138 Results with the "Literary Fiction" genre


    • The Maternal Feminine [1919] Cover
      by LovelyMay The Maternal Feminine begins in a room where the atmosphere is tense but quiet, filled with a stillness that holds space for both anticipation and mourning. Sophy, seated calmly with her hands gently resting in her lap, looked every bit the composed elder, yet behind her quiet exterior was an awareness of the weight about to descend. When Marian King entered, she brought not just information but presence—firm and capable, with a kind of warmth that disarmed without softening the truth. Her youth…
    • Long Distance [1919] Cover
      by LovelyMay Long Distance opens with a striking contrast: Chet Ball, once a rugged lineman from Chicago, now rests in a quiet English hospital room, painting a wooden chicken with hands more familiar with climbing poles than holding a brush. His broad shoulders and sun-worn face seem almost out of place amid the dainty surroundings of Reconstruction Hospital No. 9. Though the toy he paints is small and colorful, it stands as a powerful symbol of how far removed he is from the grit and peril of his past life. The room…
    • Un Morso doo Pang [1919] Cover
      by LovelyMay Un Morso doo Pang begins in a quiet, firelit room, where Tessie repeats a foreign phrase with hesitant precision. Her voice wavers, not from a lack of courage, but from the weight of the moment—it’s not just a lesson in language, but a declaration of intent. Angie, patient and grounded, corrects her gently, encouraging not just her pronunciation but her self-belief. Tessie’s lips form the words again, this time with more clarity, her eyes lit by something deeper than understanding. It’s hope.…
    • Farmer in the Dell  [1919] Cover
      by LovelyMay Farmer in the Dell opens with Ben Westerveld quietly enduring a life he never wanted. Once a prosperous and hard-working farmer in southern Illinois, Ben has now retired to the city, pushed by his wife Bella's desire for a more modern lifestyle. In Chicago, surrounded by brick and noise, he finds himself restless and increasingly out of place. Though financially secure, his days are empty, stripped of the purpose and pride that came with managing his own land. While Bella thrives on shopping trips and…
    • That’s Marriage [1917] Cover
      by LovelyMay That's Marriage begins in an ordinary kitchen, with a cold cup of coffee and a remark that surprises them both. Terry’s half-laugh, half-sob response to Orville’s observation isn’t just about the coffee—it’s about something that’s been quietly missing between them. That he noticed at all seems unbelievable to her. After all, marriage has a way of dulling the edges, of turning attentiveness into routine, and love into assumption. But in that moment, something breaks open. A simple gesture…
    • The Gay Old Dog [1917] Cover
      by LovelyMay The Gay Old Dog opens with Jo Hertz, a middle-aged bachelor, navigating the lively streets of Chicago as troops prepare to march off to war. The festive chaos of the city contrasts sharply with Jo's internal stillness—a quiet longing that has been buried beneath years of indulgence and denial. While others look to the future with hope or fear, Jo stands suspended in the past, contemplating the pieces of life he never got to live. It is this emotional disconnect, set against a backdrop of patriotic…
    • The Woman Who Tried to Be Good [1913] Cover
      by LovelyMay The Woman Who Tried to Be Good begins with the quiet shock of a town unprepared to witness a woman like Blanche Devine change her life. Her past had been whispered about for years—her name a permanent feature in hushed conversations and sidelong glances. But Blanche, with a will sharpened by solitude and a longing for something gentler, made a bold choice: to become respectable. She sold the house with its closed shutters and secrets, then bought a little white cottage near the edge of town. What…
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      One Way In

      One Way In Cover
      by LovelyMay One Way In opens with a surreal drift into the afterlife, not with fire or golden gates, but with Samuel Carter stepping through a green baize door into what resembles an upscale government office. The space is orderly and slightly dull, lacking the grandeur or terror one might expect. Carter, neither startled nor overly curious, treats the scene with polite detachment, as if checking into a club. The room’s only real feature is a large table where Rhadamanthus—the mythic judge of the dead—sits with…
    • What Might Have Been Cover
      by LovelyMay What Might Have Been begins with the sun blazing down on an otherwise lazy Sunday, the kind of day designed for doing nothing at all. Yet, Dolly, with her characteristic whimsy, declares that the flower pots lining one side of the terrace would look infinitely better on the other. Her suggestion, impractical and ill-timed, carries the soft tyranny of someone who always gets their way through sheer conviction. Archie, ever obliging and faintly exasperated, takes up the task without protest. The rest of the…
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      The Other Lady

      The Other Lady Cover
      by LovelyMay The Other Lady begins with Carter recounting a near escape from social obligation—a reception he nearly avoided—only to confess to Lady Mickleham that he has fallen in love. The setting is casual, yet every word in their exchange is meticulously crafted with wit and intention. Lady Mickleham, with her signature blend of skepticism and indulgent curiosity, listens as Carter describes the encounter not with restraint, but with the glowing exaggeration of a man happily swept away. He admits the woman is…
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