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Chapter VI opens by challenging one of the most entrenched views in classical philosophy: that perception is internal and subjective. Henri Bergson reverses this assumption, asserting that perception arises at the intersection between subject and object. Rather than treating it as something confined within the observer, he emphasizes its outward-directed nature. According to this view, what we perceive is not an internal reconstruction but a direct connection to reality. This changes the entire framework…
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Chapter VII begins with a bold challenge to one of modern philosophy’s most influential traditions. Henri Bergson, in his evolving vision of thought and life, steps away from the rigid contours drawn by thinkers like Kant. Where Kant enclosed reason within the bounds of structure and critique, Bergson sees such confinement as inadequate for understanding the living, breathing nature of thought. Rather than treating knowledge as a construct examined through static methods, he asks us to view it as part of…
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Chapter
Chapter VIII — Conclusion
Chapter VIII draws readers deeper into the evolving vision of Henri Bergson, where reason is no longer limited to logic alone. Instead, two distinct types of order—geometric and vital—are laid side by side, each revealing a different face of reality. Geometric order, with its straight lines and symmetry, offers a world of prediction and control. But this view, while useful in science and mathematics, cannot fully account for life’s complexity. Vital order, by contrast, is fluid, expressive, and…-
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Chapter
Index
In this index, Henri Bergson’s thought reveals not just a shift in philosophical method, but a deeper challenge to how existence itself is interpreted. His work moves beyond traditional structures of logic and categorization, advocating instead for a fluid approach rooted in intuition. While conventional philosophy seeks permanence in form and language, Bergson encourages thinkers to embrace change as the essence of life. His philosophy does not merely complement science—it confronts it. The rigid…-
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Story
Aucassin and Nicolete
Aucassin and Nicolete is a medieval French chanson de geste that tells the romantic and adventurous story of Aucassin, a nobleman, and Nicolete, a beautiful Saracen captive, as they endure trials, separation, and danger in their quest to be together, blending elements of love, adventure, and humor.-
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Chapter
Introduction
Introduction to Aucassin and Nicolete begins not with lofty claims, but with quiet distinction. This poetic work, unlike many literary relics from the same era, has endured across centuries without losing its charm or originality. Blending prose with verse, it introduces a narrative form called the cante-fable, which doesn’t merely tell a story but performs it. Where most medieval texts lean toward morality tales or courtly grandeur, this piece feels more personal, intimate, and occasionally ironic. It…-
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The Song-Story of Aucassin and Nicolete ends not in tragedy but in fulfillment, with love triumphing after trials that tested its depth. Nicolete, having endured separation and hardship, takes it upon herself to prepare for a reunion not just with words but with grace and presence. She bathes, rests, and seeks out healers and herbalists, those wise in the secret arts of roots and oils. With their help, she creates a salve, one touched by tradition and healing lore, which makes her skin gleam with renewed…
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Chapter
Notes
In this notes "THE BLENDING"--of alternate prose and verse--"is not unknown in various countries." Thus in Dr. Steere's Swahili Tales (London, 1870), p. vii. we read: "It is a constant characteristic of popular native tales to have a sort of burden, which all join in singing. Frequently the skeleton of the story seems to be contained in these snatches of singing, which the story-teller connects by an extemporized account of the intervening history . . . Almost all these stories had sung parts, and of some…-
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Chapter
The Witch
The Witch begins on a night filled with storm and tension, with Savely Gykin and his wife Raissa trapped inside their small hut. Wind howls through the cracks, and thunder shakes the rafters, but Raissa remains undisturbed, focused on her needlework. Savely, however, lies restless, brooding and uneasy. He stares at the shadows and mutters under his breath, convinced that his wife has summoned the storm by some arcane means. Their marriage, dry and stagnant, seems to crackle with hidden bitterness, where…-
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Chapter
Peasant Wives
Peasant Wives introduces a layered account of village life that pulls the reader into the modest yet tension-filled household of Dyudya, a peasant patriarch who has built up his small fortune through frugal living and hard work. Within the wooden walls of their cottage, relationships simmer beneath the surface. Dyudya’s elder son, Fyodor, is burdened with a chronically sick wife, Sofya, who adds a quiet strain to the home. Meanwhile, Alyoshka, the younger son and physically deformed, is married to…-
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