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    Chapter Index
    Cover of All the Colors of the Dark
    Thriller

    All the Colors of the Dark

    by
    All the Colors of the Dark by Alessandra Zecchini is a haunting novel that blends mystery, suspense, and the supernatural. The story follows a woman struggling with grief and trauma who begins to uncover strange, eerie events that blur the line between reality and the unknown. As she navigates her dark past and unsettling present, the novel explores themes of fear, self-discovery, and the psychological toll of unresolved pain. With a tense, atmospheric tone, Zecchini crafts a gripping journey into the depths of the human mind.

    In Chapter 17 of “All the Colors of the Dark,” the scene unfolds in a tense office where Nix, presumably a police officer, urges a young girl named Saint to stop her current course of action. Saint, caught in a moment of despair, reflects on her life, feeling a deep sense of inadequacy and poverty—not in material wealth, but in her lack of style and femininity that leaves her feeling isolated from her peers. This feeling is amplified as she recognizes the judgment from others, including Nix.

    Saint’s thoughts drift to her friend Misty and the mysterious Dr. T, who she learns was allegedly in the woods searching for his missing dog when an incident occurred. Despite Nix’s claims, Saint is skeptical; she insists Dr. T does not own a dog, revealing her intimate knowledge of the area surrounding her grandmother’s house that backs onto a farm. Her assertion indicates her familiarity with the landscape and heightens her suspicion about the whole scenario.

    As Nix prepares to respond, a phone call interrupts the exchange, and Saint observes the sudden change in Nix’s demeanor, indicating something significant has happened. The chapter closes with a foreboding sense of dread as the news breaks that another girl has gone missing, heightening the tension in Monta Clare. The atmosphere is thick with uncertainty and fear, encapsulating Saint’s struggle to seek the truth amidst the chaos surrounding her.

    Overall, this chapter deepens the mystery while exploring themes of isolation, trust, and the impact of loss in a small community. The emotional undertones coupled with the narrative’s pacing create a palpable sense of urgency and apprehension as the story unfolds.

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    Chapter Index
    Cover of All the Colors of the Dark
    Thriller

    All the Colors of the Dark

    by
    All the Colors of the Dark by Alessandra Zecchini is a haunting novel that blends mystery, suspense, and the supernatural. The story follows a woman struggling with grief and trauma who begins to uncover strange, eerie events that blur the line between reality and the unknown. As she navigates her dark past and unsettling present, the novel explores themes of fear, self-discovery, and the psychological toll of unresolved pain. With a tense, atmospheric tone, Zecchini crafts a gripping journey into the depths of the human mind.

    You are being provided with a book chapter by chapter. I will request you to read the book for me after each chapter. After reading the chapter, 1. shorten the chapter to no less than 300 words and no more than 400 words. 2. Do not change the name, address, or any important nouns in the chapter. 3. Do not translate the original language. 4. Keep the same style as the original chapter, keep it consistent throughout the chapter. Your reply must comply with all four requirements, or it’s invalid.
    I will provide the chapter now.

