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    Cover of More Bab Ballads
    Poetry

    More Bab Ballads

    by

    The Cap­tain And The Mer­maids presents an unusu­al yet charm­ing tale from the briny deep, where the admi­ra­tion of myth­i­cal beings meets the van­i­ty of man. Cap­tain Capel Cleg­gs, known more for his decen­cy than his stature, nev­er antic­i­pat­ed that a sim­ple habit—standing by his ship’s open port with his legs on display—would draw an audi­ence. But there they gath­ered, the mer­maids, lured not by siren songs this time, but by the curi­ous allure of well-formed human legs clad in pol­ished hose. To them, the ele­gance of those limbs sur­passed any grace found in the fins of their mer­man kin. Cleg­gs him­self did noth­ing to court this atten­tion. His habit was born of com­fort, not of pride. Still, his unin­ten­tion­al show turned into a dai­ly rit­u­al that cap­ti­vat­ed the sea’s daugh­ters and dis­rupt­ed the har­mo­ny below the waves.

    The mer­maids’ fas­ci­na­tion soon stirred unrest. Mer­men, feel­ing the sting of com­par­i­son, first dis­missed the com­mo­tion with a scoff. But the longer the admi­ra­tion con­tin­ued, the more wound­ed their pride became. In a bid to com­pete, they tried to repli­cate the captain’s look. They draped their scaly tails in expen­sive silks and embroi­dered smalls, hop­ing to reclaim the inter­est of their com­pan­ions. Unfor­tu­nate­ly, these gar­ments, designed for dry land and smooth skin, fared poor­ly against their slick and bris­tled bod­ies. Frus­tra­tion fol­lowed, as del­i­cate fab­rics tore and irri­tat­ed their tails. Instead of ele­gance, they found dis­com­fort. Each failed attempt drove their envy deep­er, and mur­murs of dis­con­tent began to bub­ble through the coral halls of their under­wa­ter realm.

    With grum­bling turn­ing into resent­ment, the mer­men called upon their most charis­mat­ic mem­ber to take action. A let­ter was composed—a dig­ni­fied mes­sage from their roy­al court—intended to address this unortho­dox dis­trac­tion that had spi­raled into social upheaval. The emis­sary emerged from the sea, drip­ping with for­mal­i­ty, and deliv­ered the note to Cap­tain Cleg­gs with a blend of grace and veiled annoy­ance. The cap­tain, per­plexed but ever-cour­te­ous, read it with care. The let­ter polite­ly asked him to cease his breezy leg-bar­ing rit­u­als. It was a diplo­mat­ic plea born not from offense but from the des­per­ate hope of restor­ing some bal­ance among the under­wa­ter dwellers. Cleg­gs, under­stand­ing the sin­cer­i­ty behind their flow­ery prose, agreed to make a change.

    Yet even after he oblig­ed, peace did not return at once. The mer­maids, now denied their dai­ly fas­ci­na­tion, expressed dis­ap­point­ment. They sang no longer, their eyes dimmed, and their gath­er­ings dis­persed. The mer­men, vic­to­ri­ous in com­plaint, dis­cov­ered that admi­ra­tion once lost is not so eas­i­ly reclaimed. Their silks sat dis­card­ed, their pride still bruised despite the captain’s con­ces­sion. And as the tides shift­ed, so did their under­stand­ing. It became clear that admi­ra­tion isn’t some­thing to demand or imitate—it’s earned, often by acci­dent, through authen­tic­i­ty. The mermen’s attempts to mir­ror Cap­tain Cleg­gs only empha­sized how forced charm lacks the mag­ic of nat­ur­al grace. Their resent­ment gave way to qui­et con­tem­pla­tion.

    Mean­while, Cap­tain Cleg­gs returned to his rou­tine with slight adjust­ments. He found new places to stand, away from pry­ing eyes, and per­haps chuck­led qui­et­ly at the absur­di­ty of it all. He bore no mal­ice toward the sea folk, only curios­i­ty. How pecu­liar, he thought, that such a minor act of com­fort had stirred a king­dom. Still, the episode remained a favorite tale among his crew, told again and again on star­lit nights over rum and sea-salt­ed laugh­ter. The mer­maids, though no longer present in their for­mer num­bers, occa­sion­al­ly swam past the ship, their gazes wist­ful, their songs soft and short.

    What makes this tale endur­ing isn’t mere­ly its fan­tas­ti­cal whim­sy but its play­ful metaphor for human behav­ior. The sto­ry pokes fun at van­i­ty, com­pe­ti­tion, and the human desire to be seen, admired, and emu­lat­ed. But beneath the humor lies an insight that res­onates: that iden­ti­ty, when forged in authen­tic­i­ty, nat­u­ral­ly draws oth­ers in, while imi­ta­tion only high­lights inse­cu­ri­ty. Cleggs’s sto­ry, far from being a mere bal­lad about mer­maids, serves as a gen­tle reminder that being one­self is often the most admirable thing a person—or merman—can do. Even in a world filled with mag­ic and mys­tery, some­times the sim­plest truths car­ry the great­est weight.

    Read­ers may find par­al­lels in their own world. Whether it’s a trend, a per­son­al­i­ty trait, or a tal­ent, try­ing to repli­cate what draws admi­ra­tion often ends in frus­tra­tion unless it’s done with gen­uine under­stand­ing. Envy might push peo­ple to com­pete, but admi­ra­tion is earned through char­ac­ter, not cos­tume. The bal­lad of Cap­tain Cleg­gs remains a humor­ous yet thought­ful fable. Its mes­sage? True grace isn’t crafted—it’s revealed when we least expect it, and often when we’re sim­ply stand­ing by a win­dow, let­ting the sea breeze kiss our knees.

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