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    In Chap­ter 39, our pro­tag­o­nist con­tin­ues her impris­on­ment under the cru­el hand of Ama­ran­tha, the tyrant rul­ing over the faerie realms. Each day brings its own tor­ment, with silent meals deliv­ered by unseen hands, per­haps sent by Rhysand, a High Lord from the Night Court, who also sub­jects her to his whims. Marked with a tat­too that seems to sym­bol­ize a blend of own­er­ship and mock­ery, she pon­ders over the rid­dle that might secure her free­dom, to no avail.

    Four days into her soli­tude, she’s vis­it­ed by shad­owy ser­vants of Rhysand, who whisk her away through the dun­geon, unseen by guards, thanks to a glam­or. They pre­pare her for an unspec­i­fied event, paint­ing her body with intri­cate designs that extend the pat­tern of her tat­too and dress her in a scanty, reveal­ing gown. The dress­ing is both an act of humil­i­a­tion and objec­ti­fi­ca­tion, with Rhysand mak­ing it clear she is to be his escort for a par­ty at Amarantha’s court, fur­ther under­lin­ing his pos­ses­sion.

    At the event, where she’s dis­played more as an object than a per­son, Rhysand announces their bar­gain to Ama­ran­tha and the court: her com­pa­ny in exchange for his inter­ven­tion. It’s a pub­lic dec­la­ra­tion of her new bonds to him, turn­ing her into a pawn in his mys­te­ri­ous games.

    After­wards, she’s sub­ject­ed to a cycle of prepa­ra­tion and degra­da­tion, danced and dis­played at Ama­ran­tha’s court to Rhysand’s spec­i­fi­ca­tions. These events leave her phys­i­cal­ly and emo­tion­al­ly drained, allowed only brief moments of reflec­tion on her sit­u­a­tion, which is bleak and seem­ing­ly unend­ing.

    In an unex­pect­ed turn, Lucien comes to her aid, offer­ing com­fort despite their com­plex rela­tion­ship. Their inter­ac­tion hints at deep­er lay­ers of polit­i­cal and per­son­al intrigue with­in the faerie courts, reveal­ing the des­per­a­tion and lengths to which these beings go to pro­tect or betray each oth­er.

    The chap­ter con­cludes with anoth­er sum­mons to Amarantha’s court, where Rhysand’s actions under the queen’s orders reveal a com­pli­cat­ed per­sona, one capa­ble of cru­el­ty but also show­ing signs of con­flict, indi­cat­ed by his mer­ci­ful treat­ment of a Sum­mer Court faerie meant for exe­cu­tion. It’s a chap­ter marked by dark­ness, both lit­er­al and metaphor­i­cal, as our pro­tag­o­nist nav­i­gates a labyrinth of sin­is­ter faerie pol­i­tics and her own dimin­ish­ing hope for free­dom.

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    Chap­ter Thir­ty-Nine of the undis­closed book nar­rates the chill­ing turn in the life of the pro­tag­o­nist, bare­ly three months into her mar­riage with Andy Win­ches­ter. The sto­ry unfolds with her reflect­ing on their whirl­wind romance, empha­siz­ing the stark con­trast between her pre­vi­ous dis­ap­point­ing rela­tion­ships and Andy’s appar­ent per­fec­tion. He was every­thing she desired for her­self and her daugh­ter, Cecelia—a man ready for com­mit­ment, pos­sess­ing a suite of qual­i­ties she had longed for in a part­ner.

    Despite fleet­ing con­cerns about Andy’s past engage­ment and a brief con­tem­pla­tion of con­tact­ing his ex-fiancée, Kath­leen, she ulti­mate­ly dis­miss­es any doubts, choos­ing instead to focus on the brighter aspects of their future togeth­er. How­ev­er, she notes one minor imper­fec­tion in her oth­er­wise idyl­lic life: Andy’s moth­er, Eve­lyn Win­ches­ter, whose over­bear­ing pres­ence and thin­ly veiled cri­tiques of her par­ent­ing cause unease.

