14 Results with the "Romantic Melodrama" genre


    • Scene IX — The Lady of Lyons Cover
      by LovelyMay Scene IX opens within the richly decorated home of M. Deschappelles, a place where elegance is both visual and strategic. Pauline, the young woman at the center, lounges amid flowers and handwritten notes—tokens of admiration that affirm her social standing. Her maid, Marian, attends quietly, while Madame Deschappelles surveys the setting like a general inspecting her battleground. Each detail in the room—the scented bouquets, the silk cushions, the curated calm—serves a purpose beyond comfort. It…
    • Chapter

      Notes

      Notes Cover
      by LovelyMay In this notes "THE BLENDING"--of alternate prose and verse--"is not unknown in various countries." Thus in Dr. Steere's Swahili Tales (London, 1870), p. vii. we read: "It is a constant characteristic of popular native tales to have a sort of burden, which all join in singing. Frequently the skeleton of the story seems to be contained in these snatches of singing, which the story-teller connects by an extemporized account of the intervening history . . . Almost all these stories had sung parts, and of some…
    • Scene VIII — The Lady of Lyons Cover
      by LovelyMay Scene VIII begins not with romance or grandeur, but with a simmering tension shaped by wounded pride and unfulfilled desires. Pauline’s dreams of marrying into nobility have not only defined her own decisions but have also deeply affected the men around her. Beauseant, once a respected suitor, finds his ego fractured after Pauline dismisses him for lacking a title. Though the Revolution promised equality, social divisions persist in hearts and minds, and Pauline’s ideal still clings to the old notions…
    • Scene VII — The Lady of Lyons Cover
      by LovelyMay Scene VII enters with a subtle but sharp portrayal of manipulation, where revenge is masked as opportunity. Beauseant and Glavis, fueled by bruised pride, begin to sketch a scheme that relies on Melnotte's vulnerability. His affection for Pauline becomes their weapon, not just to humiliate him, but to drag her into scandal under the pretense of romance. Their conversation dances between calculation and cruelty, never veering from their shared belief that class and status should dictate love. Employing…
    Note