21 Results with the "Drama" genre
Adventure Fiction (146)
Biography (456)
Children's Literature (77)
Comics (6)
Culture (9)
Fable (5)
Fantasy (210)
Fiction (432)
Finance (16)
Gothic Fiction (4)
Historical Fiction (375)
History (55)
Horror (9)
Lifestyle (1)
Literary (429)
Memoir (93)
Mystery (163)
Non-fiction (63)
Novel (570)
Paranormal Fiction (96)
Philosophical (136)
Poetry (222)
Politics (29)
Practical (32)
Psychological Thriller (66)
Relationship (5)
Romance Novel (284)
Romantic Melodrama (11)
Satire (18)
Science (25)
Science Fiction (169)
Self-help (64)
Society (64)
Society (2)
story (2)
Thriller (483)
True Crime (53)
view (13)
-
In Act I of "Chastelard, a tragedy," the scene unfolds in the Upper Chamber in Holyrood with Mary Beaton, Mary Hamilton, Mary Carmichael, and Mary Seyton—collectively known as the four Maries. The act opens with Mary Beaton singing a melancholy French song that captures the essence of her longing and sadness, weaving the sea's vastness and tumult with personal emotion. Her companions inquire why her singing always seems to sadden her, leading to a discussion that reveals Mary Beaton's melancholy is…-
20.7 K • Ongoing
-
-
Chapter
ACT IV -Uncle Vanya
In Act IV of "Uncle Vanya," Voitski's bedroom, doubling as his office, is detailed with both practical and personal items, signaling its use as a place of work and solitude. As the scene opens, we witness a quiet, anticipatory moment between Telegin and Marina, suggesting a change is afoot with the departure of the professor's family to Kharkoff in search of a different life. This departure sparks relief in Marina and Telegin, hinting at the discomfort and disruption caused by the family's presence. The…-
6.7 K • Ongoing
-
-
Chapter
SCENE II. -A Hall in the same.
In a vivid hall filled with characters like Queen Mary, Darnley, Murray, Randolph, the two Maries, and Chastelard, a scene unfolds that captures the intricate dance of courtly love and political intrigue within the Scottish court. The Queen, initially disinterested in dancing, is presented with a breast-clasp, a gift from the French king, depicting a Venus that allegorically embodies the destructive nature of love. This piece, meticulously crafted by Gian Grisostomo, becomes a focal point of conversation…-
20.7 K • Ongoing
-
-
Chapter
PROLOGUE
In David Garrick's prologue to "She Stoops to Conquer," we are introduced to a scene filled with melancholy and a sense of impending loss within the theatrical world, articulated through the character of Mr. Woodward. Dressed in somber black, Mr. Woodward embodies the mourning and despair prevalent among actors at the time, signifying not just a personal state of sorrow but a communal crisis within the realm of comedy. Mr. Woodward's lamentation begins with a poignant revelation that his tears are not for…-
13.5 K • Ongoing
-
-
In the dimly lit chamber of Mary Beaton, Chastelard waits, unsure if she will come, yet hopeful. He reflects on the last encounter with her, the subtleties of her gestures, and the lingering warmth of her hand, which fuels his anticipation. Even though he faces death, Chastelard finds solace in the end of his two-year wait, regardless of the outcome. His musings are interrupted when Mary Beaton enters. Their exchange is fraught with emotion and misunderstanding. Chastelard, mistaking Mary for another in…
-
20.7 K • Ongoing
-
-
Chapter
ACT THE FIRST.
In the first act of "She Stoops to Conquer," the scene opens in a chamber of an old-fashioned house, where Mrs. Hardcastle laments their dull, rural life and lack of fashionable society, unlike their neighbors who venture to London for "polishing." Mr. Hardcastle, on the other hand, cherishes the old ways, including his old wife. Their conversation shifts to their son, Tony Lumpkin, whom Mrs. Hardcastle dotes on despite his lack of scholarly ambition and penchant for mischief. Mr. Hardcastle criticizes…-
13.5 K • Ongoing
-
-
In Act II, Scene I of Algernon Charles Swinburne's _Chastelard, a Tragedy_, the setting unfolds in the Great Chamber in Holyrood, encapsulating a tense and intimate dialogue between Queen Mary and Mary Seyton. The scene initiates with the Queen pressing Mary Seyton for a confirmation of an observed indiscretion, which subtly unveils the precarious balance of trust and scandal within the court. Further, the interaction reveals the Queen's disconcerted state over her reputation and her associates,…
-
20.7 K • Ongoing
-
-
Chapter
ACT THE SECOND.
In Act II of "She Stoops to Conquer," Hardcastle tutors his awkward servants on etiquette to impress his guests. Amidst clumsy attempts at elegance and numerous faux pas, Marlow and Hastings, mistaking the house for an inn, arrive and are baffled by Hardcastle's hospitality which they perceive as overly familiar for an innkeeper. Hardcastle, unaware of their misunderstanding, is puzzled by their expectations. Marlow struggles with his bashfulness around women of high social standing, a theme he discusses…-
13.5 K • Ongoing
-
-
Chapter
ACT III. -chastelard
Act III of Algernon Charles Swinburne’s tragedy “Chastelard” unfolds in the Queen's chamber, where the atmosphere is tense and charged with forbidden love and the anticipation of tragedy. Chastelard has surreptitiously entered the Queen's private space, signifying his willingness to risk everything for a moment with her. Mary Beaton, aware of the danger, attempts to dissuade him, highlighting the fatal consequences of his actions. Yet, Chastelard, driven by an overwhelming passion, likens his love to…-
20.7 K • Ongoing
-
-
Chapter
ACT THE THIRD.
In Act III of "She Stoops to Conquer," the confusion and disguise continue to unfold with entertaining complexity. Hardcastle is utterly bewildered by the behavior of young Marlow, whom he deems impudent, contrary to Sir Charles's description of his son as modest. In contrast, Miss Hardcastle has a completely different experience with Marlow, seeing him as timid and respectful—a view that bewilders her father. Their amusing debate over Marlow's character reveals the amusing situation: Marlow behaves…-
13.5 K • Ongoing
-
- 1 2 3 Next
