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    Allegiant

    by Roth, Veronica
    “Allegiant” by Veronica Roth is the final installment in the dystopian Divergent trilogy. The story follows Tris Prior and Tobias Eaton as they venture beyond the confines of their fractured city, uncovering a shocking truth: their society is an experiment designed to repair damaged genetic traits. The novel explores themes of identity, sacrifice, and the consequences of rebellion as Tris and Tobias confront a new conflict between the genetically “pure” (Divergent) and “damaged” individuals. The dual-perspective narrative deepens character development, culminating in a tragic yet thematically resonant conclusion that challenges notions of freedom and human nature. Roth’s world-building expands significantly, revealing the broader scope of the series’ dystopian setting.
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    Allegiant

    Chapter Seven

    by Roth, Veronica

    Tris and Christi­na walk toward the Han­cock build­ing, their clothes still stained with Edward’s blood, reflect­ing on the high mor­tal­i­ty rate among their fel­low trans­fer ini­ti­ates. Christi­na clutch­es a piece of coal from the Daunt­less Choos­ing Cer­e­mo­ny, a grim reminder of their past. Tris strug­gles to process Edward’s death, recall­ing his tal­ent and the vio­lence that marked their time in Daunt­less. Their con­ver­sa­tion shifts to the few sur­viv­ing ini­ti­ates, includ­ing Myra, whose where­abouts remain unknown, high­light­ing the fragili­ty of their lives and the bonds formed dur­ing their ini­ti­a­tion.

    As they enter the Han­cock build­ing, Tris and Christi­na dis­cuss their uncer­tain future. Christi­na admits to under­stand­ing Evelyn’s desire to stay and rebuild their frac­tured soci­ety, yet she feels com­pelled to leave out of curios­i­ty. Tris, who lacks fam­i­ly ties, con­trasts with Christi­na, whose par­ents pri­or­i­tize her sister’s safe­ty but sup­port her pur­suit of an hon­est life. Their dia­logue under­scores the ten­sion between safe­ty and the unknown, as well as the per­son­al stakes of their deci­sions.

    On the rooftop, Tris, Christi­na, Uri­ah, and Zeke gaze at the dark­ened land­scape beyond the city, spec­u­lat­ing about what lies ahead. Uri­ah clings to hope for some­thing new, while Zeke sug­gests the pos­si­bil­i­ty of an emp­ty world. Tris firm­ly asserts that they must ven­ture out regard­less of the risks, empha­siz­ing the need to con­front the truth. The group’s silence and shared uncer­tain­ty reflect their col­lec­tive anx­i­ety and deter­mi­na­tion as they stand on the precipice of change.

    The chap­ter con­cludes with Eve­lyn address­ing a crowd at Eru­dite head­quar­ters, announc­ing stricter rules in the wake of recent vio­lence. Fac­tion­less sol­diers main­tain order, sym­bol­iz­ing the oppres­sive con­trol now gov­ern­ing their soci­ety. This scene con­trasts with the rooftop moment, under­scor­ing the ten­sion between the char­ac­ters’ desire for free­dom and the harsh real­i­ty of their con­strained world. The chap­ter leaves read­ers ques­tion­ing what lies beyond the city and whether Tris and her friends will find answers or fur­ther chaos.

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    FAQs

    • 1. Comprehension Question

      What significant event does Christina reflect on regarding the transfer initiates, and what does this reveal about the dangers of their world?
      Answer:
      Christina reflects that of the ten transfer initiates they started with, only six remain alive. This stark statistic highlights the extreme dangers and high mortality rate within their faction system. The recent death of Edward—once the most talented transfer—particularly underscores how even the most skilled individuals aren’t safe. This moment also reveals the emotional toll on survivors, as Tris notes Edward’s blood is still smeared on their clothes, symbolizing how trauma lingers in their daily lives.

      2. Analytical Question

      How does the setting of the Hancock building roof serve as a metaphor for the characters’ uncertainties about the future?
      Answer:
      The rooftop scene symbolizes the characters’ liminal state between their known world and the unknown beyond. The darkness covering the land represents their fear of the unfamiliar, while the fleeting “glimmer of light” suggests fragile hope. Their speculation about whether the outside world holds “more factions” or “nothing” mirrors their internal conflict—whether to seek change or accept stagnation. The height of the building physically places them at a vantage point, paralleling their emotional and intellectual grappling with big questions about their society’s purpose and what lies beyond.

      3. Critical Thinking Question

      Contrast Christina’s and Tris’s motivations for leaving the city. What do their differing perspectives reveal about their characters?
      Answer:
      Christina admits her desire to leave stems from curiosity and an inability to live “an honest life” in the current fractured society, acknowledging some sympathy for Evelyn’s stance on staying to rebuild. This shows her pragmatic yet morally driven nature. Tris, however, insists they must leave regardless of what’s outside, demonstrating her decisive, action-oriented mindset. Their contrast highlights Tris’s unwavering determination versus Christina’s more nuanced weighing of risks and ethics. Both reject stagnation but represent different facets of resistance: one driven by principle, the other by necessity.

      4. Application Question

      How might Evelyn’s new rules (hinted at in the chapter’s closing lines) impact the factions, based on the tensions already established?
      Answer:
      Evelyn’s declaration that “we are no longer able to trust each other” suggests authoritarian measures to suppress dissent, likely escalating existing conflicts. Given the factionless soldiers’ armed presence and the destruction of Jeanine’s portrait (a symbol of Erudite authority), these rules may enforce factionless dominance over former factions. This could radicalize groups like Dauntless, who value freedom, and further marginalize others. The scene implies a shift from Jeanine’s intellectual tyranny to Evelyn’s militarized control, potentially worsening the cycle of violence the characters hope to escape by leaving.