    As the nar­ra­tive pro­gress­es, the dis­com­fort shifts from exter­nal fam­i­ly dynam­ics to the very heart of her mar­i­tal bliss. A seem­ing­ly innocu­ous request from Andy to assist him in find­ing some work papers in the attic esca­lates into a har­row­ing expe­ri­ence that expos­es a hor­ri­fy­ing aspect of his char­ac­ter. The attic, instead of hous­ing for­got­ten paper­work, reveals a locked room that quick­ly becomes her prison when Andy deceit­ful­ly locks her inside.

    Iso­lat­ed and increas­ing­ly pan­icked, the pro­tag­o­nist is forced to con­front a ter­ri­fy­ing real­i­ty. Andy’s metic­u­lous­ly curat­ed per­sona of the per­fect hus­band begins to crum­ble, reveal­ing a manip­u­la­tive and sin­is­ter nature. The chap­ter clos­es with a dis­traught and con­fused plea for free­dom, bru­tal­ly met with Andy’s cold admis­sion that he heard her screams for help but chose to ignore them, insist­ing she need­ed to “learn her les­son” before he would release her.

    This chap­ter stark­ly jux­ta­pos­es the ini­tial bliss­ful and hope­ful tone with the emerg­ing dark and psy­cho­log­i­cal tor­ment, cast­ing a shad­ow over what appeared to be a per­fect mar­riage, and reveal­ing the pro­tag­o­nist’s dire predica­ment trapped with a man far removed from the lov­ing part­ner he pre­tend­ed to be.

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    You are being pro­vid­ed with a book chap­ter by chap­ter. I will request you to read the book for me after each chap­ter. After read­ing the chap­ter, 1. short­en the chap­ter to no less than 300 words and no more than 400 words. 2. Do not change the name, address, or any impor­tant nouns in the chap­ter. 3. Do not trans­late the orig­i­nal lan­guage. 4. Keep the same style as the orig­i­nal chap­ter, keep it con­sis­tent through­out the chap­ter. Your reply must com­ply with all four require­ments, or it’s invalid.
    I will pro­vide the chap­ter now.