    17
    I was happy with my new album, In the Zone. “Me Against the Music,”
    featuring Madonna, was the rst single o the album. The next single was
    “Toxic,” for which I won a Grammy Award. “Toxic” was innovative as well as a
    massive success, and is still one of my favorites to perform.
    To promote the album, I went out with an MTV camera crew in New York
    City one night to lm a special called In the Zone & Out All Night. We drove all
    over the city to appear at three nightclubs—Show, Splash, and Avalon. It was
    electrifying to see large groups of people dancing to the new songs. As has
    happened again and again in my career, my fans reminded me why I do what I
    do.
    But then, one day, there was a knock on my door. When I opened it, four
    men just walked in right past me; I didn’t recognize three of them. I’d never seen
    their faces before in my life.
    The fourth was my father.
    They proceeded to sit me down on a sofa (the same one I have to this day in
    my bedroom). Immediately they started peppering me with questions,
    questions, and more questions. I was mute: I wasn’t willing to talk with anyone.
    I had nothing to say.
    A day later I got a call from my team that I was going to speak to Diane
    Sawyer… and on that same sofa. Because of what had happened with Justin, and
    everything I’d been through, I felt like I was no longer able to communicate with
    the world. I had a dark cloud over my head; I was traumatized.
    I’d often retreated to my apartment to be alone; now I was being forced to
    speak to Diane Sawyer there and cry in front of the entire nation.
    It was completely humiliating. I wasn’t told what the questions would be
    ahead of time, and it turned out they were 100 percent embarrassing. I was too
    vulnerable then, too sensitive, to do this type of interview. She asked things like,
    “He’s going on television and saying you broke his heart. You did something
    that caused him so much pain. So much suering. What did you do?”
    I didn’t want to share anything private with the world. I didn’t owe the media
    details of my breakup. I shouldn’t have been forced to speak on national TV,
    forced to cry in front of this stranger, a woman who was relentlessly going after
    me with harsh question after harsh question. Instead, I felt like I had been
    exploited, set up in front of the whole world.
    That interview was a breaking point for me internally—a switch had been
    ipped. I felt something dark come over my body. I felt myself turning, almost
    like a werewolf, into a Bad Person.
    I honestly feel like that moment in my life should have been a time for
    growing—and not sharing everything with the world. It would have been the
    better way to heal.
    But I had no choice. It seemed like nobody really cared how I felt.
    Back home in Louisiana again for the holidays, I invited some friends over. We
    were trying to hang out in the guesthouse I’d built behind the main house—and
    my mother got annoyed with us for being noisy. Suddenly, it hit me that I had
    enough money that we did not have to stay in Louisiana. I booked us a trip to
    Las Vegas for New Year’s Eve and some friends from my tour joined us.
    We cut loose at the Palms Casino Resort and drank—a lot. I’ll admit that we
    got phenomenally stupid. I will also say that this was one time when I almost felt
    overwhelmed having that much freedom in Sin City. I was this little girl who had
    worked so much, and then all of a sudden the schedule was blank for a few days,
    and so: Hello, alcohol!
    Paris Hilton showed up at the casino to hang out and have some drinks.
    Before I knew it, we got on top of tables, took our shoes o, and ran through the
    whole club like fairy-dusted idiots. No one got hurt, and I had the best time
    with Paris—we were just playing, and we still do every time we get together.
    I wasn’t rude to anybody. It was just innocent fun. Most people will probably
    judge, and now you can’t do things like that because people will all whip their
    cameras out. But back then, that time in Vegas, we just acted silly. Having
    already been under so much media scrutiny, I wasn’t interested in causing
    trouble—it was about feeling free and enjoying what I had been working so hard
    to achieve.
    As a twentysomething will do after a few drinks, I wound up in bed with one
    of my old friends—a childhood friend who I’d known forever. The third night
    we were there together, he and I got shitfaced. I don’t even remember that night
    at all, but from what I’ve pieced together, he and I lounged around the hotel
    room and stayed up late watching movies—Mona Lisa Smile and The Texas
    Chainsaw Massacre—then had the brilliant idea of going to A Little White
    Chapel at three thirty in the morning. When we got there, another couple was
    getting married, so we had to wait. Yes—we waited in line to get married.
    People have asked me if I loved him. To be clear: he and I were not in love. I
    was just honestly very drunk—and probably, in a more general sense at that time
    in my life, very bored.
    The next day, my whole family ew out to Vegas. They showed up and stared
    at me with these eyes of such fury. I looked around. “What happened last
    night?” I asked. “Did I kill someone?”
    “You got married!” they said, as if that might be somehow worse.
    “We were just having fun,” I said.
    But my mom and dad took it so seriously.
    “We have to get this annulled,” they said. They made way too big of a deal
    out of innocent fun. Everybody has a dierent perspective on it, but I didn’t
    take it that seriously. I thought a goof-around Vegas wedding was something
    people might do as a joke. Then my family came and acted like I’d started World
    War III. I cried the whole rest of the time I was in Las Vegas.
    “I’m guilty!” I said. “I’m so sorry. I shouldn’t have gotten married.”
    We signed all the documents they told us to sign. The marriage lasted fty-
    ve hours. I thought it was strange they got so involved so quickly and so
    decisively—without my even having time to quite regret what I’d done.

