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    Poetry

    More Bab Ballads

    by

    The Mys­tic Sel­vagee tells the sto­ry of Sir Blenner­has­sett Por­ti­co, whose rev­er­ence for the past shapes every aspect of his iden­ti­ty as a naval offi­cer. From a young age, he idol­ized Lord Rod­ney, believ­ing no sea­man before or since had equaled the Admiral’s val­or and bril­liance. Deter­mined to hon­or Rod­ney not only in mem­o­ry but in method, Sir Por­ti­co pat­terned his life to match Rodney’s, down to the tilt of his hat and the phras­ing of com­mands. His obses­sion was not mocked but rather admired, as it came from a place of deep respect for naval tra­di­tion and glo­ry. Seek­ing authen­tic­i­ty, he dis­cov­ered an aging sailor, Jasper, who had served under Rod­ney in 1782. In Jasper, Sir Por­ti­co found a liv­ing relic—someone who could guide him toward per­fect­ing his imi­ta­tion of his mar­itime hero.

    Jasper accept­ed Portico’s offer of com­fort­able hous­ing and a year­ly pen­sion, but not with­out reluc­tance. He was asked not mere­ly to recount sto­ries of the past but to serve as a liv­ing bench­mark for every­thing Rod­ney-like. At first, Jasper hes­i­tat­ed to crit­i­cize mod­ern prac­tices, know­ing how much naval pro­ce­dures had advanced. Yet Sir Por­ti­co insist­ed, crav­ing cor­rec­tion where he had drift­ed from tra­di­tion. Jasper soon began point­ing out sub­tle deviations—devices like iron-capped blocks or rein­forced stays that no ves­sel in Rod­ney’s day would have dared to use. These enhance­ments, though effec­tive, offend­ed the spir­it of authen­tic­i­ty Sir Por­ti­co longed to main­tain. The addi­tion of a sel­vagee, for instance, to equal­ize the pres­sure on the main­top-stay, was viewed by Jasper as a betray­al of clas­si­cal rig­ging stan­dards.

    In these dis­agree­ments lay a deep­er con­flict between admi­ra­tion and anachro­nism. Sir Por­ti­co, by seek­ing to recre­ate his­to­ry, was also deny­ing the for­ward march of knowl­edge. Jasper, for all his loy­al­ty to the past, acknowl­edged that time reshapes even the sea. He rec­og­nized that Rodney’s tech­niques had suc­ceed­ed in a par­tic­u­lar era, but cling­ing to them with­out adap­ta­tion risked inefficiency—or worse, fail­ure. Yet Sir Por­ti­co remained stead­fast, dri­ven more by the sym­bol­ism of fideli­ty than the log­ic of util­i­ty. His ship became not just a ves­sel of com­mand but a float­ing trib­ute to a bygone age. While oth­ers advanced, he pre­served.

    Despite the roman­ti­cism of this mis­sion, cracks began to show. The younger offi­cers aboard his ship, while respect­ful, ques­tioned the prac­ti­cal­i­ty of such rigid adher­ence to out­dat­ed meth­ods. They saw the mys­tic sel­vagee, so cen­tral to Portico’s adjust­ments, as a metaphor for all he held sacred—simple, hand­made, and slight­ly imprac­ti­cal. Naval strat­e­gy had evolved; ships now demand­ed bal­ance, speed, and adap­tive rig­ging. But Sir Por­ti­co was unmoved, his devo­tion bor­der­ing on mys­ti­cism. Jasper, now aged and more weary, real­ized his cap­tain was less inter­est­ed in truth and more in a kind of spir­i­tu­al align­ment with Rodney’s lega­cy.

    One stormy night, when the sails were strained and the masts groaned under pres­sure, the lim­i­ta­tions of old tech­niques became painful­ly clear. The crew scram­bled to adjust lines and equal­ize stays, only to find that the absence of mod­ern devices left them vul­ner­a­ble. Sir Por­ti­co, wit­ness­ing the near-col­lapse of his own com­mand under tra­di­tions he had imposed, was shak­en. Jasper, too, rec­og­nized the bur­den of stub­born nos­tal­gia. Yet instead of scold­ing, he spoke gen­tly, prais­ing the heart of a man who loved some­thing enough to lose to it. The bal­lad ends not in con­dem­na­tion but in reflection—a real­iza­tion that rev­er­ence must evolve along­side rea­son.

    In The Mys­tic Sel­vagee, humor and his­to­ry blend to ques­tion how we hon­or lega­cy. Is it through rigid repli­ca­tion, or through adapt­ing prin­ci­ples for present use? Sir Portico’s jour­ney becomes sym­bol­ic of any­one who tries too hard to pre­serve what must instead be trans­lat­ed. Jasper, once a mouth­piece for tra­di­tion, becomes a voice of bal­ance. The sel­vagee, once crit­i­cized, becomes a qui­et reminder that even in homage, we must leave room for the present to breathe. Read­ers are left with a ten­der, iron­ic por­trait of a man whose great­est strength was his love for the past—and whose great­est chal­lenge was learn­ing when to let it go.

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