Chapter Index
    Cover of Assassin’s Revenge–A David Slaton Novel
    Adventure FictionThriller

    Assassin’s Revenge–A David Slaton Novel

    by Larsen, Ward
    “Assassin’s Revenge—A David Slaton Novel” by Ward Larsen follows former assassin David Slaton as he is drawn back into a world of danger when a shadowy adversary targets his family. Forced to confront his past, Slaton employs his lethal skills to unravel a conspiracy that spans international borders. The novel explores themes of vengeance, loyalty, and the moral complexities of retribution, blending high-stakes action with intricate plotting. Larsen’s taut prose and relentless pacing make this a standout thriller, appealing to fans of espionage and suspense. The book underscores the enduring consequences of violence and the personal cost of redemption.

    In Chap­ter Thir­ty-Sev­en, Sla­ton sur­veils a house, wary of a teenag­er whose unpre­dictable reac­tion could com­pli­cate his mis­sion. His focus shifts when Tarek El-Mas­ri, an IAEA inspec­tor and key to find­ing Slaton’s fam­i­ly, arrives in a sil­ver Audi. Sla­ton posi­tions him­self to inter­cept El-Mas­ri but is inter­rupt­ed by a sud­den ambush. A dark van blocks the dri­ve­way, and five armed men—likely trained operatives—swarm the scene. El-Mas­ri flees into the house, prompt­ing Sla­ton to reassess the sit­u­a­tion. The men’s tac­tics and lack of police iden­ti­fiers sug­gest they are assas­sins, not law enforce­ment, and their Asian appear­ance adds to the mys­tery.

    Sla­ton observes the armed team split­ting up, with two men tar­get­ing the back door while oth­ers breach the front. Rec­og­niz­ing the urgency, he seizes an oppor­tu­ni­ty to engage. Using the Audi for cov­er, he neu­tral­izes the two men at the back door with pre­cise shots, exploit­ing their focus on the house. His actions are method­i­cal, reflect­ing the dis­ci­pline of an elite oper­a­tor: close-range accu­ra­cy, con­trolled recoil, and swift weapon han­dling. The unsup­pressed gun­fire alerts the remain­ing assailants, forc­ing Sla­ton to move quick­ly. He retrieves a Vityaz sub­ma­chine gun from one of the fall­en men, trad­ing his Glock for high­er fire­pow­er.

    Enter­ing the house, Sla­ton clears the kitchen, his sens­es height­ened. He notes the tac­ti­cal gear of the dead men—earpieces and body armor—confirming their pro­fes­sion­al­ism. The radio chat­ter sug­gests the front team is aware of the dis­rup­tion. Sla­ton weighs the risks: he could retreat to reassess, but his per­son­al stake—interrogating El-Masri—leaves no room for hes­i­ta­tion. The chap­ter under­scores Slaton’s lethal effi­cien­cy and adapt­abil­i­ty, con­trast­ing Hol­ly­wood tropes with the grim real­ism of close-quar­ters com­bat.

    The chap­ter cul­mi­nates in a high-stakes con­fronta­tion, with Sla­ton advanc­ing into the house amid chaos. His pri­or­i­ty is El-Mas­ri, who holds crit­i­cal infor­ma­tion about his family’s where­abouts. The attack­ers’ iden­ti­ty and motives remain unclear, but their intent to kill El-Mas­ri is evi­dent. Slaton’s actions—swift, cal­cu­lat­ed, and ruthless—highlight the life-or-death stakes of his mis­sion. The nar­ra­tive builds ten­sion through tac­ti­cal detail and Slaton’s inter­nal cal­cu­la­tions, leav­ing read­ers antic­i­pat­ing the next clash as he moves deep­er into the house.

    FAQs

    • 1. What tactical considerations does Slaton weigh when assessing the teenage boy’s potential reaction to an intruder, and what does this reveal about his operational mindset?

      Answer:
      Slaton analyzes the teenager’s behavior through a tactical lens, considering the unpredictable nature of adolescents in high-stakes situations. He notes the boy’s age (within the “fearless” 17–23 window) could lead to either flight or misguided bravery (like attempting martial arts). This reveals Slaton’s methodical, risk-averse approach: he prioritizes control and anticipates variables, even seemingly minor ones. His conclusion—”I’ll have to be careful”—underscores his professionalism, where every potential interaction is pre-assessed to mitigate operational compromise (e.g., noise or attention from a struggle).

      2. How does the author contrast Hollywood depictions of elite operators with Slaton’s actual combat techniques during the firefight?