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    Chapter Index
    Cover of All the Colors of the Dark
    Thriller

    All the Colors of the Dark

    by
    All the Colors of the Dark by Alessandra Zecchini is a haunting novel that blends mystery, suspense, and the supernatural. The story follows a woman struggling with grief and trauma who begins to uncover strange, eerie events that blur the line between reality and the unknown. As she navigates her dark past and unsettling present, the novel explores themes of fear, self-discovery, and the psychological toll of unresolved pain. With a tense, atmospheric tone, Zecchini crafts a gripping journey into the depths of the human mind.

    You are being provided with a book chapter by chapter. I will request you to read the book for me after each chapter. After reading the chapter, 1. shorten the chapter to no less than 300 words and no more than 400 words. 2. Do not change the name, address, or any important nouns in the chapter. 3. Do not translate the original language. 4. Keep the same style as the original chapter, keep it consistent throughout the chapter. Your reply must comply with all four requirements, or it’s invalid.
    I will provide the chapter now.

    CHAPTER 17
    Patricia went down the shaky front steps with a silver Boy Scout
    flashlight in one hand. Mrs. Greene stood in the doorway.
    “I’m just going to look around the back of the trailer,” Patricia said,
    but Mrs. Greene had already closed and locked the front door.
    Patricia heard her slide the chain into place.
    All over Six Mile she heard the hum of air conditioners. The woods
    around her were a tornado of screaming insects. Every breath felt
    like it came through a towel soaked in warm water. She made her
    legs move, taking her around the dark corner of the trailer.
    She clicked on the flashlight and played it over the big wooden
    spool, as if she might see an incriminating footprint outlined in black
    ink on its top. She shined her light down on the sandy soil and saw
    indentations and shadows and lumps but didn’t know what any of
    them meant. She straightened and shined her light at the woods.
    The pale yellow beam played over pine trees. They were spaced
    pretty far apart and she realized she could walk along the edge of
    them and still keep an eye on the trailer. Before she could think
    better of it she stepped around the first one, then the second, the
    flashlight beaming a lamplight circle on the ground in front of her,
    leading her into the woods step by step, as the screaming insects
    closed in around her.
    Something grabbed her foot and yanked and her heart flooded
    with cold water before she saw that she’d snagged it on a rusty wire
    stretched along the ground. She looked back behind her, feeling
    confident, but the lit windows of the houses were farther away than
    she’d expected. She wondered if the police had arrived but knew
    she’d see their blue lights if they had.
    The smell of warm sap surrounded her, and pine needles were
    thick underfoot. She knew this was the last moment when she could
    turn back. If she kept walking forward she wouldn’t be able to see the
    lit windows at all anymore and then she was going to be out here
    alone with James Harris.
    Hang on, Destiny, she thought as she started walking deeper into
    the woods. I’m coming.
    With the flashlight beam bouncing before her, she concentrated on
    each tree trunk, not the entire dark mass of them crowding around
    and behind her. She went carefully, not wanting to step in a hole,
    conscious of the loud crashing sounds her body made as she brushed
    through the branches, bushes, and vines.
    Something that wasn’t her rustled to the right. She froze and
    clicked off her flashlight so it wouldn’t give her away. The night
    rushed in around her. She strained to listen over the sound of blood
    throbbing in her ears. Her pulse thumped in her wrists. Her breath
    rasped in her nose. Then she realized: the insects had stopped
    screaming.
    Blobs of dark color flashed across her vision. She heard something
    scurry through the trees, and suddenly the thought of standing still
    panicked her, and she needed to move, but without the flashlight she
    couldn’t see her way forward so she clicked it back on and the trees
    and pine needles on the ground materialized in front of her again.
    She moved fast, flashlight pointed down, looking for a little girl’s
    leg clad in denim sticking out from behind a pine tree. Mixed in with
    the sound of her breath and her heartbeat and her pulse she heard
    things groaning in the trees all around her; any minute a big hand
    would settle on the back of her neck. Her pounding heart pulled her
    forward.
    She should turn around and go home. She was nothing but a tiny
    speck in the forest. She was a fool to think she’d somehow stumble
    across Destiny Taylor this way, and what was she going to say when
    she saw James Harris? Was she going to knock him over the head
    with her little flashlight? She needed to go back.
    Then the trees stopped and she stepped onto a dirt road. It wasn’t
    very wide but the sandy soil was loose and she realized someone
    must be building something nearby because of the big tread marks