    CHAPTER
    39
    “Do you think you can decode it once we get the oth­er half?” I said to
    Amren, lin­ger­ing by the front door of her apart­ment the next after­noon.
    She owned the top floor of a three-sto­ry build­ing, the sloped ceil­ing
    end­ing on either side in a mas­sive win­dow. One looked out on the Sidra; the
    oth­er on a tree-lined city square. The entire apart­ment con­sist­ed of one giant
    room: the fad­ed oak floors were cov­ered in equal­ly worn car­pets, fur­ni­ture
    was scat­tered about as if she con­stant­ly moved it for what­ev­er pur­pose.
    Only her bed, a large, four-poster mon­stros­i­ty canopied in gos­samer,
    seemed set in a per­ma­nent place against the wall. There was no kitchen—
    only a long table and a hearth burn­ing hot enough to make the room near-
    sti­fling. The dust­ing of snow from the night before had van­ished in the dry
    win­ter sun by mid­morn­ing, the tem­per­a­ture crisp but mild enough that the
    walk here had been invig­o­rat­ing.
    Seat­ed on the floor before a low-lying table scat­tered with papers, Amren
    looked up from the gleam­ing met­al of the book. Her face was paler than
    usu­al, her lips wan. “It’s been a long while since I used this language—I
    want to mas­ter it again before tack­ling the Book. Hope­ful­ly by then, those
    haughty queens will have giv­en us their share.”
    “And how long will relearn­ing the lan­guage take?”
    “Didn’t His Dark­ness fill you in?” She went back to the Book.
    I strode for the long wood­en table and set the pack­age I’d brought on the
    scratched sur­face. A few pints of hot blood—straight from the butch­er. I’d
    near­ly run here to keep them from going cold. “No,” I said, tak­ing out the
    con­tain­ers. “He didn’t.” Rhys had already been gone by break­fast, though
    one of his notes had been on a bed­side table.
    Thank you—for last night, was all it had said. No pen to write a response.
    But I’d hunt­ed down one any­way, and had writ­ten back, What do the
    tat­tooed stars and moun­tain on your knees mean?
    The paper had van­ished a heart­beat lat­er. When it hadn’t returned, I’d
    dressed and gone to break­fast. I was halfway through my eggs and toast
    when the paper appeared beside my plate, neat­ly fold­ed.
    That I will bow before no one and noth­ing but my crown.
    This time, a pen had appeared. I’d mere­ly writ­ten back, So dra­mat­ic. And
    through our bond, on the oth­er side of my men­tal shields, I could have
    sworn I heard his laugh.
    Smil­ing at the mem­o­ry, I unscrewed the lid on the first jar, the tang of
    blood fill­ing my nos­trils. Amren sniffed, then whipped her head to the glass
    pints. “You—oh, I like you.”
    “It’s lamb, if that makes a dif­fer­ence. Do you want me to heat it up?”
    She rushed from the Book, and I just watched as she clutched the jar in
    both hands and gulped it down like water.
    Well, at least I wouldn’t have to both­er find­ing a pot in this place.
    Amren drank half in one go. A trick­le of blood ran down her chin, and
    she let it drip onto her gray shirt—rumpled in a way I’d nev­er seen.
    Smack­ing her lips, she set the jar on the table with a great sigh. Blood
    gleamed on her teeth. “Thank you.”
    “Do you have a favorite?”
    She jerked her bloody chin, then wiped it with a nap­kin as she real­ized
    she’d made a mess. “Lamb has always been my favorite. Hor­ri­ble as it is.”
    “Not—human?”
    She made a face. “Watery, and often tastes like what they last ate. And
    since most humans have piss-poor palates, it’s too much of a gam­ble. But
    lamb … I’ll take goat, too. The blood’s pur­er. Rich­er. Reminds me of—
    anoth­er time. And place.”
    “Inter­est­ing,” I said, and meant it. I won­dered what world, exact­ly, she
    meant.
    She drained the rest, col­or already bloom­ing on her face, and placed the
    jar in the small sink along the wall.
    “I thought you’d live some­where more … ornate,” I admit­ted.
    Indeed, all her fine clothes were hang­ing on racks near the bed, her
    jew­el­ry scat­tered on a few armoires and tables. There was enough of the
    lat­ter to pro­vide an emperor’s ran­som.
    She shrugged, plop­ping down beside the Book once more. “I tried that
    once. It bored me. And I didn’t like hav­ing ser­vants. Too nosy. I’ve lived in
    palaces and cot­tages and in the moun­tains and on the beach, but I some­how
    like this apart­ment by the riv­er the best.” She frowned at the sky­lights that
    dot­ted the ceil­ing. “It also means I nev­er have to host par­ties or guests. Both
    of which I abhor.”
    I chuck­led. “Then I’ll keep my vis­it short.”
    She let out an amused huff, cross­ing her legs beneath her. “Why are you
    here?”
    “Cass­ian said you’d been holed up in here night and day since we got
    back, and I thought you might be hun­gry. And—I had noth­ing else to do.”
    “Cass­ian is a busy­body.”
    “He cares about you. All of you. You’re the only fam­i­ly he has.” They
    were all the only fam­i­ly they each had.
    “Ach,” she said, study­ing a piece of paper. But it seemed to please her
