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    Cover of Buttered Side Down
    Fiction

    Buttered Side Down

    by

    Part III intro­duces read­ers to a cramped cor­ner of down­town where worn floor­boards creak under the steps of over­worked shop­girls and silent man­agers. In this crowd­ed loft shoe depart­ment, Sophy Epstein, dressed in a cling­ing black gown with more audac­i­ty than refine­ment, catch­es the eye—and judgment—of her col­leagues. Her out­fit isn’t cho­sen from van­i­ty but from neces­si­ty mixed with bold defi­ance. The dress, too shiny and too snug, chal­lenges both her pover­ty and the dull gray­ness of her rou­tine. For Sophy, cloth­ing becomes protest—one stitched not in lux­u­ry but in rebel­lion. The dress invites stares and dis­ap­proval but also grants her vis­i­bil­i­ty in a city that often eras­es women like her. With­out wealth or a soft upbring­ing, she sharp­ens her­self with fab­rics and atti­tude, carv­ing space in a world that would rather she shrink.

    Beside her stands Louie from Oskaloosa, a new hire with plain cuffs, flushed cheeks, and a heart that still believes kind­ness wins over clev­er­ness. He is star­tled by Sophy’s can­dor and her wardrobe, unable to rec­on­cile her bold exte­ri­or with the exhaus­tion beneath it. Louie’s con­cern, though sin­cere, feels misplaced—he sees a girl adrift and wants to fix what he believes is bro­ken. But Sophy isn’t a prob­lem to be solved; she is sur­viv­ing. Her sar­casm masks fatigue, not mal­ice, and her resis­tance to Louie’s advice isn’t arro­gance, but instinct. To shed the armor would mean expos­ing her­self to a world that hasn’t earned her soft­ness. She meets Louie’s com­pas­sion with sharp edges because life has taught her that soft­ness is a lux­u­ry she can’t afford.

    Over lunch breaks filled with limp sand­wich­es and luke­warm cof­fee, Louie tries again. He talks of sim­pler towns where girls wear ging­ham and save mon­ey in envelopes marked “Hope Chest.” But Sophy only scoffs, her lip­stick smudg­ing as she laughs too hard. She wants no pity and refus­es to wear shame stitched in cot­ton. The city has made her wise to promis­es and blind faith, and she reads Louie’s inten­tions with one raised brow. Still, despite her protest, some­thing about Louie makes her hes­i­tate. It’s not love, but it’s some­thing gentler—a reminder of who she might’ve been, had life giv­en her a dif­fer­ent dress to wear.

    Sophy does­n’t change overnight. She con­tin­ues to glide through the depart­ment in heels too high for com­fort, car­ry­ing her con­fi­dence like a shield. But she watch­es Louie with new eyes, see­ing the qui­et strength in his awk­ward­ness and the hope he tucks behind ner­vous jokes. When he lands a new posi­tion in a clean­er, bet­ter store, Sophy doesn’t frown. Instead, she straight­ens her hem and con­grat­u­lates him with sur­pris­ing warmth. Louie, fum­bling with his words, asks her to join him for din­ner. She does­n’t answer at first, just adjusts the pin at her col­lar and smiles, unsure if she’s laugh­ing at him or at her­self.

    Their part­ing is gen­tle, not dra­mat­ic. He leaves with opti­mism in his step, while she returns to her sta­tion, back­lit by dusty win­dow light and shelves of bar­gain footwear. Her dress still clings tight, but her gaze soft­ens as the door clos­es behind him. She does­n’t change who she is, but some­thing shifts. She con­sid­ers, for the first time, whether armor can coex­ist with open­ness. Fash­ion, after all, is both bar­ri­er and bridge. And Sophy, stand­ing firm among dis­count­ed heels and exhaust­ed cowork­ers, real­izes she has the right to choose which role it plays. Her dress may remain bold, but it no longer defines the whole of her.

    Cloth­ing in this sto­ry isn’t just fabric—it is voice, defi­ance, pro­tec­tion, and pow­er. Sophy’s black dress becomes more than a provoca­tive gar­ment; it becomes a mes­sage: “I am here. I mat­ter. I won’t be made small.” The nar­ra­tive chal­lenges read­ers to ques­tion how appear­ance shapes assump­tion and how sur­vival often demands com­pro­mise. It reminds us that style, espe­cial­ly for the under­paid and unseen, is nev­er just about fashion—it’s about iden­ti­ty. For those like Sophy, clothes become both shield and dec­la­ra­tion, a way to reclaim space in a world that offers lit­tle room. Through this lens, the sto­ry turns a sim­ple out­fit into a pow­er­ful sym­bol of endurance and self-def­i­n­i­tion.

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