167 Results with the "Literary Fiction" genre
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Chapter
Contents
Contents – The Tenant of Wildfell Hall unfolds as a reflective opening steeped in a tone of modest disclosure and guarded vulnerability. The narrator begins not with dramatics or declarations of grandeur, but with a candid admission: some experiences are simply too personal to be shared—even with the closest confidant. Though he acknowledges the value in complete transparency, he also holds fast to the sanctity of certain private matters. This delicate balance between revelation and restraint sets the…-
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Chapter
Chapter XXI Conclusion
Chapter XXI closes the story not with a dramatic conclusion, but with a gentle settling of hearts and histories. The events that once stirred public speeches, private quarrels, and deep introspection have faded into calm recollection. The hospital walls, still wrapped in ivy, remain as they always were—unmoved by time, yet bearing witness to it. Within those walls, change came not through revolution, but through quiet resignation and acceptance. Mr. Bold has left behind the fight that once consumed him.…-
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CHAPTER XXI – Dawn O’Hara: The Girl Who Laughed ushers in a quiet yet powerful reckoning as Dawn begins to move through the last stages of grief, carrying the weight of recent loss while embracing the tender pull of what lies ahead. The chapter opens in New York, where the memory of Peter Orme fades quickly beneath the city’s pace. Its streets, ever in motion, seem indifferent to mourning—a reminder that while individuals may grieve, life elsewhere continues uninterrupted. Dawn, aware of the…-
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Chapter XXI – Dawn O'Hara, The Girl Who Laughed Trashed begins with a tender acknowledgment of endings as Dawn reflects on Peter Orme’s passing. In New York’s fast-paced rhythm, even death feels like a whisper lost in noise. The city forgets quickly, yet Dawn carries the weight of memories that time refuses to erase. Her sorrow isn't dramatic, but quiet and personal, like pages turning softly in an old book. To heal, she steps away from the crowded energy of journalism, embracing the calm of…
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Chapter
Chapter XX Farewell
Chapter XX begins not with grandeur, but with a single question that cuts deeper than intended—asked by a resident who once regarded Mr. Harding with affection, now reduced to concern only for money. The reverence and respect once felt are clouded by uncertainty, revealing how hardship and rumors have worn away trust. Mr. Harding’s reaction is wordless; his silence speaks of disappointment far greater than anger. That moment reflects the loss not only of a position but of a bond. The hospital, once a…-
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CHAPTER XX – Dawn O’Hara: The Girl Who Laughed opens with quiet devastation, anchored in the sight of a worn office coat left behind by Blackie. The coat, once insignificant in daily life, now holds an unbearable weight as a symbol of finality. Its emptiness tells a story more powerful than words—the reality that its owner will never return to claim it again. In this single image, the chapter sets a tone of unspoken mourning, where absence feels louder than presence. The tragic accident, sudden and…
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Chapter XX – Dawn O'Hara, The Girl Who Laughed Trashed begins with a quiet moment of reflection, as a tattered office coat hanging on a peg brings Blackie’s presence into sharper focus. It’s a small thing, yet it carries weight, symbolizing how objects outlast the people who wear them. The room feels haunted by absence even before the story turns to the accident. Peter’s sudden death, Dawn’s narrow escape, and Blackie’s fragile survival set the tone for what follows. With bandages still fresh…
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Chapter XVIII brings us into a moment of emotional confrontation as Mr. Harding quietly returns home, only to be met with agitation and disbelief. His decision to seek legal clarity, and ultimately resign, has sent shockwaves through the family. The Archdeacon, frustrated and incredulous, confronts him with a mix of anger and panic, seeing the move not as integrity but as recklessness. To Dr. Grantly, this resignation is not a moral stand but a betrayal of tradition and privilege. Mr. Harding, however,…
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CHAPTER XVIII – Dawn O’Hara: The Girl Who Laughed opens with a jolt of anxiety as an unexpected knock at Dawn’s door stirs unease. Blackie, usually a figure of newsroom levity, appears under the dim evening light carrying not humor, but a burden. His nervous manner and insistence on speaking privately hint at something deeply unsettling, his presence disrupting the comfort Dawn has only recently begun to feel. In the parlor’s shadowed stillness, Blackie lights a cigarette, its glow briefly…
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Chapter XVIII – Dawn O’Hara, The Girl Who Laughed Trashed opens with quiet tension as Blackie delivers unsettling news about Peter Orme’s return. His vivid account paints Peter as both charismatic and troubling, a man capable of captivating strangers with stories, yet dangerous to Dawn’s fragile stability. Peter’s casual inquiry about her whereabouts is revealing—it shows either ignorance or indifference to her current life. Blackie, sensing the storm on the horizon, urges Dawn to leave before…
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