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Chapter
Chapter Twenty-one: Ali Shams
The chapter opens with Cyrus Shams in Brooklyn, attempting to call his friend Zee but hesitating to leave a message. His hands tremble uncontrollably, reflecting his inner turmoil. The narrative then shifts to memories of his father Ali's funeral, where only a handful of people attended, including his high school teacher, ex-girlfriend, and friends. Cyrus recalls the somber atmosphere and the scent of wet soil, a sensory memory that lingers with him. His uncle Arash's absence is noted, along with the later…-
74.6 K • Ongoing
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Chapter
BOOK I
Straightway they rushed in throngs from the city gates, eagerly seeking; for no one, neither youth nor elder, tarried behind. They searched, turning every stone, each one eager to be the first to bring back to Heracles tidings of his lovely Hylas. There is a fountain, Artacia, the water of which the Mysians say gushes up from the rock not far from the city, and thither, as fate would have it, the searchers came likewise. And Heracles eagerly asked them if haply they had seen a boy passing to the spring…-
6.9 K • Ongoing
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Chapter
The Job
The chapter eloquently delves into the profound understanding that one's occupation or job does not define their worth or their trajectory to success, fame, or joy. It emphasizes the intrinsic value and responsibility of an individual in their professional realm, arguing that the ultimate outcome of their labor is contingent upon their own efforts, ethics, and determination rather than the nature of the job itself. Portrayed through a reflective and didactic tone, the narrative implores readers to perceive…-
57.4 K • Ongoing
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Chapter
My Books and I
In "Just Folks" chapter 52, titled "My Books and I," the narrator describes the intimate relationship forged with books through various emotional states. This chapter unfolds the comfort and companionship books provide, likening them to old pals who perfectly match the narrator's changing moods. Through playful interactions with the humorous writings of Bill Nye, to the thought-provoking companionship of Stevenson, books serve as a refuge and a source of joy. In moments of sorrow, the narrator turns to the…-
57.4 K • Ongoing
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In the poignant verses of the chapter, the speaker delves into the contemplation of a time when the ardor of love might fade, embodying a theme of love's vulnerability to the passage of time. Initially, the speaker envisages a serene acceptance of life's end if it followed a life of love, cherished and returned. However, the core of the narrative shifts to a speculative, darker hue as it entertains the harrowing possibility of love's decline. The speaker imagines encountering a day when the warmth of…-
49.7 K • Ongoing
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Chapter
Ballad: The Story Of Prince Agib
In "The Story of Prince Agib," the tale unfolds with a vibrant invocation to musical instruments, setting the stage for a narrative about Agib, the Prince of Tartary. Agib, depicted as a musically gifted youth, indulges in composing ballet music and playing a variety of instruments, showcasing his artistic versatility. His life takes an unexpected turn during a harsh winter when two starving Tartar minstrels, referred to as the "Ouaits," arrive at his gates. Moved by their plight, Agib welcomes them…-
67.2 K • Ongoing
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Chapter
VERSE: A New Mother
A New Mother opens within the quiet strain of a family still grieving, where love is present, but fragmented by memory and loss. Sir Arthur, though dignified and affectionate, carries a solemn weight since the death of his wife. Her absence lingers in the house like a shadow that dims even the happiest days. Each night, the children gaze at her portrait, not as a habit, but as a ritual that binds them to the past. Her voice echoes in the walls, her influence woven into every custom they refuse to let go.…-
56.4 K • Ongoing
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Chapter
Cyrus Shams
The chapter opens with Cyrus Shams, a disheveled and drug-addled young man, lying in his squalid Indiana apartment, desperately seeking a sign from God. After years of silence, he interprets a flickering light bulb as a potential divine message, though he questions whether it’s a miracle or just faulty wiring. Cyrus reflects on the unfairness of biblical figures like Muhammad and Saul, who received unambiguous revelations, while he is left grasping for clarity. His longing for a tangible connection with…-
74.6 K • Ongoing
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Chapter
Chapter Thirty-one
The chapter opens with the narrator reflecting on their first experience with death, which they missed entirely, leaving them with unresolved grief. This time, they aim to confront their own mortality head-on through their final art installation, *Death-Speak*, which serves as a literal and metaphorical presence in the face of death. The narrator contrasts their experience with Leila, who may have found clarity in death, while they remain burdened by the weight of living. The installation becomes a way to…-
74.6 K • Ongoing
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Chapter
CHAPTER II -The Bhagavad-Gita
In Chapter II of the Bhagavad-Gita, Sanjaya narrates the dialogue between Arjuna and Krishna amidst the battlefield. Arjuna, overwhelmed by compassion and grief at the thought of fighting his revered elders, such as Bhishma and Drona, confesses his inability to engage in the battle, despite its honor and duty aspects. He considers it better to live on beggar's bread with loved ones than to achieve victory stained with their blood, revealing his moral and emotional turmoil over the warfare that pits him…-
39.0 K • Ongoing
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