    pressed into its surface. She flashed the light in one direction and
    saw the little road disappearing into a dark tunnel of trees. She
    flashed the light in the other direction and saw the chrome grille of
    James Harris’s white van.
    She snapped off her light and stepped back into the pines,
    stumbling over a stump. He could’ve seen her. She’d snapped her
    light off in time, but she realized that he could’ve seen her beam
    bobbing through the trees as she approached, and then she’d stood
    there like a dummy looking the other way before shining her light at
    the van. She wanted to run but made herself hold still instead. The
    van didn’t move.
    It wasn’t fifty feet away. She could walk over and touch it. She
    needed to walk over and touch it. She needed to know if he was
    inside.
    She walked toward it, her shoes sinking into the sand, making no
    sound, her stomach churning. She waited for the headlights to
    scream on and pin her down, the engine to roar to life and run her
    over. The van’s grille and windshield swam from side to side in her
    vision, bouncing up and down, getting closer, and then she was
    there. She realized that inside was darker than outside so she ducked
    down, knees popping, to make sure he didn’t see her head outlined
    through his windshield against the night sky.
    She put out one hand to steady herself. The curve of the hood felt
    cool. She wondered if the police were at Wanda’s trailer yet. She
    wanted to go back. Didn’t drug dealers have guns, and knives, and all
    kinds of weapons? She imagined Blue in the back of the van and
    knew she had to look. Destiny Taylor wasn’t her child but she was
    still a child.
    Patricia slowly rose, knees cracking, and leaned forward until the
    edges of her hands touched the cold windshield, and she cupped
    them around her eyes and peered inside. Beyond the thin crescent
    rim of the steering wheel it was pitch-dark. She narrowed her eyes
    until the muscles in them ached, but she couldn’t see a thing.
    Then she realized he wasn’t in the van. He was still in the woods
    with Destiny, or he’d finished with her and was on his way back.
    Before he got there she could look inside quickly and see if there
    were any clues, any clothes from that other child, anything that
    belonged to Francine. She had seconds.
    She walked to the back of the van, wrapped her hand around the
    door handle, and pulled. Then she raised her flashlight and turned it
    on.
    A man’s back bent over something on the floor, his rear end and
    the soles of his work boots turned toward her, and then his back
    reared up, and he turned into the flashlight’s beam and she saw
    James Harris. But there was something wrong with the lower half of
    his face. Something black, shiny, and chitinous like a cockroach’s leg,
    stuck several inches out of his mouth. His jaws hung open, stupefied,
    as he blinked blearily in the light, but otherwise his body didn’t move
    as this long insectoid appendage slowly withdrew into his mouth,
    and when it had retreated fully, he closed his lips and she saw that
    his chin and cheeks and the tip of his nose were coated in slick, wet
    blood.
    Beneath him, a young black girl lay sprawled on the floor, long
    orange T-shirt pushed up to her stomach, legs akimbo, an ugly dark
    purple mark on the inside of one thigh, oily with fluids.
    James Harris slapped the palm of one hand against the metal side
    of the van and the vehicle shook from side to side as he hauled
    himself to his feet. He squinted and Patricia realized her flashlight
    had blinded him. He took an unsteady, lurching step toward her. She
    froze, not knowing what to do, and then he took another step,
    rocking the van more, and she realized there was only three feet
    between them. The little girl moaned and squirmed like she was
    asleep, whimpering like Ragtag in his dreams.
    The van rocked as James Harris took another step. There were
    maybe two feet between them now and she had to do something to
    get that little girl out of there, and he still squinted into the flashlight
    beam. He reached for it slowly, fingers outstretched, inches from her
    face. Patricia ran.
    The second the flashlight beam was off his face she heard his feet
    clang once on the van’s floor and then hit the sand behind her. She
    ran into the woods, flashlight on, beam dancing crazily over stumps
    and trunks and leaves and bushes, and she shoved her way past
    branches that slapped her face and tree trunks that bruised her
    shoulders and vines that lashed her ankles. She didn’t hear him
    behind her but she ran. She didn’t know for how long, but she knew
    it was long enough for her flashlight’s batteries to dim. She thought
    these woods would never end, and then the woods spat her out
    beside a chain-link fence and she knew she was back on one of the
    roads leading into Six Mile.
    She shined her light around but it only made the shadows loom
    larger and dance crazily. She searched for something familiar and
    then everything exploded into bright white light and she saw a car
    coming her way slowly, jouncing up and down the bumpy road, and
    she cringed against a fence and it stopped, and a police officer’s voice
    said, “Ma’am, do you know who called 911?”
