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Chapter
CHAPTER XXIV. -Crome yellow
In Chapter XXIV of "Crome Yellow," Denis discovers the harsh reality of others' perceptions of him through Jenny's caricature-filled red notebook, which he stumbles upon in the deserted drawing-room. Despite the private warning, his curiosity leads him to confront the unflattering illustrations and captions about him and others in the household. The sketches reveal Jenny's insight and critique of their personalities, marking a pivotal moment for Denis in recognizing his true standing among his…-
61.7 K • Ongoing
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Chapter
CHAPTER XXIII. -Crome yellow
Chapter XXIII of "Crome Yellow" begins with Gombauld feeling surprisingly pleased, rather than annoyed, by the arrival of Mr. Scogan and Denis. The tension that had been building inside him, fueled by irritations and set to burst into an argument with Anne, dissipates at their appearance. Gombauld warmly welcomes them into his workspace, where Mr. Scogan immediately starts critiquing the portrait Gombauld is working on. Mr. Scogan expresses surprise at the psychological depth Gombauld has incorporated into…-
61.7 K • Ongoing
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Chapter
CHAPTER XXII. -Crome yellow
Denis, seeking solitude to overcome post-lunch lethargy and a pensive mood, retreats to his room to write, inspired by thoughts of Anne and unattainable love. However, seeing Anne with Gombauld from his window disrupts his tranquility, stirring jealousy and irritation. Descending, he encounters Mr. Scogan, who, seizing the opportunity for company, persuades Denis to join him outside. They observe Henry Wimbush and Mary playing bowls before engaging in conversation on a walk. Mr. Scogan pontificates on…-
61.7 K • Ongoing
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Chapter
CHAPTER XXI. -Crome yellow
In Chapter XXI of "Crome Yellow," an idyllic scene quickly transforms into a dramatic encounter between Anne and Gombauld. Set against the tranquil backdrop of a granary perched on stone mushrooms, the narrative unfolds with a jittery interruption to a family of white ducks, introducing us to the tension above. Gombauld, in the throes of artistic frustration and passion, is painting Anne's portrait, a task rendered nearly impossible by her teasing presence. Anne lounges with a leisurely grace, her pose…-
61.7 K • Ongoing
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Chapter
CHAPTER XX. -Crome yellow
Ivor, the chapter's central figure, departs from Crome, enraptured in his travels across England, fulfilling social and amorous obligations across grand homes and estates. His summer is a whirlwind of engagements, ending with a return to London for a holiday, leaving Crome as a mere episode in his life. Despite this, his immediate thoughts turn to his next destination and the welcoming smile of Zenobia, indicating a continual chase of moments and meetings rather than lasting connections. Before his…-
61.7 K • Ongoing
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Chapter
CHAPTER XIX. -Crome yellow
It's longer, but safer. And now goodbye!" They embraced. "Goodbye!" In another minute he had disappeared through the trap door; she heard his feet descending within the house. Mary was alone. She looked at the feather in her hand, twirled it, gazing at its changing lusters in the growing light. The day was broadening, the clouds lifting, flushed with the morning's youth. She looked out towards Ivor's tower. The flag was stirring slightly. A breeze was blowing, freshening. She looked back at the…-
61.7 K • Ongoing
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Chapter
CHAPTER XVIII. -Crome yellow
In Chapter XVIII of "Crome Yellow," Ivor departs for a Roman Catholic church service, eager in his devotion, driving a striking yellow car. Mary, curious about Catholic rituals, joins him, departing from the estate in the hope of an interesting experience. Meanwhile, in the local parish church of Crome, Mr. Bodiham delivers a sermon about the debate over a War Memorial, confronting the village’s varied and conflicting interests. Mr. Bodiham advocates for a religious monument, dismissing plans for a…-
61.7 K • Ongoing
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Chapter
CHAPTER XVII. -Crome yellow
Ivor Lombard concludes his piano rhapsody with a bang, leading to admiration from his audience, especially Mary, who is overtaken by his performance. Ivor, characterized by his multitude of talents and striking presence, proposes they move to the garden to enjoy the night. While Mr. Scogan and Henry Wimbush stay behind, Ivor leads Anne, Mary, Denis, and Jenny outside. A sensuous atmosphere builds as Ivor sings, and he instinctively puts his arm around Anne, walking with an effortless charm. Denis, feeling…-
61.7 K • Ongoing
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Chapter
CHAPTER XVI. -Crome yellow
In Chapter XVI of "Crome Yellow," the setting shifts to a post-dinner atmosphere among gentlemen, focusing on an eccentric conversation led by Mr. Scogan. The women have departed, allowing the port to circulate freely among the men left in the room. Scogan, engaged deeply with his thoughts and mildly entertained by a private amusement, catches the attention of Gombauld, who inquires about the source of his amusement. Mr. Scogan reveals that he was assessing each person at the table, imagining which of the…-
61.7 K • Ongoing
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Chapter
CHAPTER XIV. -Crome yellow
In Chapter XIV of "Crome Yellow," the story unfolds in the library of the house, described as the coolest place to be during the after-luncheon hours. This room, elegantly designed with white painted shelves from the eighteenth century, contains a secret door disguised as a bookshelf that leads to a cupboard housing the mummy-case of an Egyptian lady, an artifact brought back by the second Sir Ferdinando from the Grand Tour. Amidst the discussion, Mr. Scogan engages in a discourse on the contents of the…-
61.7 K • Ongoing
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