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    257 Results with the "Poetry" genre


    • Chapter Twenty-six Cover
      by testsuphomeAdmin The chapter opens in Tehran, August 1987, with the narrator reflecting on a transformative first kiss with Leila, described as a word that evokes "heaven" rather than just "sky." The moment is charged with emotional depth, setting the tone for their intimate connection. The narrative shifts to a phone call from Ali and Gilgamesh, who are drunkenly checking in from a campsite, their boisterous banter contrasting with the quiet tension of the narrator and Leila's shared space. Leila's playful interaction…
    • Chapter Twenty-seven [When asked about…], Martyr! Cover
      by testsuphomeAdmin The chapter opens with a reflection on Michelangelo's approach to sculpture—removing excess stone to reveal the masterpiece within. This metaphor extends to life, where eliminating negative elements (toxic relationships, bad habits) is often mistaken for creating goodness. The author critiques the Abrahamic moral framework, arguing that avoiding wrongdoing doesn't equate to active virtue. A rich man, for instance, may pride himself on not harming others while neglecting positive action, exposing the…
    • Chapter Twenty-seven [Sitting on a…], Martyr! Cover
      by testsuphomeAdmin Cyrus sits on a bench in Prospect Park, reeling from the news of Orkideh’s death after receiving a voicemail from her ex-wife and gallerist, Sang. Despite having known Orkideh for only a short time, Cyrus is deeply affected, contrasting his grief with the seemingly effortless composure of those around him. The chapter reflects on the fleeting nature of modern grief, reduced to a brief interruption in the constant stream of daily life. As Cyrus hesitantly returns Sang’s call, the weight of the moment is…
    • Chapter Twenty-eight Cover
      by testsuphomeAdmin The chapter explores the concept of grace through the perspective of Roya Shams, a woman who narrowly escaped death when her plane was mistakenly shot down by the USS *Vincennes*. Roya reflects on grace as an unearned gift, contrasting it with justice, which is transactional. She recounts how she traded passports with her lover, Leila, to help her flee Iran, only for Leila to perish in the crash instead. Roya grapples with the guilt of surviving while Leila died, framing her second chance at life as an…
    • Chapter Fourteen: Qu Yuan Cover
      by testsuphomeAdmin The chapter opens with Cyrus waking up in a Brooklyn hotel room with his roommate Zee’s thumb in his mouth, a habit stemming from his childhood thumbsucking. Despite his father’s attempts to curb it with hot pepper juice, Cyrus’s subconscious now seeks out Zee’s thumb as a substitute. Their relationship is intimate but largely non-sexual, characterized by cuddling and occasional physical affection, which they struggle to define to others. They share a deep, platonic bond, often sleeping together…
    • Chapter Twenty-nine Cover
      by testsuphomeAdmin The chapter "Orkideh, Martyr!" reflects on the narrator's life through a lens of gratitude and acceptance. Despite acknowledging that happiness was not a constant state, the speaker emphasizes experiencing profound joy, particularly during moments shared with Leila. This perspective challenges conventional notions of tragedy, suggesting that even a life cut short can be rich in meaning if it contained genuine happiness. The tone is introspective yet defiant, rejecting pity in favor of celebrating the…
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      Chapter Fifteen

      Chapter Fifteen Cover
      by testsuphomeAdmin The chapter opens with Cyrus experiencing a vivid dream set in an elevated parking lot surrounded by blooming trees and yellow plains. Unlike his usual dreams, the setting emerges before the characters, creating a surreal atmosphere. Two figures eventually appear: basketball legend Kareem Abdul-Jabbar, dressed in a retro uniform, and Cyrus’s imaginary younger brother, Beethoven, named after the dog from the 1992 film. The dream’s whimsical tone is established as the two men engage in playful banter,…
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      Chapter Thirty

      Chapter Thirty Cover
      by testsuphomeAdmin The chapter opens with Cyrus Shams waiting on a park bench in Brooklyn, lost in thought as he anticipates meeting Sang Linh. His disheveled appearance and anxious demeanor hint at his emotional turmoil. When Sang arrives, Cyrus immediately recognizes her despite her unassuming presence, noting her practical attire and weary expression. Their initial interaction is tentative, marked by silence and shared cigarettes, as both characters grapple with the weight of their connection through Orkideh, Cyrus’s…
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      Chapter Sixteen

      Chapter Sixteen Cover
      by testsuphomeAdmin The chapter introduces Arash Shirazi, a soldier in the Iranian army during the 1985 Iran-Iraq War, who adopts a unique role inspired by his comrade Arman. Dressed in a black robe with a flashlight illuminating his face, Arash becomes a symbolic "angel of night," riding his horse Badbadak among the dying soldiers to offer them solace and reinforce their resolve. Arman explains that every platoon has a soldier like Arash—one who embodies this celestial figure to provide comfort amidst the horrors of war.…
    • Chapter Thirty-one Cover
      by testsuphomeAdmin The chapter opens with the narrator reflecting on their first experience with death, which they missed entirely, leaving them with unresolved grief. This time, they aim to confront their own mortality head-on through their final art installation, *Death-Speak*, which serves as a literal and metaphorical presence in the face of death. The narrator contrasts their experience with Leila, who may have found clarity in death, while they remain burdened by the weight of living. The installation becomes a way to…
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