    She got in the back and had never been so grateful to hear
    anything as she was to hear the door slam shut behind her. The air
    conditioning instantly dried her sweat and left her skin gritty. She
    saw that the officer had a gun on his hip, and his partner in the
    passenger seat turned around and asked, “Can you show us the
    house where the child went missing?” They had a shotgun in a rack
    between them, and all of it made Patricia feel safe.
    “He’s got her right now,” Patricia said. “He’s doing something to
    her. I saw them in the woods.”
    The partner said something into a handset and they turned on
    their flashing lights but not their siren, and the car flew down the
    narrow road. Patricia saw the Mt. Zion A.M.E. church ahead of them.
    “Where did you see them?” the officer asked.
    “There’s a road,” Patricia said as the police car bounced into Six
    Mile. “A construction road back in the woods behind here.”
    “Over there,” the officer in the passenger seat said, lowering the
    radio handset, pointing across the car.
    The driver turned hard, and mobile homes reeled to the right in
    their headlights. Then the police car surged forward between two
    small homes and they left Six Mile behind. Trees surrounded them
    and the officer driving turned the wheel to the right and Patricia felt
    its tires slide on sand, heavy and slow, and then they were on the
    road she’d found.
    “This is it,” Patricia said. “He’s in a white van up ahead.”
    They slowed, and the officer in the passenger seat used a handle to
    steer a spotlight mounted outside the car to shine into the woods on
    both sides of the road, panning across the trees. It was thousands of
    times brighter than Patricia’s little flashlight. They rolled down their
    windows to listen for a little girl’s cries.
    Before they knew it, they’d reached the end of the road, coming to
    where it ran into the state road.
    “Maybe we missed him?” one of the officers said.
    Patricia didn’t look at her watch but she felt like they drove up and
    down that soft, sandy road for an hour.
    “Let’s try the house,” the driver said.
    She directed them back to Six Mile and they parked outside
    Wanda’s trailer. The partner let Patricia out of the back and she ran
    up the rickety front porch and banged on the door. Wanda practically
    threw herself outside.
    “She hasn’t come back,” she said. “She’s still out there.”
    “We need to see the child’s room,” one police officer said. “We
    have to see the last place you saw her.”
    “You don’t need to do that,” Patricia said. “His name is James
    Harris. He lives near me. He might have taken her back to his house.
    I can show you.”
    One officer stayed in the living room and wrote what she said on a
    pad while the other followed Wanda down the short hall to Destiny’s
    bedroom, then a loud shriek filled the trailer. The officer lowered his
    pad and ran down the hall. Patricia couldn’t squeeze past the officers
    so she stayed with Mrs. Greene until Wanda Taylor emerged from
    between them with Destiny in her arms.
    The little girl looked sleepy and unconcerned about all the fuss.
    Wanda sat on the sofa, Destiny draped across her lap, limp body
    cradled in her mother’s arms. The officers didn’t say anything and
    their faces betrayed no expression.
    “I saw him,” Patricia told them. “His name is James Harris, he
    lives on Middle Street, his van is a white van with tinted windows.
    Something’s wrong with his mouth, with his face.”
    “This happens sometimes, ma’am,” one of the officers said. “A kid
    hides under the bed or sleeps in the closet and the parents call the
    police saying she’s been abducted. Gets everyone worked up.”
    The enormity of what he was saying was too much. All Patricia
    could say was, “She doesn’t have a closet.”
    Then she realized what she could do.
    “Check her leg,” she said. “Beneath her panties on the inside part
    of her thigh, there should be a mark there, like a cut.”
    Everyone looked at each other but no one moved.
    “I’ll look,” Mrs. Greene said.
    “No, ma’am,” the officer said. “If you want us to check the child we
    need to call the ambulance and take her to the hospital so someone
    qualified can do it. Otherwise we can’t use it as evidence.”
    “Evidence?” Patricia asked.
    “If you want to bring charges against this man, you have to do it
    the right way,” the officer said.
    “If you’re alleging that you saw a man molesting this child, it is
    imperative that a trained medical professional examine her,” the
    other officer said.
    “I’m a nurse,” Patricia told him.
    “No one’s taking my little girl anywhere,” Wanda said, holding
    Destiny, her limp head flopping against her mother’s shoulder, eyes
    half closed, arms hanging down at her sides. “She’s staying with me.
    She’s not going out of my sight again.”
    “It’s important,” Patricia said.
    “She’s seeing the doctor in the morning,” Wanda Taylor said.
    “She’s not going anywhere until then.”
    Pounding came from the front door and they looked at each other,
    frozen. The aluminum door rattled in its frame until Mrs. Greene
    pushed past everyone. She flung the door open. Carter stood on the
    porch.
    “Jesus Christ, Patty,” he said. “What the hell is going on?”

