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Chapter
Scene 1. VII.
Scene 1. VII. of Cyrano de Bergerac begins with Cyrano being approached by a duenna, who brings with her a mysterious invitation from a lady. The invitation, full of secrecy and anticipation, stirs deep emotions within Cyrano, who is initially caught off guard by the unexpected gesture. The lady, who is none other than his valiant cousin, has asked to meet Cyrano secretly at dawn at St. Roch, followed by a private conversation at Ragueneau's pastry shop on Rue St. Honore. Despite his initial disbelief and…-
169.8 K • Ongoing
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Chapter
Scene 1. V.
Scene 1. V. of Cyrano de Bergerac opens with a powerful illustration of Cyrano’s impulsive nature, as he spends his entire inheritance in a single day. This reckless act, which Le Bret criticizes as foolishness, is defended by Cyrano as an expression of grace and honor. Even though he is now left without any wealth, Cyrano’s pride and dignity remain unscathed, a testament to his unshakable sense of self-worth. He values his honor above all else, and even in the face of material loss, he chooses to…-
169.8 K • Ongoing
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Chapter
Scene 1. IV.
Scene 1. IV. unfolds with a dramatic and electrifying confrontation in the theater, where Cyrano, known for his unparalleled wit and commanding presence, takes control of the situation with authority. The chaos begins when Montfleury, the lead actor, attempts to perform but is immediately interrupted by Cyrano’s booming voice from the audience, demanding that he leave the stage. Despite Montfleury’s nervous attempts to continue, Cyrano escalates his threats, making it clear that he will resort to…-
169.8 K • Ongoing
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Chapter
Scene 1. III.
Scene 1. III. in Cyrano de Bergerac opens in a bustling theater filled with the vibrant energy of the French nobility, setting the stage for a mixture of intrigue, wit, and spectacle. De Guiche, a prominent and powerful figure, makes his dramatic entrance from Roxane’s box, flanked by a group of fawning noblemen, including the Viscount de Valvert. The nobles engage in light-hearted banter, poking fun at De Guiche’s ribbons, which they call “Sick Spaniard.” This humorous remark references Spain’s…-
169.8 K • Ongoing
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Chapter
Scene 1. II.
Scene 1. II. in Cyrano de Bergerac immerses the audience in the bustling energy of a Parisian theater, filled with the social elite. The theater is alive with a mixture of the city’s finest nobility, poets, and curious onlookers, each person contributing to the collective buzz of anticipation. Christian de Neuvillette, newly introduced to this world, finds himself distracted by the spectacle around him, but his attention is firmly focused on one individual—Roxane. His admiration for her runs deep,…-
169.8 K • Ongoing
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Chapter
Scene 1. I.
Scene 1. I. introduces the setting of the Hotel de Bourgogne in 1640, where the theater comes alive with anticipation for the evening's performance. The venue, resembling a tennis court adapted for dramatic presentations, creates a unique, almost improvised ambiance. The space itself is dimly lit, with an oblong shape that hints at the artistic and chaotic energy within, while royal emblems adorn the stage, providing a hint of grandeur to the humble setting. The pit area, notably lacking chairs, adds to…-
169.8 K • Ongoing
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Story
Cyrano de Bergerac
Cyrano de Bergerac is a classic play by Edmond Rostand about a noble, witty, and eloquent swordsman with an extraordinary nose, whose self-doubt leads him to hide his love for the beautiful Roxane by helping another woo her.-
4.8 K • Nov 8, '24
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4.9 K • Nov 8, '24
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3.9 K • Nov 8, '24
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Chapter
Notes
In this notes "THE BLENDING"--of alternate prose and verse--"is not unknown in various countries." Thus in Dr. Steere's Swahili Tales (London, 1870), p. vii. we read: "It is a constant characteristic of popular native tales to have a sort of burden, which all join in singing. Frequently the skeleton of the story seems to be contained in these snatches of singing, which the story-teller connects by an extemporized account of the intervening history . . . Almost all these stories had sung parts, and of some…-
12.1 K • Ongoing
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The Song-Story of Aucassin and Nicolete ends not in tragedy but in fulfillment, with love triumphing after trials that tested its depth. Nicolete, having endured separation and hardship, takes it upon herself to prepare for a reunion not just with words but with grace and presence. She bathes, rests, and seeks out healers and herbalists, those wise in the secret arts of roots and oils. With their help, she creates a salve, one touched by tradition and healing lore, which makes her skin gleam with renewed…
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12.1 K • Ongoing
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Chapter
Introduction
Introduction to Aucassin and Nicolete begins not with lofty claims, but with quiet distinction. This poetic work, unlike many literary relics from the same era, has endured across centuries without losing its charm or originality. Blending prose with verse, it introduces a narrative form called the cante-fable, which doesn’t merely tell a story but performs it. Where most medieval texts lean toward morality tales or courtly grandeur, this piece feels more personal, intimate, and occasionally ironic. It…-
12.1 K • Ongoing
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