions and decisions regarding those around her. The emotional depth and moral quandaries presented offer a nuanced exploration of themes such as betrayal, self-respect, and the complexities of human relationships. The protagonist’s stance is clear: despite the pain and betrayal experienced, her actions are guided by a moral compass that seeks honesty, dignity, and, above all, a preservation of her inner peace amidst the turmoil.

    0 Comments

    Heads up! Your comment will be invisible to other guests and subscribers (except for replies), including you after a grace period.
    Note