    “If my wife says she saw this man doing this, then that’s what
    happened,” Carter told the officers, standing in the middle of the
    trailer. He looked out of place to Patricia, and then she remembered
    he’d grown up poor, and if mobile homes had existed in 1948 he
    would almost certainly have been born in one.
    “We searched everywhere she told us, sir,” the officer repeated
    with a heavy emphasis on the sir. “But that doesn’t mean we don’t
    believe her. If they find anything wrong with this little girl tomorrow
    we’ll have what your wife said tonight in the report.”
    “I’m sleepy,” Destiny said, dreamy and soft, and Wanda began the
    process of getting everyone out of her home.
    Outside, Carter made sure the two officers had his information,
    while Mrs. Greene walked over to Patricia.
    “No point standing around outside when it’s this hot,” she said,
    and they started back to her house. Then she added, “They’re going
    to take that little girl away.”
    “Not if there’s nothing wrong with her,” Patricia said.
    “You saw how they looked at Wanda,” Mrs. Greene said. “You saw
    how they looked at her home. They think she’s trash, and she is, but
    not the kind of trash they think she is.”
    “She needs to get to the doctor,” Patricia said. “No matter what.”
    “What’d you really see that man doing to her?” Mrs. Greene asked.
    They stepped over the low railing around Mt. Zion A.M.E. and got
    all the way to its steps before Patricia said anything.
    “It wasn’t natural,” she said.
    It took Patricia two steps to realize Mrs. Greene had stopped
    walking. She turned around. In the church’s porch light, Mrs. Greene
    looked very small.
    “Everyone’s hungry for our children,” she said, and her voice
    cracked. “The whole world wants to gobble up colored children, and
    no matter how many it takes it just licks its lips and wants more.
    Help me, Mrs. Campbell. Help me keep that little girl with her
    mother. Help me stop that man.”
    “Of course,” Patricia said. “I’ll—”
    “I don’t want to hear of course,” Mrs. Greene said. “When I tell
    someone what’s happening out here they see an old woman living in
    the country who’s never been to school. When you tell them, they see
    a doctor’s wife from the Old Village and they pay attention. I don’t
    like to ask for favors but I need you to make them pay attention to
    this. You know I did everything I could to save Miss Mary. I gave my
    blood for her. When you called me on the telephone tonight you said
    we’re all mothers. Yes, ma’am, we are. Give me your blood. Help
    me.”
    Reflexively, Patricia almost said of course again, then wiped it
    from her mind. She didn’t say a thing. She stood across from Mrs.
    Greene and spoke, soft and firm.
    “We’ll save them,” she said. “We won’t let them take Destiny, and
    we won’t let that man take any more children. I will do everything in
    my power to stop him. I promise you.”
    Mrs. Greene didn’t reply, and the two of them stood like that for a
    moment.
    “Well, that’s that,” Carter said, coming up behind her. “They’ll
    have her to the doctor tomorrow and if anything’s wrong they have
    my information in the report.”
    The mood broke and the three of them walked toward Mrs.
    Greene’s house.

