2095 Results in the "Fiction" category
Biography & Memoir (445)
Books Like (9)
Business & Finance (26)
Children’s Fiction (235)
Dystopian (16)
Education & Learning (26)
Fantasy (1797)
fashion (1)
Health & Wellness (21)
Historical Fiction (484)
Horror (162)
Literary Fiction (818)
Non-Fiction (1398)
Novel (240)
Others (106)
Philosophy (147)
Poetry (208)
Politics & History (133)
Posts (76)
Psychology (46)
Religion & Spirituality (1)
Romance Novel (771)
Science & Technology (82)
Science Fiction (233)
Self-Help & Personal Development (112)
Thriller / Mystery (858)
Travel & Adventure (2)
True Crime (57)
view (96)
Young Adult (589)
-
Scene III unfolds with Queen Mary’s decision placing her at the heart of a deeply human and political conflict, where emotions and duties become dangerously entangled. The Queen, determined to intervene in Chastelard's sentencing, declares a readiness to share in his punishment, a reflection of both her affection and her inner turmoil. She speaks not as a sovereign detached from consequence, but as a woman bound by a growing sense of helplessness. Her commands to Mary Beaton and Mary Carmichael—to…-
37.0 K • Ongoing
-
-
Chapter
SCENE II- In Prison.
Scene II opens in a prison cell, where the shadows stretch long and the silence carries a weight too heavy for comfort. Chastelard, confined and facing execution, finds himself not in fear but in deep reflection. The room, though dim and still, becomes alive with memories—moments of beauty, passion, and the haunting allure of Queen Mary. Every recollection sharpens his acceptance that love, for him, was never meant to save but to consume. He speaks not as one pleading for life but as someone who has…-
37.0 K • Ongoing
-
-
Chapter
SCENE I — Before Holyrood.
Scene I opens outside Holyrood, where a restless crowd gathers, murmuring with anticipation and judgment. The name on everyone’s lips is Chastelard—a poet, a lover, and now, a man bound for execution. The people, dressed in everyday wear, bring with them opinions sharpened by gossip and colored by class divides. Soldiers stand alongside commoners, their expressions a mix of curiosity and disdain. Whispers spread like fire, suggesting that the Queen herself may have shared more than courtly affection…-
37.0 K • Ongoing
-
-
Act IV opens in a place burdened by authority and shadowed by emotional tension, as Queen Mary of Scots navigates the agonizing weight of leadership. With St. Andrew's echoing silence behind her and a restless court observing every motion, she finds herself pulled between public expectation and private longing. The memory of Chastelard lingers not only as a scandal but as a living wound she cannot conceal. Her desire to show mercy battles with the political risks attached to compassion. The Queen’s…
-
37.0 K • Ongoing
-
-
Chapter
ACT III. — Chastelard
Act III begins in the intimate quiet of Queen Mary’s chamber, where the presence of Chastelard hidden nearby turns the stillness into a crucible of suspense. His arrival was not by invitation but by his own reckless devotion, slipping into forbidden territory with a heart that chooses love over safety. Mary Beaton, loyal and troubled, confronts him with the danger he invites. She urges him to flee while there’s time, yet he refuses. His words draw imagery from myth, equating his desire to that of men…-
37.0 K • Ongoing
-
-
Scene III begins with Chastelard lingering in Mary Beaton’s chamber, cloaked in silence and uncertainty. The flicker of candlelight casts faint shadows, mirroring the restless emotions running through his mind. Though he awaits a moment that could bring comfort or ruin, he remains committed, cherishing the memory of Beaton’s touch from their last meeting. His reflections drift between hope and resignation, where even the idea of seeing her once more outweighs the dread of death. That two-year ache,…
-
37.0 K • Ongoing
-
-
Chapter
SCENE II — A Hall in the same
Scene II begins with an air of courtly elegance and subtle friction, as Queen Mary receives a finely crafted gift from the French king—a breast-clasp bearing the figure of Venus. This object, sculpted with poetic symbolism, becomes a conversation piece between her and Chastelard, drawing parallels between the art's portrayal of love and the Queen's own complex emotions. Though surrounded by opulence and admirers, Queen Mary seems mentally distant, as though something about the finely wrought Venus echoes…-
37.0 K • Ongoing
-
-
Scene I opens in the Upper Chamber at Holyrood, where the four Maries—Beaton, Hamilton, Carmichael, and Seyton—gather during a quiet moment apart from the Queen’s presence. The room carries a hush filled with memory and murmured secrets. Mary Beaton begins to sing in French, her voice steeped in longing, drifting through the chamber like a tide drawing in all emotion. Her companions notice the sorrow clinging to her words and question the reason behind the melancholy. Beaton, quietly, admits that her…
-
37.0 K • Ongoing
-
-
Story
Chastelard
Chastelard: A Tragedy by Algernon Charles Swinburne is a poetic drama that explores the doomed love of the French poet Chastelard for Mary, Queen of Scots. Blending romance and tragedy, the play delves into themes of passion, loyalty, and the fatal consequences of unbridled desire against the backdrop of historical intrigue.-
3.7 K • Nov 8, '24
-
4.3 K • Nov 8, '24
-
3.9 K • Nov 8, '24
-
-
Chapter
THE SHOEMAKER AND THE DEVIL
"The Shoemaker and the Devil" begins with Fyodor Nilov, a cobbler whose hands are weathered by honest labor, yet whose life remains empty of comfort. He toils late into Christmas Eve, his thoughts growing darker as he compares his own struggles to the luxury enjoyed by others. When a strange, limping man enters—partly concealed beneath furs but revealing a hoofed foot—Fyodor’s misery meets temptation. The stranger’s uncanny presence hints at something infernal, yet the lure of wealth silences…-
78.2 K • Ongoing
-
- Previous 1 … 510 511 512 … 516 Next