      Answer:
      The chapter explicitly debunks cinematic tropes by emphasizing practicality over flair. While movies portray operators performing acrobatic feats, Slaton relies on fundamentals: stable positioning (using the Audi for cover), precise aim (7-yard distance), and disciplined shot placement (neck/base of skull to bypass armor). The narrative highlights “simple things done very, very well”—magazine changes, recoil management, and proximity preference (10 yards for optimal accuracy). This realism reinforces Slaton’s expertise: his efficiency stems from repetitive training, not theatrics, culminating in ruthlessly effective engagements (“no silver medal in a gunfight”).

      3. Analyze the significance of the attackers’ equipment and behavior in Slaton’s assessment of their identity and objectives.

      Answer:
      Slaton deduces the attackers aren’t law enforcement through multiple clues: their unmarked van (a “throwaway vehicle”), lack of verbal warnings, and suppressed communication (hand signals, earpieces). Their Vityaz-SN submachine guns and body armor suggest paramilitary training, while the Asian appearance and Chinese/Korean language point to foreign involvement. Crucially, their silence and rapid breach tactics indicate assassination intent, not arrest. Slaton’s quick dismissal of a “SWAT team” theory demonstrates his ability to synthesize contextual details—equipment, tactics, and cultural markers—into accurate threat assessments under pressure.

      4. Why does Slaton prioritize interrogating El-Masri despite the escalating danger, and what strategic dilemma does this present?

      Answer:
      El-Masri represents Slaton’s sole lead to finding his family, making the interrogation non-negotiable (“he had no choice”). This forces Slaton to balance tactical prudence (normally withdrawing to reassess) against personal stakes. The dilemma highlights a key tension in operational decision-making: mission-critical objectives versus survivability. His choice to press forward—armed with a scavenged Vityaz for superior firepower—reveals his risk tolerance when personal and mission priorities align. The scene underscores how emotional drivers (family) can override standard protocols, a recurring theme in protagonist-driven thrillers.

      5. How does the author use sensory details to heighten tension during the ambush sequence?

      Answer:
      Sensory immersion amplifies the chaos: visual cues (headlights “strobing” across fences, the “glow” of El-Masri’s phone), auditory details (tires “squealing,” unsuppressed gunfire), and tactile references (the Vityaz’s “pistol grip”) create a visceral experience. Slaton’s hyper-awareness—noticing the “faint light” on El-Masri’s face or the “muted burst” of radio chatter—mirrors reader anxiety. The van’s “thundering engine” contrasts with Slaton’s silent movements, emphasizing the sudden shift from stealth to violence. These details anchor the action in realism while propelling the pace, making the ambush feel immediate and unpredictable.

    Quotes

    • 1. “There was a reason wars were fought by young men between the ages of seventeen and twenty-three. That was when they were fearless. Indestructible.”

      This quote captures Slaton’s tactical assessment of the teenage boy’s potential reaction, reflecting on the psychology of youth and fearlessness in combat situations. It introduces a key theme about the intersection of age, bravery, and vulnerability.

      2. “It is Hollywood fantasy that elite operators invariably shoot off-handed, or on a dead run from fifty yards. In reality, they never choose to engage while hanging upside down or in mid-leap between buildings. Not when more effective methods are available.”

      This passage debunks action movie tropes while highlighting Slaton’s professional expertise. It underscores the chapter’s emphasis on practical, disciplined tactics over flashy theatrics in life-or-death situations.

      3. “What sets the best apart is far more mundane: they do the simple things well. Very, very well.”

      This concise statement distills Slaton’s philosophy of operational excellence. It serves as both a character insight and a broader commentary on professionalism in high-stakes fields.

      4. “It was as simple as it was ruthless. But then, there was no silver medal in a gunfight.”

      This quote perfectly encapsulates the brutal efficiency of Slaton’s engagement with the attackers. The second sentence particularly stands out as a memorable, hard-edged truth about combat situations.

      5. “If this were a Mossad mission, gambling for the good of Israel, Slaton might have pulled back to assess the tactical situation. As it was—he had no choice. He had to interrogate El-Masri.”

      This passage reveals Slaton’s personal stakes in the operation, contrasting professional detachment with personal desperation. It marks a key turning point where the mission transitions from tactical to personal.

    Quotes

    1. “There was a reason wars were fought by young men between the ages of seventeen and twenty-three. That was when they were fearless. Indestructible.”

    This quote captures Slaton’s tactical assessment of the teenage boy’s potential reaction, reflecting on the psychology of youth and fearlessness in combat situations. It introduces a key theme about the intersection of age, bravery, and vulnerability.