    Quotes

    • 1. “That of the ten transfer initiates we started with, only six are still alive.”

      This quote from Christina highlights the brutal reality of their world and the high mortality rate among their peers. It sets a somber tone for the chapter and underscores the constant presence of death in their lives.

      2. “Sometimes I get where Evelyn’s coming from. So many awful things have happened, sometimes it feels like a good idea to stay here and just … try to clean up this mess before we get ourselves involved in another.”

      Christina’s internal conflict reflects the broader tension between staying to rebuild their fractured society versus venturing into the unknown. This captures a key thematic dilemma of the chapter.

      3. “They just want me to live an honest life, you know? And I can’t do that here. I just know that I can’t.”

      This powerful statement reveals Christina’s personal motivation for leaving, tying into the book’s larger themes of truth and self-determination. It shows how the characters are grappling with their identities beyond the faction system.

      4. “What do you think’s out there?” / “There has to be something else.” / “Or there’s nothing.”

      This exchange between Uriah, Christina, and Zeke encapsulates the central mystery driving the characters forward. Their speculation about the world beyond their city represents both hope and existential dread, key emotional undercurrents of the chapter.

      5. “It doesn’t matter what’s out there, we have to see it for ourselves. And then we’ll deal with it once we have.”

      Tris’s decisive statement serves as a turning point in the chapter, demonstrating her leadership and resolve. This quote represents the characters’ determination to face the unknown, regardless of the potential dangers.

    Quotes

    1. “That of the ten transfer initiates we started with, only six are still alive.”

    This quote from Christina highlights the brutal reality of their world and the high mortality rate among their peers. It sets a somber tone for the chapter and underscores the constant presence of death in their lives.

    2. “Sometimes I get where Evelyn’s coming from. So many awful things have happened, sometimes it feels like a good idea to stay here and just … try to clean up this mess before we get ourselves involved in another.”

    Christina’s internal conflict reflects the broader tension between staying to rebuild their fractured society versus venturing into the unknown. This captures a key thematic dilemma of the chapter.

    3. “They just want me to live an honest life, you know? And I can’t do that here. I just know that I can’t.”

    This powerful statement reveals Christina’s personal motivation for leaving, tying into the book’s larger themes of truth and self-determination. It shows how the characters are grappling with their identities beyond the faction system.

    4. “What do you think’s out there?” / “There has to be something else.” / “Or there’s nothing.”

    This exchange between Uriah, Christina, and Zeke encapsulates the central mystery driving the characters forward. Their speculation about the world beyond their city represents both hope and existential dread, key emotional undercurrents of the chapter.

    5. “It doesn’t matter what’s out there, we have to see it for ourselves. And then we’ll deal with it once we have.”

    Tris’s decisive statement serves as a turning point in the chapter, demonstrating her leadership and resolve. This quote represents the characters’ determination to face the unknown, regardless of the potential dangers.

    FAQs

    1. Comprehension Question

    What significant event does Christina reflect on regarding the transfer initiates, and what does this reveal about the dangers of their world?
    Answer:
    Christina reflects that of the ten transfer initiates they started with, only six remain alive. This stark statistic highlights the extreme dangers and high mortality rate within their faction system. The recent death of Edward—once the most talented transfer—particularly underscores how even the most skilled individuals aren’t safe. This moment also reveals the emotional toll on survivors, as Tris notes Edward’s blood is still smeared on their clothes, symbolizing how trauma lingers in their daily lives.

    2. Analytical Question

    How does the setting of the Hancock building roof serve as a metaphor for the characters’ uncertainties about the future?
    Answer:
    The rooftop scene symbolizes the characters’ liminal state between their known world and the unknown beyond. The darkness covering the land represents their fear of the unfamiliar, while the fleeting “glimmer of light” suggests fragile hope. Their speculation about whether the outside world holds “more factions” or “nothing” mirrors their internal conflict—whether to seek change or accept stagnation. The height of the building physically places them at a vantage point, paralleling their emotional and intellectual grappling with big questions about their society’s purpose and what lies beyond.

    3. Critical Thinking Question

    Contrast Christina’s and Tris’s motivations for leaving the city. What do their differing perspectives reveal about their characters?
    Answer:
    Christina admits her desire to leave stems from curiosity and an inability to live “an honest life” in the current fractured society, acknowledging some sympathy for Evelyn’s stance on staying to rebuild. This shows her pragmatic yet morally driven nature. Tris, however, insists they must leave regardless of what’s outside, demonstrating her decisive, action-oriented mindset. Their contrast highlights Tris’s unwavering determination versus Christina’s more nuanced weighing of risks and ethics. Both reject stagnation but represent different facets of resistance: one driven by principle, the other by necessity.

    4. Application Question

    How might Evelyn’s new rules (hinted at in the chapter’s closing lines) impact the factions, based on the tensions already established?
    Answer:
    Evelyn’s declaration that “we are no longer able to trust each other” suggests authoritarian measures to suppress dissent, likely escalating existing conflicts. Given the factionless soldiers’ armed presence and the destruction of Jeanine’s portrait (a symbol of Erudite authority), these rules may enforce factionless dominance over former factions. This could radicalize groups like Dauntless, who value freedom, and further marginalize others. The scene implies a shift from Jeanine’s intellectual tyranny to Evelyn’s militarized control, potentially worsening the cycle of violence the characters hope to escape by leaving.

    Note