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Chapter
Chapter XXI — Crome yellow
Chapter XXI opens with Anne positioned comfortably on the granary floor, her posture both relaxed and deliberate as she poses for Gombauld’s brush. The old granary, elevated on squat stone pillars, creaks faintly under the stillness of the afternoon. Below, white ducks glide through the grass with absent-minded purpose, their peace momentarily disturbed by the pair above. Gombauld paints in bursts of irritation, overwhelmed not by the technical challenge but by the layered tension Anne introduces simply…-
141.2 K • Ongoing
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Chapter
Chapter XX Farewell
Chapter XX begins not with grandeur, but with a single question that cuts deeper than intended—asked by a resident who once regarded Mr. Harding with affection, now reduced to concern only for money. The reverence and respect once felt are clouded by uncertainty, revealing how hardship and rumors have worn away trust. Mr. Harding’s reaction is wordless; his silence speaks of disappointment far greater than anger. That moment reflects the loss not only of a position but of a bond. The hospital, once a…-
85.6 K • Ongoing
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Chapter
Chapter XX — The Farewell
Chapter XX - The Farewell opens with Agnes returning to Horton Lodge, aware that this marks the end of a significant chapter in her life. She reflects quietly on her time spent in service, recognizing how labor has shielded her from deeper sorrows, especially the loss of her father. Rather than succumbing to despair, she believes purposeful work has offered a sort of strength—keeping both her and her mother grounded in a reality that demands resilience. Agnes clings to this sense of duty as a way to…-
106.0 K • Ongoing
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Chapter
Chapter XX — The coming Race
Chapter XX marks a shift in tone as Taee’s visits to me became more frequent and more personal. His youthful nature, brightened by wit and genuine interest, stood in contrast to the more formal and cerebral demeanor of his elders. Though only around twelve in their years, his mind worked with astonishing precision. But unlike others of his race, he seemed to enjoy the novelty I presented. To him, I was a curiosity wrapped in humor—a living relic of a world so unlike his own. His kindness didn’t feel…-
113.3 K • Ongoing
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Chapter
Chapter XX — Crome yellow
Chapter XX captures a shift in pace and tone as Ivor departs Crome with the air of someone accustomed to drifting from one polished encounter to the next. His farewell, though warm, carries no weight of permanence; his eyes are already fixed on the next stop, the next face waiting to greet him with enthusiasm. Crome becomes just one more bookmark in a summer diary filled with fleeting but intense social appointments. Though he departs, his presence lingers through a parting verse scribbled into the…-
141.2 K • Ongoing
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Chapter XVIII brings us into a moment of emotional confrontation as Mr. Harding quietly returns home, only to be met with agitation and disbelief. His decision to seek legal clarity, and ultimately resign, has sent shockwaves through the family. The Archdeacon, frustrated and incredulous, confronts him with a mix of anger and panic, seeing the move not as integrity but as recklessness. To Dr. Grantly, this resignation is not a moral stand but a betrayal of tradition and privilege. Mr. Harding, however,…
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85.6 K • Ongoing
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Chapter XVIII - Mirth and Mourning introduces a shift in tone and narrative focus, contrasting public cheer with personal sorrow. In this chapter, Rosalie Murray’s marriage becomes a symbol of superficial joy masking inner turmoil, while Agnes Grey reflects on her quiet role as an observer in a world shaped by societal expectations. This chapter thoughtfully explores the emotional duality that often accompanies major life transitions—where celebration coexists with anxiety, and where a carefully…
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106.0 K • Ongoing
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Chapter
Chapter XVIII — Crome yellow
Chapter XVIII begins with Ivor setting out in a bright yellow car, brimming with excitement for a Roman Catholic service. His enthusiasm, expressed through ritual and belief, stands out in the otherwise restrained atmosphere of Crome. Mary, intrigued by what she expects will be a dramatic and mysterious religious experience, agrees to accompany him. Her decision hints at a desire for novelty or perhaps even spiritual awakening—though, characteristically, her motives remain slightly playful. The contrast…-
141.2 K • Ongoing
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Chapter XVII brings Mr. Harding into direct conversation with Sir Abraham, the attorney-general, inside a room that speaks more of academic detachment than legal urgency. Books line the walls, but little of warmth exists between them, reflecting Sir Abraham’s personality—a man governed more by law than empathy. Mr. Harding arrives not seeking protection, but guidance. He is not concerned about winning a case, as it has already been withdrawn, but about understanding what is right. Sir Abraham, however,…
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85.6 K • Ongoing
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Chapter
Chapter XVII — Crome yellow
Chapter XVII introduces a night thick with tension, not through grand conflict but quiet emotion and social complexity. The chapter begins with Ivor Lombard delivering a passionate piano performance that leaves his listeners awed. His music ends in a dramatic flourish, prompting Mary’s admiration and deepening his enigmatic appeal. Ivor’s charm is effortless, weaving through his talents and physical presence, making others bend subtly to his rhythm. Without hesitation, he suggests they all move…-
141.2 K • Ongoing
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