    nonethe­less. A gleam of col­or caught my atten­tion on the floor near her.
    She was using her blood ruby as a paper­weight.
    “Rhys con­vinced you not to destroy Adri­a­ta for the blood ruby?”
    Amren’s eyes flicked up, full of storms and vio­lent seas. “He did no such
    thing. That con­vinced me not to destroy Adri­a­ta.” She point­ed to her
    dress­er.
    Sprawled across the top like a snake lay a famil­iar neck­lace of dia­monds
    and rubies. I’d seen it before—in Tarquin’s trove. “How … what?”
    Amren smiled to her­self. “Var­i­an sent it to me. To soft­en Tarquin’s
    dec­la­ra­tion of our blood feud.”
    I’d thought the rubies would need to be worn by a mighty female—and
    could think of no might­i­er female than the one before me. “Did you and
    Var­i­an … ?”
    “Tempt­ing, but no. The prick can’t decide if he hates or wants me.”
    “Why can’t it be both?”
    A low chuck­le. “Indeed.”
    Thus began weeks of wait­ing. Wait­ing for Amren to relearn a lan­guage
    spo­ken by no oth­er in our world. Wait­ing for the mor­tal queens to answer
    our request to meet.
    Azriel con­tin­ued his attempt to infil­trate their courts—still to no avail. I
    heard about it most­ly from Mor, who always knew when he’d return to the
    House of Wind, and always made a point to be there the moment he touched
    down.
    She told me lit­tle of the specifics—even less about how the frus­tra­tion of
    not being able to get his spies or him­self into those courts took a toll on
    him. The stan­dards to which he held him­self, she con­fid­ed in me, bor­dered
    on sadis­tic.
    Get­ting Azriel to take any time for him­self that didn’t involve work or
    train­ing was near­ly impos­si­ble. And when I point­ed out that he did go to
    Rita’s with her when­ev­er she asked, Mor sim­ply informed me that it had
    tak­en her four cen­turies to get him to do that. I some­times won­dered what
    went on up at the House of Wind while Rhys and I stayed at the town
    house.
    I only real­ly vis­it­ed in the morn­ings, when I filled the first half of my day
    train­ing with Cassian—who, along with Mor, had decid­ed to point out what
    foods I should be eat­ing to gain back the weight I’d lost, to become strong
    and swift again. And as the days passed, I went from phys­i­cal defense to
    learn­ing to wield an Illyr­i­an blade, the weapon so fine, I’d near­ly tak­en
    Cassian’s arm off.
    But I was learn­ing to use it—slowly. Painful­ly. I’d had one break from
    Cassian’s bru­tal training—just one morn­ing, when he’d flown to the human
    realm to see if my sis­ters had heard from the queens and deliv­er anoth­er
    let­ter from Rhys to be sent to them.
    I assumed see­ing Nes­ta went about as poor­ly as could be imag­ined,
    because my les­son the fol­low­ing morn­ing was longer and hard­er than it’d
    been in pre­vi­ous days. I’d asked what, exact­ly, Nes­ta had said to him to get
    under his skin so eas­i­ly. But Cass­ian had only snarled and told me to mind
    my own busi­ness, and that my fam­i­ly was full of bossy, know-it-all females.
    Part of me had won­dered if Cass­ian and Var­i­an might need to com­pare
    notes.
    Most after­noons … if Rhys was around, I’d train with him. Mind to
    mind, pow­er to pow­er. We slow­ly worked through the gifts I’d been giv­en
    —flame and water, ice and dark­ness. There were oth­ers, we knew, that had
    gone undis­cov­ered, undelved. Win­now­ing still remained impos­si­ble. I
    hadn’t been able to do it since that snowy morn­ing with the Attor.
    It’d take time, Rhys told me each day, when I’d inevitably snap at him—
    time, to learn and mas­ter each one.
    He infused each les­son with infor­ma­tion about the High Lords whose
    pow­er I’d stolen: about Beron, the cru­el and vain High Lord of the Autumn
    Court; about Kallias, the qui­et and cun­ning High Lord of Win­ter; about
    Helion Spell-Cleaver, the High Lord of Day, whose one thou­sand libraries
    had been per­son­al­ly loot­ed by Ama­ran­tha, and whose clever peo­ple
    excelled at spell work and archived the knowl­edge of Pry­thi­an.
    Know­ing who my pow­er had come from, Rhys said, was as impor­tant as
    learn­ing the nature of the pow­er itself. We nev­er spoke of shape-shift­ing—
    of the talons I could some­times sum­mon. The threads that went along with
    us look­ing at that gift were too tan­gled, the unspo­ken his­to­ry too vio­lent
    and bloody.
    So I learned the oth­er courts’ pol­i­tics and his­to­ries, and learned their
    mas­ters’ pow­ers, until my wak­ing and sleep­ing hours were spent with flame
    singe­ing my mouth and hoar­frost crack­ing between my fin­gers. And each
    night, exhaust­ed from a day of train­ing my body and pow­ers, I tum­bled into
    a heavy sleep, laced with jas­mine-scent­ed dark­ness.
    Even my night­mares were too tired to hound me.
    On the days when Rhys was called else­where, to deal with the inner
    work­ings of his own court, to remind them who ruled them or mete out
