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Chapter I opens with a reflection on how Henri Bergson's thought marks a turning point in modern philosophy, particularly in how we approach consciousness, reality, and the sacred. His work introduces a way of thinking that does not begin with definitions or logical premises but with life itself—moving, changing, and creating. Bergson places intuition and imagination at the center of philosophical inquiry, offering an alternative to the sterile detachment often found in rigid rationalism. Though he does…-
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Chapter I – Method
Chapter I begins by positioning philosophical intuition not in opposition to science, but as its extension—one that builds on scientific understanding to reach deeper truths. Rather than reject scientific inquiry, Henri Bergson insists that true philosophy depends on it while going beyond its limits. Science gives us clarity and structure, but it cannot fully express the flow of life. Where science categorizes and defines, philosophy—through intuition—touches the essence that lies beneath. This…-
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Chapter I
Chapter I begins with Bierce’s clever examination of the letter I, turning it into a symbol of the self—solitary, proud, and central to all communication. He notes how “I” is both a grammatical necessity and a psychological revelation, embodying the ego at the heart of every sentence. Though it seems humble on paper, Bierce shows how “I” is used to mask pride as well as to express honesty. The contrast between its singularity and the plural “we” reveals how identity can shift based on…-
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Chapter H
Chapter H begins with Bierce’s wry dissection of Habeas Corpus, presented as a formal process used to release the unjustly imprisoned, yet underscored by the irony that one often needs extraordinary effort to restore basic liberty. While legally noble, the phrase is portrayed as a bandage over a flawed system—where justice exists more on paper than in practice. Bierce’s satire implies that while the law offers pathways to freedom, it also permits the existence of cages that shouldn't be there in the…-
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Chapter G
Chapter G opens with a sharp commentary on the Gallows, not just as a structure of justice, but as a morbid stage where the condemned briefly becomes the center of attention. Bierce reduces its grim function to theatrical irony, describing how society transforms punishment into performance. The accompanying verse adds that the noblest death is one delivered with absolute stillness—suggesting that dignity in the face of death may be the last illusion granted to those society condemns. By framing execution…-
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Chapter F
Chapter F begins with Bierce’s playful critique of the mythical Fairy, portrayed not as a symbol of innocence but as a mischievous relic of outdated belief systems. He recalls how laws once protected these fictional beings, illustrating the absurd lengths to which societies have gone to defend the imaginary. By invoking their reported appearances in the 19th century, Bierce highlights the human tendency to embrace superstition, even when faced with advancing reason. His depiction draws attention to how…-
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Chapter E
Chapter E opens with a humorous yet insightful look at Eating, defined by Bierce as the successful coordination of many bodily functions, distinguishing between mere consumption and the true enjoyment of a meal. This contrast highlights how the physical act of nourishment often lacks the pleasure associated with fine dining. Through a witty anecdote about the gastronome Brillat-Savarin, Bierce sets the tone for his exploration of ordinary acts, revealing their deeper cultural and emotional layers. The…-
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Chapter D
Chapter D sets the tone with the redefinition of Damn, a word that Bierce cleverly allows to shift in meaning depending on who defines it—be it theologian, philosopher, or common man. This ambiguity allows him to satirize how language, especially in moral contexts, is shaped more by perception than principle. Bierce uses the term to mock not just religious doctrine, but the human tendency to tailor judgment for convenience. Through this lens, condemnation becomes a flexible tool used selectively. His wit…-
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Chapter C
Chapter C opens with Bierce’s knack for blending satire and sharp observation, starting with Caaba, a stone linked to Abraham that embodies religious ambiguity and human folly. By connecting it to the story of Babel, Bierce hints that divine worship often conceals confusion and vanity, turning sacred symbols into reminders of human error. This sets the stage for a series of definitions that unravel accepted meanings to reveal underlying absurdities in culture and belief. His humor highlights how even…-
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Chapter B
Chapter B begins with a look at Baal, a deity once worshipped across various ancient civilizations, often symbolizing power and natural forces. Bierce does not simply define Baal as a figure of mythology; he connects it to the confusion born of humanity’s attempts to build structures—literal and ideological—that reach too far. By referencing the story of Babel, he draws a line between the ambition to touch the divine and the chaos that follows. The implication is that veneration often disguises…-
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