91 Results with the "Satire" genre
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Chapter
Chapter J
Chapter J opens with Bierce’s bemused reflection on the letter J, not merely as a sound but as a symbol of linguistic inconsistency and invention. He imagines its form as borrowed from the curled tail of a dog, suggesting that language often evolves from whimsy rather than logic. This image, both playful and satirical, sets the tone for his mock scholarship, which includes the fabricated figure of Dr. Jocolpus Bumer, whose untimely demise serves as a comical warning against taking philology too…-
82.1 K • Ongoing
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Chapter
Chapter K
Chapter K opens with an imagined history of the letter itself, tying K to an ancient culture known as the Cerathians, who Bierce claims once flourished in the land of Smero. The letter's modern form, according to his mock-history, emerged from a catastrophe—the collapse of a sacred temple—which transformed the Cerathian character “Klatch” into a symbol of loss and ruin. Bierce connects the shape of the letter to tragedy, humorously suggesting that the alphabet itself bears the weight of forgotten…-
82.1 K • Ongoing
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Story
The Devil’s Dictionary
The Devil’s Dictionary by Ambrose Bierce is a satirical and darkly humorous collection of witty, cynical definitions that expose the hypocrisies and absurdities of human nature, society, and language.-
5.0 K • Nov 8, '24
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5.2 K • Nov 8, '24
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4.1 K • Nov 8, '24
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Chapter
Chapter A
Chapter A unfolds with Bierce’s familiar edge, starting with Abasement, which he defines not as humility, but as calculated submission—particularly in contexts of employment or authority. Rather than depicting it as a virtue, he recasts it as a social strategy, where people learn to shrink themselves in order to survive power dynamics. The sharpness of the definition cuts through the illusion of dignity in hierarchy. For Bierce, the act of lowering oneself is not noble, but necessary in systems built…-
82.1 K • Ongoing
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Chapter
Chapter B
Chapter B begins with a look at Baal, a deity once worshipped across various ancient civilizations, often symbolizing power and natural forces. Bierce does not simply define Baal as a figure of mythology; he connects it to the confusion born of humanity’s attempts to build structures—literal and ideological—that reach too far. By referencing the story of Babel, he draws a line between the ambition to touch the divine and the chaos that follows. The implication is that veneration often disguises…-
82.1 K • Ongoing
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Chapter
Chapter L
Chapter L opens with a stark look at Labor, which Bierce describes as an effort not for personal gain but for the benefit of someone else—typically an employer or master. This definition frames labor as a one-sided transaction in which toil and time are exchanged for minimal return, questioning the dignity often associated with hard work. He implies that work, praised as virtuous, often disguises exploitation beneath the language of duty. Bierce’s entry calls attention to how society masks inequality…-
82.1 K • Ongoing
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Chapter
Chapter M
Chapter M opens with Bierce’s sardonic interpretation of Mace, not as an ornamental staff of office, but as a relic of violence disguised in symbolism. Once wielded to physically crush opposition, it now merely represents authority—yet the threat it implies has not vanished. Bierce suggests that all symbols of power retain traces of their brutal origins, no matter how ceremonial they appear today. This observation invites reflection on how civilization dresses violence in the robes of civility. The…-
82.1 K • Ongoing
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Chapter
Chapter N
Chapter N begins with Bierce’s take on Nectar, the mythical drink of the gods, rendered here as a lost recipe that modern drinkers in Kentucky may have accidentally stumbled upon. His tone lightly mocks the human tendency to romanticize ancient myth while indulging in earthly pleasures that serve similar purposes. Bierce transforms nectar from a symbol of divine vitality to a joke about strong spirits, linking the sacred and profane through satire. This sets the stage for the chapter’s interplay…-
82.1 K • Ongoing
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Chapter
Chapter O
Chapter O begins with Bierce’s sardonic take on Oath, described not just as a solemn vow but as an appeal to a deity designed to scare someone into telling the truth. He points out that its real power comes less from divine authority and more from the fear of perjury and punishment. The deeper suggestion is that society often relies on fear rather than integrity to uphold honesty. Bierce’s view strips the ceremonial dignity from the act and leaves behind a mechanism rooted in human insecurity. The oath…-
82.1 K • Ongoing
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Chapter
Chapter P
Chapter P opens with Bierce’s treatment of Pain, which he describes not merely as a physical sensation but as a reminder of life’s imperfection. It is framed not as something to avoid, but something that teaches—unwanted yet often more honest than pleasure. Bierce argues that pain, unlike happiness, demands attention and shapes behavior. In his view, discomfort is more instructive than joy, serving as a sobering influence on human pride. Through this, pain is elevated from nuisance to necessary…-
82.1 K • Ongoing
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