    judg­ment, to pre­pare for our inevitable vis­it to Hybern, I would read, or sit
    with Amren while she worked on the Book, or stroll through Velaris with
    Mor. The lat­ter was per­haps my favorite, and the female cer­tain­ly excelled
    at find­ing ways to spend mon­ey. I’d peeked only once at the account Rhys
    had set up for me—just once, and real­ized he was gross­ly, gross­ly
    over­pay­ing me.
    I tried not to be dis­ap­point­ed on those after­noons that he was gone, tried
    not to admit that I’d begun look­ing for­ward to it—mastering my pow­ers,
    and … ban­ter­ing with him. But even when he was gone, he would talk to
    me, in the notes that had become our own strange secret.
    One day, he’d writ­ten to me from Cesere, a small city in the north­east
    where he was meet­ing with the few sur­viv­ing priest­esses to dis­cuss
    rebuild­ing after their tem­ple had been wrecked by Hybern’s forces. None of
    the priest­esses were like Ianthe, he’d promised.
    Tell me about the paint­ing.
    I’d writ­ten back from my seat in the gar­den, the foun­tain final­ly revived
    with the return of milder weath­er, There’s not much to say.
    Tell me about it any­way.
    It had tak­en me a while to craft the response, to think through that lit­tle
    hole in me and what it had once meant and felt like. But then I said, There
    was a time when all I want­ed was enough mon­ey to keep me and my fam­i­ly
    fed so that I could spend my days paint­ing. That was all I want­ed. Ever.
    A pause. Then he’d writ­ten, And now?
    Now, I’d replied, I don’t know what I want. I can’t paint any­more.
    Why?
    Because that part of me is emp­ty. Though maybe that night I’d seen him
    kneel­ing in the bed … maybe that had changed a bit. I had con­tem­plat­ed the
    next sen­tence, then writ­ten, Did you always want to be High Lord?
    A lengthy pause again. Yes. And no. I saw how my father ruled and knew
    from a young age that I did not want to be like him. So I decid­ed to be a
    dif­fer­ent sort of High Lord; I want­ed to pro­tect my peo­ple, change the
    per­cep­tions of the Illyr­i­ans, and elim­i­nate the cor­rup­tion that plagued the
    land.
    For a moment, I hadn’t been able to stop myself from com­par­ing: Tam­lin
    hadn’t want­ed to be High Lord. He resent­ed being High Lord—and maybe
    … maybe that was part of why the court had become what it was. But
    Rhysand, with a vision, with the will and desire and pas­sion to do it …
    He’d built some­thing.
    And then gone to the mat to defend it.
    It was what he’d seen in Tar­quin, why those blood rubies had hit him so
    hard. Anoth­er High Lord with vision—a rad­i­cal vision for the future of
    Pry­thi­an.
    So I wrote back, At least you make up for your shame­less flirt­ing by
    being one hell of a High Lord.
    He’d returned that evening, smirk­ing like a cat, and had mere­ly said
    “One hell of a High Lord?” by way of greet­ing.
    I’d sent a bucket’s worth of water splash­ing into his face.
    Rhys hadn’t both­ered to shield against it. And instead shook his wet hair
    like a dog, spray­ing me until I yelped and dart­ed away. His laugh­ter had
    chased me up the stairs.
    Win­ter was slow­ly loos­en­ing its grip when I awoke one morn­ing and
    found anoth­er let­ter from Rhys beside my bed. No pen.
    No train­ing with your sec­ond-favorite Illyr­i­an this morn­ing. The queens
    final­ly deigned to write back. They’re com­ing to your family’s estate
    tomor­row.
    I didn’t have time for nerves. We left after din­ner, soar­ing into the
    thaw­ing human lands under cov­er of dark­ness, the brisk wind scream­ing as
    Rhys held me tight­ly.
    My sis­ters were ready the fol­low­ing morn­ing, both dressed in fin­ery fit for
    any queen, Fae or mor­tal.
    I sup­posed I was, too.
    I wore a white gown of chif­fon and silk, cut in typ­i­cal Night Court
    fash­ion to reveal my skin, the gold accents on the dress glit­ter­ing in the
    mid­morn­ing light stream­ing through the sit­ting room win­dows. My father,
    thank­ful­ly, would remain on the con­ti­nent for anoth­er two months—due to
    what­ev­er vital trade he’d been seek­ing across the king­doms.
    Near the fire­place, I stood beside Rhys, who was clad in his usu­al black,
    his wings gone, his face a calm mask. Only the dark crown atop his head—
    the met­al shaped like raven’s feathers—was dif­fer­ent. The crown that was
    the sib­ling to my gold dia­dem.
    Cass­ian and Azriel mon­i­tored every­thing from the far wall, no weapons
    in sight.
    But their Siphons gleamed, and I won­dered what man­ner of weapon,
    exact­ly, they could craft with it, if the need demand­ed it. For that had been
    one of the demands the queens had issued for this meet­ing: no weapons. No
    mat­ter that the Illyr­i­an war­riors them­selves were weapons enough.
    Mor, in a red gown sim­i­lar to mine, frowned at the clock atop the white
    man­tel, her foot tap­ping on the ornate car­pet. Despite my wish­es for her to
    get to know my sis­ters, Nes­ta and Elain had been so tense and pale when