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    Chapter Index
    Cover of All the Colors of the Dark
    Thriller

    All the Colors of the Dark

    by
    All the Colors of the Dark by Alessandra Zecchini is a haunting novel that blends mystery, suspense, and the supernatural. The story follows a woman struggling with grief and trauma who begins to uncover strange, eerie events that blur the line between reality and the unknown. As she navigates her dark past and unsettling present, the novel explores themes of fear, self-discovery, and the psychological toll of unresolved pain. With a tense, atmospheric tone, Zecchini crafts a gripping journey into the depths of the human mind.

    You are being provided with a book chapter by chapter. I will request you to read the book for me after each chapter. After reading the chapter, 1. shorten the chapter to no less than 300 words and no more than 400 words. 2. Do not change the name, address, or any important nouns in the chapter. 3. Do not translate the original language. 4. Keep the same style as the original chapter, keep it consistent throughout the chapter. Your reply must comply with all four requirements, or it’s invalid.
    I will provide the chapter now.

    17
    Later, we sit outside in the big wooden Adirondack chairs in the yard, a fire crackling away in the big
    stone ring in front of us. Nearby, the grill smokes, and the scent of cooking meat reminds me of those
    summer nights in Phoenix, when the air was so still and so dry it felt like a loose spark could send
    everything up in flames.
    The grill turned over, the burning coals spread over the gravel yard, Jane, the real Jane,
    crying, Mr. Brock’s red face, a sweating beer can in one hand, a pair of tongs in the other.
    His KISS THE COOK apron with a giant frog on it, its lips red and obscene in a pucker, me
    sprawled in the rocks, my hand burning, my face stinging, thinking how stupid that apron was,
    how stupid it was that a man like him had this much power over all of us.
    I haven’t thought about that for such a long time. I’ve pushed it all away, but now here it is, this
    ugly memory, in this perfect place.
    Looking down, I study my engagement ring again, turning my hand this way and that, catching the
    light of the flames.
    That’s over. That can’t touch you. No matter what John says.
    Next to me, Eddie sighs, his long legs stretched out in front of him.
    He really does look good tonight. I think of how slightly ragged he was when I first met him, how
    those edges have smoothed a little in the past few months, and I feel a little surge of satisfaction. I did
    that, I think. I’ve made him happy. He’s like this because of me.
    And soon, I’m going to be his wife.
    I think about the wedding dresses I saw today, the veil there in the window I’d itched to put on my
    head.
    “I think we should elope.”
    I don’t know I’m going to say the words until they’re out, but then they are, and I realize I don’t
    want to take them back.
    Eddie pauses, his beer lifted to his mouth. Then he takes a sip, swallows, and lowers his arm
    before looking over at me and saying, “We don’t have to do anything you don’t want to do.”
    “It’s just … I don’t have a big family,” I say. “And I hardly know anyone in Birmingham, or at
    least no one I’d want at my wedding.”
    Eddie smirks slightly at that, raising his eyebrows.
    “I don’t want that John asshole at my wedding, either.”
    Reaching over, he takes my hand, his thumb making circles on the heel of my hand.
    “Janie, say the word, and we’ll get married at the courthouse tomorrow. Or we’ll go to the lake.
    Hell, we can go up to Tennessee if you want, rent one of those cheesy mountain chalets. I think they
    even have drive-through wedding chapels in Gatlinburg.”
    I smile, but don’t say anything, ignoring the weird sinking in my stomach at the idea of marrying a
    man like Eddie, but still having the kind of wedding girls like me always get. Cheap, fast, tacky. When
    I suggested eloping, I was imagining saying our vows on a white-sand beach, an intimate wedding
    night in a big bed with gauzy mosquito netting. I wasn’t imagining pulling up to a window like we
    were grabbing french fries and heading to a motel advertising free parking on a neon sign.
    Still, what I know for certain is that I can’t get married here. I can’t walk down an aisle at a big
    church in a big dress and see the Campbells and the Carolines, Bea’s friends, comparing me to her.
    I head inside, picking up our empty beers as I go. When I slide the patio door open, there’s a
    sound from somewhere above me.
    I freeze there in the doorway, one ear cocked toward the ceiling, waiting.
    There’s another thump, followed by a second, a third.
    Sliding the patio door closed behind me, I glance back out at Eddie.
    He’s still sitting in his Adirondack chair, hands behind his head now, his chin lifted to the evening
    sky, and I creep a little deeper into the house.
    The sounds are rhythmic now, a steady thump thump thump like a heartbeat.
    I think about that story they made us read in middle school, the one with the man buried under the
    floorboards, his murderer thinking he could still hear the old man’s heart, and for a horrified moment,
    my brain conjures up Bea.
    Then the sounds stop.
    I stand there, practically holding my breath, the empty beer bottle dangling from my fingers as I
    wait.
    Three sharp raps at the front door make me nearly jolt out of my skin, one of the bottles crashing
    to the floor as I make a sound somewhere between a shriek and a gasp.
    It’s coming from the front of the house, though, not upstairs. Someone knocking at the door.
    “Jane?”
    I see Eddie through the glass door, still sitting outside, the words tossed casually over his
    shoulder, his head barely turned toward me.
    I scowl at the back of that head, that perfectly tousled hair. “I’m fine,” I call back. “Just someone
    at the door.”
    There’s another knock just as I reach the foyer, and when I open the door, a woman is standing
    there.
    She’s wearing khakis and a blue button-down, and there’s a badge snapped to her waist.
    She’s a cop.
    My heart is beating so fast in my chest that I feel like she must be able to see it, and I lay a hand
    there against my collarbone, suddenly grateful I have the diamonds and emerald on my finger, to let
    her know I am somebody.
    I have no reason to be afraid anymore, I remind myself. The woman standing on the porch doesn’t
    see the girl I used to be, doesn’t know the things I’ve done. There’s no suspicion in her gaze, no
    narrowed eyes and thinned lips. She sees a woman who belongs in this house, a woman wearing Ann
    Taylor and real jewels, a woman whose dishwater-blond hair isn’t pulled back into a scraggly

