• That’s Marriage     [1917] Cover
      by LovelyMay She gave a little cry, then--half laughter, half sob. She glanced down at the cup beside her plate. It was half full of coffee, cold now, and undrunk. "Orville!" she marveled. "I never knew you noticed things like that! Why, you're almost poetic!" "Poetic!" He grinned down at her, wryly. "Me!" Then, more seriously, "Let's hear it, Terry. What's wrong?" She hesitated a moment, bewildered; then, "Oh, nothing! Nothing's wrong, Orville. Everything's right. I've been an awful fool, Orville.…
    • Farmer in the Dell  [1919] Cover
      by LovelyMay Ben Westerveld, a retired and well-to-do farmer from southern Illinois, struggles to adjust to his new life in Chicago with his overbearing wife, Bella. Having moved to the city to "take it easy," Ben finds himself missing the farm life and feeling purposeless amidst the hustle and bustle of urban living. Despite Bella and their children adapting to city life, Ben yearns for the open fields and the satisfying work of farming. A chance encounter on South Water Street with Emma Byers, his one-time love…
    • Un Morso doo Pang [1919] Cover
      by LovelyMay "Un morso doo pang," repeated Tessie, very carefully and slowly. Angie corrected her pronunciation, and Tessie tried again, her eyes bright with determination. Angie repeated the phrase, and Tessie echoed it, this time with more confidence. There was a moment of silence in which the only sound was the crackling of the fire. "That's pretty good for a first lesson," Angie said finally, with a smile that was both warm and encouraging. Tessie nodded, a determined set to her mouth. "I'll learn it," she…
    • Long Distance [1919] Cover
      by LovelyMay Chet Ball, a former lineman from Chicago's West Side, found himself in an unexpected setting: painting a wooden chicken in an English country estate transformed into Reconstruction Hospital No. 9. This man, who had once dangled from telegraph poles for the Gas, Light & Power Company, now lay among soft pillows, dabbing paint on a toy, a drastic change from his previous life of hazards and high altitudes. The contrast between Chet’s burly physique and his delicate task highlighted a man ill-suited by…
    • The Maternal Feminine [1919] Cover
      by LovelyMay Sophy seemed calm, her hands folded, her face serene yet expectant. Marian King was younger than they had thought she would be. She brought with her an atmosphere of briskness, of efficiency softened by a feminine warmth. She greeted them, shook hands. Then she sat down, turned to Flora, and began to speak quietly, simply, recounting Eugene's last days. She told them of his courage, his strength, his will to live. She described his attacks, his struggle for breath, his determination to fight through…
    • THE MAN WHO HUNTS AND DOESN’T LIKE IT Cover
      by LovelyMay In the chapter titled "The Man Who Hunts and Doesn't Like It," from "How to Ride to Hounds," the narrative delves into the paradoxical existence of individuals who partake in hunting not out of genuine passion but due to societal pressures or expectations. These individuals, despite their regular participation, never truly find enjoyment in the activity. This phenomenon is not limited to hunting but extends to various social engagements like balls, races, and theatre visits, where participation is often…
    • THE MAN WHO HUNTS AND DOES LIKE IT Cover
      by LovelyMay "The Man Who Hunts and Does Like It" portrays the nuanced and paradoxical joys and tribulations of fox hunting, delving into both the enthusiasm and inherent frustrations of the ardent huntsman. Despite a deep fondness for the sport, the huntsman encounters myriad disappointments and discomforts—ranging from adverse weather conditions to the heartbreak of missing the season's premier runs. The narration paints a vivid picture of the stark transformation in hunting practices over time, contrasting the…
    • THE LADY WHO RIDES TO HOUNDS Cover
      by LovelyMay "The Lady Who Rides to Hounds" delves into the evolving role of women in the traditionally male-dominated sport of hunting. It begins by highlighting the two groups of enthusiastic hunters: hunting parsons and hunting ladies, emphasizing how their inclusion defies conventional expectations. The author asserts that the presence of women in hunting is growing and argues they often surpass men in skill due to their formal training, leading to a safer, more elegant style of horsemanship. This shift not only…
    • THE HUNTING FARMER Cover
      by LovelyMay The chapter "The Hunting Farmer" from "How to Ride to Hounds" emphasizes the crucial role that hunting farmers play in the sustainability of hunting as a sport in England. The narrative appreciates these farmers for their contributions and contrasts their situation with those in other regions where private land rights prohibit similar hunting practices. It argues that without the cooperation and active participation of farmers, who often own or work the lands used for fox hunting, the sport would face…
    • THE MAN WHO HUNTS AND NEVER JUMPS Cover
      by LovelyMay This chapter titled "The Man Who Hunts and Never Jumps" sheds light on a common misconception held by the non-hunting British public regarding the necessity of jumping in hunts. Contrary to popular belief, not all who partake in the hunt are inclined or required to jump over obstacles such as five-barred gates, six-foot walls, or double posts and rails. The narrative dispels the idea that hunting is synonymous with continuous leaps over formidable barriers, a notion exaggerated by stories of the Galway…
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