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    You are being pro­vid­ed with a book chap­ter by chap­ter. I will request you to read the book for me after each chap­ter. After read­ing the chap­ter, 1. short­en the chap­ter to no less than 300 words and no more than 400 words. 2. Do not change the name, address, or any impor­tant nouns in the chap­ter. 3. Do not trans­late the orig­i­nal lan­guage. 4. Keep the same style as the orig­i­nal chap­ter, keep it con­sis­tent through­out the chap­ter. Your reply must com­ply with all four require­ments, or it’s invalid.
    I will pro­vide the chap­ter now.

    I N 1974, ON MY THIR TY-SIXTH birth­day, Har­ry, Celia, John, and I all
    went out to the Palace. It was sup­pos­ed­ly the most expen­sive
    restau­rant in the world dur­ing that time. And I was the sort of per­son
    who liked being extrav­a­gant and absurd.
    I look back on it now, and I won­der where I got off, throw­ing mon­ey
    around so casu­al­ly, as if the fact that it came eas­i­ly to me meant I had
    no respon­si­bil­i­ty to val­ue it. I find it mild­ly mor­ti­fy­ing now. The caviar,
    the pri­vate planes, the staff big enough to pop­u­late a base­ball team.
    But the Palace it was.
    We posed for pic­tures, know­ing they would end up in some tabloid
    or anoth­er. Celia bought us a bot­tle of Dom Perignon. Har­ry put back
    four man­hat­tans him­self. And when the dessert came with a lit can­dle
    in the mid­dle, the three of them sang for me as peo­ple looked on.
    Har­ry was the only one who had a piece of the cake. Celia and I
    were watch­ing our fig­ures, and John was on a strict reg­i­men that had
    him most­ly eat­ing pro­tein.
    “At least have a bite, Ev,” John said good-natured­ly as he took the
    plate away from Har­ry and pushed it toward me. “It’s your birth­day,
    for cry­ing out loud.”
    I raised an eye­brow and grabbed a fork, using it to scrape a fork­ful
    of the choco­late fudge icing. “When you’re right, you’re right,” I said to
    him.
    “He just doesn’t think I should have it,” Har­ry said.
    John laughed. “Two birds with one stone.”
    Celia light­ly tapped her fork against her glass. “OK, OK,” she said.
    “Small speech time.”
    She was due to shoot a film in Mon­tana the fol­low­ing week. She’d
    post­poned the start date so she could be with me that night.
    “To Eve­lyn,” she said, lift­ing her glass in the air. “Who has lit up
    every god­damn room she ever walked into. And who, day after day,
    makes us feel like we’re liv­ing in a dream.”
      *  *  *  
    LATER THAT NIGHT, as Celia and John went out to hail a cab, Har­ry
    gen­tly helped me put my jack­et on. “Do you real­ize that I’m the longest
    mar­riage you’ve had?” he asked.
    By that point, Har­ry and I had been mar­ried for almost sev­en years.
    “And also the best,” I said. “Bar none.”
    “I was think­ing . . .”
    I already knew what he was think­ing. Or at least, I sus­pect­ed what
    he was think­ing. Because I’d been think­ing it, too.
    I was thir­ty-six. If we were going to have a baby, I’d put it off for as
    long as I could.
    Sure, there were women hav­ing babies lat­er than that, but it wasn’t
    very com­mon, and I had spent the last few years star­ing at babies in
    strollers, unable to focus my eyes on any­thing else when they were
    around.
    I would pick up friends’ babies and hold them tight­ly until the very
    moment their moth­ers demand­ed them back. I thought of what my
    own child might be like. I thought of how it would feel to bring a life
    into the world, to give the four of us anoth­er being to focus on.
    But if I was going to do it, I had to get mov­ing.
    And our deci­sion to have a baby wasn’t real­ly just a two-per­son
    con­ver­sa­tion. It was a four-per­son con­ver­sa­tion.
    “Go on,” I said as we made our way to the front of the restau­rant.
    “Say it.”
    “A baby,” Har­ry said. “You and me.”
    “Have you dis­cussed it with John?” I asked.
    “Not specif­i­cal­ly,” he said. “Have you dis­cussed it with Celia?”
    “No.”
    “But are you ready?” he said.
    My career was going to take a hit. There was no avoid­ing it. I’d go
    from being a woman to being a mother—and some­how those things