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    Chapter Index
    Cover of All the Colors of the Dark
    Thriller

    All the Colors of the Dark

    by
    All the Colors of the Dark by Alessandra Zecchini is a haunting novel that blends mystery, suspense, and the supernatural. The story follows a woman struggling with grief and trauma who begins to uncover strange, eerie events that blur the line between reality and the unknown. As she navigates her dark past and unsettling present, the novel explores themes of fear, self-discovery, and the psychological toll of unresolved pain. With a tense, atmospheric tone, Zecchini crafts a gripping journey into the depths of the human mind.

    Upon rediscovering the “Kincaid”, Mugambi, along with a native woman he unexpectedly encountered, and a horde of fierce beasts, ventured downriver in a commandeered dugout. Their journey was hastened under the cloak of darkness, aiming to reunite the ferocious pack with Tarzan by reaching the vessel where the drama between human and beast would unfurl. However, tensions spiked when Mugambi’s party unexpectedly collided with another canoe, occupied by Rokoff’s men, instigating chaos. Shots were fired, panicking both parties and attracting Tarzan’s attention, who was elsewhere in the water, ignorant of the “Kincaid”’s proximity.

    Meanwhile, the “Kincaid” had subtly maneuvered downstream, ensnared by an eddy’s whims, bringing Jane Clayton inadvertently back into peril’s embrace. Tarzan, driven by the gunfire din, navigated the dark waters towards the unfolding conflict. His arrival was timely but wrought with the realization of Jane being in distress, ensnared in another of Rokoff’s traps. Tarzan’s intervention was swift and brutal, redirecting his wrath from Rokoff to address the immediate danger Jane faced. The deck became a battleground, with Mugambi’s and Tarzan’s combined forces overwhelming Rokoff’s men, despite the latter’s desperate attempt to retaliate.

    In the commotion, Rokoff’s cowardice was laid bare before his crew, leading them to cast him out, delivering him into the jaws of his doom—Sheeta, the panther, whose presence spelled a cruel but fitting end for Rokoff. Tarzan, previously consumed by a thirst for vengeance, found himself swayed by Jane’s presence, restraining himself to protect her amidst the chaos.

    The chapter reaches its climax with Rokoff’s demise by Sheeta, marking an end that seemed to bring a sinister satisfaction to Tarzan, one that delineated justice in its most primal form. Yet, when the dust settled, the grim reality of their situation resumed focus, with Tarzan and Jane surviving yet another ordeal, standing amidst friends and foes, bonded by their perseverance and the relentless trials that seem to pursue them across the dark, treacherous waters of the Ugambi.

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