    2. “It is Hollywood fantasy that elite operators invariably shoot off-handed, or on a dead run from fifty yards. In reality, they never choose to engage while hanging upside down or in mid-leap between buildings. Not when more effective methods are available.”

    This passage debunks action movie tropes while highlighting Slaton’s professional expertise. It underscores the chapter’s emphasis on practical, disciplined tactics over flashy theatrics in life-or-death situations.

    3. “What sets the best apart is far more mundane: they do the simple things well. Very, very well.”

    This concise statement distills Slaton’s philosophy of operational excellence. It serves as both a character insight and a broader commentary on professionalism in high-stakes fields.

    4. “It was as simple as it was ruthless. But then, there was no silver medal in a gunfight.”

    This quote perfectly encapsulates the brutal efficiency of Slaton’s engagement with the attackers. The second sentence particularly stands out as a memorable, hard-edged truth about combat situations.

    5. “If this were a Mossad mission, gambling for the good of Israel, Slaton might have pulled back to assess the tactical situation. As it was—he had no choice. He had to interrogate El-Masri.”

    This passage reveals Slaton’s personal stakes in the operation, contrasting professional detachment with personal desperation. It marks a key turning point where the mission transitions from tactical to personal.

    FAQs

    1. What tactical considerations does Slaton weigh when assessing the teenage boy’s potential reaction to an intruder, and what does this reveal about his operational mindset?

    Answer:
    Slaton analyzes the teenager’s behavior through a tactical lens, considering the unpredictable nature of adolescents in high-stakes situations. He notes the boy’s age (within the “fearless” 17–23 window) could lead to either flight or misguided bravery (like attempting martial arts). This reveals Slaton’s methodical, risk-averse approach: he prioritizes control and anticipates variables, even seemingly minor ones. His conclusion—”I’ll have to be careful”—underscores his professionalism, where every potential interaction is pre-assessed to mitigate operational compromise (e.g., noise or attention from a struggle).

    2. How does the author contrast Hollywood depictions of elite operators with Slaton’s actual combat techniques during the firefight?

    Answer:
    The chapter explicitly debunks cinematic tropes by emphasizing practicality over flair. While movies portray operators performing acrobatic feats, Slaton relies on fundamentals: stable positioning (using the Audi for cover), precise aim (7-yard distance), and disciplined shot placement (neck/base of skull to bypass armor). The narrative highlights “simple things done very, very well”—magazine changes, recoil management, and proximity preference (10 yards for optimal accuracy). This realism reinforces Slaton’s expertise: his efficiency stems from repetitive training, not theatrics, culminating in ruthlessly effective engagements (“no silver medal in a gunfight”).

    3. Analyze the significance of the attackers’ equipment and behavior in Slaton’s assessment of their identity and objectives.

    Answer:
    Slaton deduces the attackers aren’t law enforcement through multiple clues: their unmarked van (a “throwaway vehicle”), lack of verbal warnings, and suppressed communication (hand signals, earpieces). Their Vityaz-SN submachine guns and body armor suggest paramilitary training, while the Asian appearance and Chinese/Korean language point to foreign involvement. Crucially, their silence and rapid breach tactics indicate assassination intent, not arrest. Slaton’s quick dismissal of a “SWAT team” theory demonstrates his ability to synthesize contextual details—equipment, tactics, and cultural markers—into accurate threat assessments under pressure.

    4. Why does Slaton prioritize interrogating El-Masri despite the escalating danger, and what strategic dilemma does this present?

    Answer:
    El-Masri represents Slaton’s sole lead to finding his family, making the interrogation non-negotiable (“he had no choice”). This forces Slaton to balance tactical prudence (normally withdrawing to reassess) against personal stakes. The dilemma highlights a key tension in operational decision-making: mission-critical objectives versus survivability. His choice to press forward—armed with a scavenged Vityaz for superior firepower—reveals his risk tolerance when personal and mission priorities align. The scene underscores how emotional drivers (family) can override standard protocols, a recurring theme in protagonist-driven thrillers.

    5. How does the author use sensory details to heighten tension during the ambush sequence?

    Answer:
    Sensory immersion amplifies the chaos: visual cues (headlights “strobing” across fences, the “glow” of El-Masri’s phone), auditory details (tires “squealing,” unsuppressed gunfire), and tactile references (the Vityaz’s “pistol grip”) create a visceral experience. Slaton’s hyper-awareness—noticing the “faint light” on El-Masri’s face or the “muted burst” of radio chatter—mirrors reader anxiety. The van’s “thundering engine” contrasts with Slaton’s silent movements, emphasizing the sudden shift from stealth to violence. These details anchor the action in realism while propelling the pace, making the ambush feel immediate and unpredictable.

    Note