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    You are being pro­vid­ed with a book chap­ter by chap­ter. I will request you to read the book for me after each chap­ter. After read­ing the chap­ter, 1. short­en the chap­ter to no less than 300 words and no more than 400 words. 2. Do not change the name, address, or any impor­tant nouns in the chap­ter. 3. Do not trans­late the orig­i­nal lan­guage. 4. Keep the same style as the orig­i­nal chap­ter, keep it con­sis­tent through­out the chap­ter. Your reply must com­ply with all four require­ments, or it’s invalid.
    I will pro­vide the chap­ter now.

    39
    Before the con­ser­va­tor­ship, my friend and agent, Cade, would call me up and say
    we should go on a road trip, and I’d be in the car before he was done telling me
    where we were going. If I want­ed the vol­ume cranked up at one of my shows, I’d
    polite­ly make sure the sound guy turned it up. If you pissed me o�, every­body
    would know about it. I was a lit­tle badass. But in Vegas I just smiled and nod­ded
    and did the same show again and again like a windup doll.
    The only thing that kept me going was know­ing that I’d have two vaca­tions
    with my kids, as I did every year. But the year that Glo­ry came out, I had to tour
    instead, which meant I wasn’t allowed to go on vaca­tion; I had to take the kids
    on tour with me, which wasn’t fun for any­one. So the fol­low­ing year, I real­ly
    need­ed those vaca­tions. One night in the quick-change area before a show, my
    team came in and I �agged it for them: “Hey,” I said, “I just want­ed to give you a
    heads-up. I real­ly need those vaca­tions this year.”
    Tra­di­tion is so impor­tant to me. Me and my kids’ favorite thing to do was to
    go to Maui and get a boat and just head out into the ocean. It’s for my men­tal
    health, hon­est­ly.
    “If there’s a large amount of mon­ey,” my team said, “we’ll go and do, like,
    two tour shows, and then you can come back and have the whole sum­mer o�.”
    “Great!” I said. “We’re on the same page.”
    A few months went by. Vegas was �nal­ly com­ing to an end in Decem­ber
    2017. I was so relieved. I’d done hun­dreds of shows.
    As I was in my dress­ing room chang­ing in between acts, some­one from my
    team said, “Hey, yeah, so you are going on tour this year after Vegas ends. We
    can’t just end in Vegas. We have to end it on tour this sum­mer.”
    “That wasn’t the deal,” I said. “I told you, I’m tak­ing the kids to Maui.”

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    In Chap­ter 39, the urgency and har­row­ing deci­sions faced by Kit­ty, Maryellen, and Mrs. Greene con­tin­ue amidst the after­math of a trau­mat­ic encounter with James Har­ris. Kit­ty ini­tial­ly seeks lead­er­ship and orga­ni­za­tion in their dire sit­u­a­tion, lament­ing Grace’s absence, who, in her view, would have effi­cient­ly man­aged the cri­sis. Dis­cov­ered in a dis­tress­ing state, Patri­ci­a’s life hangs in the bal­ance, evok­ing a fren­zied attempt at resus­ci­ta­tion led by Mrs. Greene’s sur­pris­ing com­pe­tence in CPR. James Har­ris’s pres­ence, still omi­nous­ly felt, tran­si­tions from a direct phys­i­cal threat to a psy­cho­log­i­cal men­ace as he taunts and tempts with promis­es of immor­tal­i­ty while the group strate­gizes his inca­pac­i­ta­tion.

