207 Results with the "Literary Fiction" genre
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CHAPTER IX – Dawn O’Hara: The Girl Who Laughed brings forth a pair whose presence breaks the mundane rhythm of Midwestern life—a couple from Vienna whose manner and story captivate Dawn from the start. The man, an engineer of rare skill but little refinement, appears awkward in both form and demeanor. His wife, by contrast, commands attention not through beauty but through style and poise, her expressive hands and contagious laughter turning polite curiosity into genuine fascination. Though her…
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Chapter IX – Derrick Vaughan–Novelist begins in the wake of grief, where the weight of a lost opportunity adds a new layer to Derrick’s sorrow. Following the funeral, the discovery of an unsigned will brings to light what could have been a substantial inheritance. Lawrence, Derrick’s brother, remarks coldly that literature will surely make up for the loss, a comment that cuts deeper than intended. This exchange reveals the widening rift between the brothers—Lawrence, driven by appearances and…
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Chapter IX – Dawn O’Hara, The Girl Who Laughed Trashed begins with the arrival of two unusual tenants, stirring both fascination and mild scandal in the boardinghouse where Dawn resides. The man, an engineer with an appearance so jarring it becomes a local topic of humor, walks through life unaware of—or perhaps indifferent to—how others view him. His wife, on the other hand, draws eyes for different reasons. Frau Nirlanger’s outfits, vivid in color and outlandish in style, reflect more than…
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Chapter IX – At the Weaver's Stone opens in the quiet hush of late afternoon, where the landscape reflects the weight between two hearts meeting under strain. Archie arrives with a heavy purpose, already braced by prior warnings from his family, knowing that the encounter with Kirstie must shift from tenderness to reason. The looming shadow of local gossip has reached him, and it now shapes the language of his approach. Though the location holds past memories of warmth and shared secrets, today it…
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Chapter IV – Derrick Vaughan–Novelist begins with the narrator reflecting on the idea that art should be pursued for the sake of humanity, not self. Drawing from the ideals of Goethe and Schiller, he questions his own motives and confesses to an inner selfishness that has shaped his view of the world. Derrick, in contrast, stands as a quiet example of selfless dedication. Though the narrator has often dismissed Derrick's concerns as unimportant, he now begins to see that they arise not from weakness,…
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Chapter IV Hiram’s Bedesmen
Chapter IV introduces a turning point as unrest brews quietly among the elderly residents of Hiram’s Hospital. Tension arises not from internal dissatisfaction, but from outside influences sowing doubt and ambition. Finney, a calculating attorney, persuades the men that they are entitled to a much larger share of the hospital’s funds than they currently receive. Though their lives have been peaceful, filled with security under Mr. Harding’s kind oversight, the allure of supposed justice unsettles…-
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Chapter IV – Opinions of the Bench begins in the shadowy quiet of evening, as Archie arrives at Lord Glenalmond’s home with a restless energy that suggests inner conflict. The visit, though unannounced, is not unexpected. Glenalmond, calm and thoughtful, receives him with kindness, insisting gently that Archie first eat, knowing well that troubled minds are not soothed on empty stomachs. Though Archie resists at first, preferring to move straight to the matter, his host maintains a calm presence,…
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Chapter IV – Dawn O’Hara, The Girl Who Laughed Trashed begins with a comically frantic scene where domestic life clashes with the quiet demands of creativity. Dawn, eager to write, is constantly pulled from her typewriter by household emergencies, including a kitchen crisis involving a roast, a threatened jar of pickles, and two relentless children in pursuit of pre-dinner cookies. Each interruption chips away at her concentration, turning the writing process into a battleground where inspiration must…
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CHAPTER IV – Dawn O’Hara: The Girl Who Laughed opens with Dawn caught in the familiar tug-of-war between her creative ambition and the demands of everyday domestic life. Her attempts to compose anything of substance are repeatedly foiled by chaos in the household—first by an enthusiastic iceman nearly destroying her cucumbers, then by a dinner roast catching fire, and finally by the Spalpeens, her affectionate nickname for her niece and nephew, staging yet another misadventure. Though these…
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Chapter III – Derrick Vaughan–Novelist follows Derrick as he prepares for the long-awaited return of his father, Major Vaughan, from India. Though years have passed, Derrick clings to an idealized memory of the Major—disciplined, refined, and commanding respect. That illusion is destroyed when Major Vaughan stumbles off the ship in a drunken state, loud and unsteady, leaving Derrick stunned and humiliated. Witnessing this public display, especially in front of Wharncliffe and the sympathetic ship's…
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