What Works for You (Believing)
by testsuphomeAdminYou are being provided with a book chapter by chapter. I will request you to read the book for me after each chapter. After reading the chapter, 1. shorten the chapter to no less than 300 words and no more than 400 words. 2. Do not change the name, address, or any important nouns in the chapter. 3. Do not translate the original language. 4. Keep the same style as the original chapter, keep it consistent throughout the chapter. Your reply must comply with all four requirements, or it’s invalid.
I will provide the chapter now.
What Works for You
(Believing)
There’s a songwriter who wrote all of her music in the same messy room in
an old office building. It hasn’t been touched in thirty years and she refuses
to let it be cleaned. The secret is in that room, she says.
She believes it, and it works for her.
Charles Dickens carried a compass to make sure he always slept facing
north. He believed that alignment with the electrical currents of the Earth
supported his creativity. Dr. Seuss had a bookcase with a false door hiding
hundreds of unusual hats. He and his editor would each pick a hat and stare
at each other until inspiration came.
These stories may or may not be completely true. It doesn’t matter. If a
ritual or superstition has a positive effect on an artist’s work, then it’s worth
pursuing.
Artists have created in every way possible—at the extremes of chaos
and order, and at the meeting point of different methods at once. There is no
right time, right strategy, or right equipment.
It may be helpful to receive advice from more experienced artists, but as
information, not as prescription. It can open you to another point of view
and broaden your idea of what’s possible.
Established artists generally draw from their personal experience and
recommend the solutions that worked for them. These tend to be specific to
their journey, not yours. It’s worth remembering that their way is not the
way.
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