    The chap­ter delves into the grim, method­i­cal process of dis­mem­ber­ing Har­ris, employ­ing hunt­ing skills and equip­ment with a chill­ing clin­i­cal detach­ment, under­scored by Har­ris’s manip­u­la­tive bar­gain­ing and Mrs. Greene’s unwa­ver­ing resolve. The group’s focus is dichoto­mous­ly split between sav­ing Patri­cia and ensur­ing Har­ris’s demise, with Kit­ty’s par­tic­i­pa­tion waver­ing under the moral and phys­i­cal toll. The task is grue­some­ly detailed, evok­ing both the hor­ror of the act and the deter­mi­na­tion of the women to pro­tect their com­mu­ni­ty from fur­ther harm.

    As they work, Har­ris’s provo­ca­tions grow increas­ing­ly des­per­ate, reveal­ing his true soli­tary and vul­ner­a­ble state despite boasts of his unique exis­tence and threats of vengeance from his asso­ciates, the Wide Smiles Club. Mrs. Greene and Maryel­len’s final act of silenc­ing Har­ris for­ev­er is both a lit­er­al and sym­bol­ic ges­ture of sev­er­ing the ter­ror he rep­re­sent­ed. Their actions, while extreme, are por­trayed as a nec­es­sary evil to pre­vent fur­ther tragedy, cul­mi­nat­ing in a grim res­o­lu­tion to a night of hor­ror. The chap­ter clos­es on a note of exhaust­ed relief and unre­solved dread, as the impli­ca­tions of their actions and Har­ris’s final threat loom omi­nous­ly over them.

    This nar­ra­tive arc empha­sizes themes of sur­vival, the moral com­plex­i­ties of vig­i­lan­tism, and the depth of loy­al­ty among the char­ac­ters. Despite the grotesque mea­sures tak­en, the focus remains on the char­ac­ters’ inter­nal strug­gles and the dire cir­cum­stances that pushed them to such har­row­ing lengths.

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    Chap­ter 39 of “The Ten­ant of Wild­fell Hall” by Anne Bron­të reveals the pro­tag­o­nist’s height­ened resolve to pro­tect her son from the cor­rupt­ing influ­ence of his father and his com­pa­ny. The nar­ra­tor, a dis­tressed moth­er, watch­es with hor­ror as her young son is encour­aged in vices and coarse behav­iors by his father and father’s friends, deter­mined to make “a man” out of him, despite her best efforts to shield him. With a res­olute heart, she plans an escape for her­self and her son, fear­ing the long-term effects of such an envi­ron­ment on his upbring­ing and char­ac­ter.

    The chap­ter intri­cate­ly describes her con­flict­ing encoun­ters with Mr. Har­grave, who, unlike the oth­ers, shows some restraint in encour­ag­ing the child’s mis­be­hav­ior but har­bors his own ulte­ri­or motives towards her. His offer of pro­tec­tion and the sub­se­quent con­fronta­tion under­scores the pro­tag­o­nist’s des­per­ate but stead­fast inten­tion to flee the tox­ic atmos­phere of her cur­rent life, regard­less of the soci­etal impli­ca­tions and per­son­al sac­ri­fices involved. Her hus­band’s lewd dis­re­gard for their mar­riage, artic­u­lat­ed bla­tant­ly in front of his friends, solid­i­fies her deci­sion to leave, adding a sense of urgency to her plans.

    Amidst the unfold­ing dra­ma, the poignant moment shared with her son, Arthur, about the nature of wicked­ness, reveals the inno­cence yet pierc­ing insight of the child, high­light­ing the inter­nal strug­gle of the nar­ra­tor in pre­serv­ing the puri­ty and well-being of her son against the cor­rupt influ­ences sur­round­ing him.

    The chap­ter, while deeply emo­tive, also fore­shad­ows the deter­mi­na­tion and resilience required for the pro­tag­o­nist to pur­sue a daunt­ing path towards free­dom and pro­tec­tion of her child’s inno­cence. It lays bare the social con­straints and moral dilem­mas faced by women in her sit­u­a­tion, under­scor­ing the themes of mater­nal love, moral integri­ty, and the pur­suit of auton­o­my against oppres­sive rela­tion­ships and soci­etal norms.

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