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Chapter
LETTER–To Edgar Allan Poe
Letter to Edgar Allan Poe opens with a reflection on the peculiar hostility that followed Poe even after death, especially from fellow American writers. While many hailed him as a literary master abroad, his own country often treated him with skepticism. This may have been fueled by his sharp criticism and bold commentary, which spared no one. Poe’s honesty in literary reviews unsettled a scene unprepared for such directness. In doing so, he gained as many enemies as admirers. It is ironic that a man of…-
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LETTER–To Charles Dickens
Letter to Charles Dickens begins not with division, but with a call for balance—between voices, between readers, between the living force of your imagination and the measured realism of your great peer, Thackeray. Though their methods differed, both you and he worked toward understanding the heart of humanity, seen not only in drawing rooms but also in workhouses and alleys. The letter dismisses petty rivalry, instead urging appreciation of how both authors shaped the English novel. Your pages, Charles,…-
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LETTER–To Alexandre Dumas
Letter to Alexandre Dumas opens with recognition of a literary legacy as rich and enduring as the great legends passed down through generations. Your pages, filled with vitality and courage, have not aged but only deepened in resonance. Though you once feared your creations might vanish like castles in the sand, their strength now appears more elemental—etched into culture, unshaken by time or fashion. Like the stories of Scheherazade or Boccaccio, yours continue to charm, stir, and thrill. Your voice,…-
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Letter Epistle to Mr. Alexander Pope sets the tone for a reflection that is at once admiring and interrogative, as the writer examines the complicated aura that surrounds Pope’s poetic legacy. Rather than offer blind praise, the letter moves carefully between Pope’s enduring influence and the thorny criticisms that have shadowed his name. Those who study Pope often do so with divided minds—some celebrate his wit and linguistic precision, while others accuse him of vanity and self-interest. His garden…
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Index
In this index, Henri Bergson’s thought reveals not just a shift in philosophical method, but a deeper challenge to how existence itself is interpreted. His work moves beyond traditional structures of logic and categorization, advocating instead for a fluid approach rooted in intuition. While conventional philosophy seeks permanence in form and language, Bergson encourages thinkers to embrace change as the essence of life. His philosophy does not merely complement science—it confronts it. The rigid…-
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Chapter VIII — Conclusion
Chapter VIII draws readers deeper into the evolving vision of Henri Bergson, where reason is no longer limited to logic alone. Instead, two distinct types of order—geometric and vital—are laid side by side, each revealing a different face of reality. Geometric order, with its straight lines and symmetry, offers a world of prediction and control. But this view, while useful in science and mathematics, cannot fully account for life’s complexity. Vital order, by contrast, is fluid, expressive, and…-
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Chapter VII begins with a bold challenge to one of modern philosophy’s most influential traditions. Henri Bergson, in his evolving vision of thought and life, steps away from the rigid contours drawn by thinkers like Kant. Where Kant enclosed reason within the bounds of structure and critique, Bergson sees such confinement as inadequate for understanding the living, breathing nature of thought. Rather than treating knowledge as a construct examined through static methods, he asks us to view it as part of…
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Chapter VI opens by challenging one of the most entrenched views in classical philosophy: that perception is internal and subjective. Henri Bergson reverses this assumption, asserting that perception arises at the intersection between subject and object. Rather than treating it as something confined within the observer, he emphasizes its outward-directed nature. According to this view, what we perceive is not an internal reconstruction but a direct connection to reality. This changes the entire framework…
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Chapter V invites readers into Henri Bergson’s original vision of inner experience, a philosophy that reshapes how we understand thought, time, and freedom. He departs from the prevailing view of consciousness as a collection of separate parts. Instead, he argues that mental life flows like a melody, where each note influences the one before and after. Bergson sees consciousness as layered and continuous, not mechanical or static. This movement, which he calls “duration,” cannot be sliced into…
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Chapter IV offers a striking departure from traditional philosophical thought by challenging how we perceive and interpret reality. Henri Bergson insists that what we commonly call perception is not simply a private mental image but a direct connection with the real world. However, our practical needs limit this connection, pushing us to filter and simplify what we experience. What reaches our awareness is only a fraction of what exists, trimmed by usefulness and habit. In this sense, ordinary perception…
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