Cover of Tower of Dawn
    Adventure FictionFantasyRomance NovelYoung Adult

    Tower of Dawn

    by Maas, Sarah J.
    “Tower of Dawn” by Sarah J. Maas is the sixth installment in the “Throne of Glass” series. The novel follows Chaol Westfall, former Captain of the Guard, who travels to the southern continent of Antica with Nesryn Faliq to seek healing for his spinal injury and forge an alliance with the Khagan’s powerful empire. Set concurrently with the events of “Empire of Storms,” the story explores Chaol’s physical and emotional journey as he confronts his past and navigates political intrigue. Key themes include redemption, loyalty, and the pursuit of inner strength. The novel also introduces new characters, including the healer Yrene Towers, whose connection to Chaol becomes pivotal. The book expands the series’ worldbuilding while resolving lingering character arcs.

    Nes­ryn awak­ens to the sen­sa­tion of Falkan, a small crea­ture, bit­ing at the silk bind­ing her body. Dis­ori­ent­ed and nau­seous, she finds her­self in a dim­ly lit stone pas­sage, its walls pol­ished and cov­ered in ancient carv­ings. Near­by lies Sar­taq, uncon­scious and sim­i­lar­ly wrapped in silk, his face crust­ed with blood. As Falkan works to free her, Nes­ryn scans their sur­round­ings, not­ing the eerie still­ness and the strange, smooth rock for­ma­tions that sug­gest they are no longer in the famil­iar moun­tain pass.

    A men­ac­ing spi­der, larg­er and dark­er than the oth­ers, emerges and engages Nes­ryn in con­ver­sa­tion. The spi­der speaks in a lyri­cal voice, ques­tion­ing their pres­ence in the for­got­ten place. Nes­ryn impro­vis­es a sto­ry about being sent by a mer­chant to trade, hop­ing to buy time as Falkan con­tin­ues chew­ing through the silk. The spi­der dis­miss­es the idea of trade, reveal­ing a dis­dain for its north­ern kin who inter­act with mor­tals, and instead boasts of its kind’s preda­to­ry nature. Nesryn’s hands trem­ble as she strug­gles to main­tain the ruse, fear­ing for Sartaq’s life.

    The spi­der reveals that its kind waits for the return of their queen, point­ing to a carv­ing on the wall depict­ing a cloaked fig­ure. As Nes­ryn squints to make out the details, the spi­der brush­es away dirt to reveal the image of a woman with flow­ing hair and a dress. The spi­der declares they await the Queen of the Valg, who is known in this world as Maeve. This rev­e­la­tion shocks Nes­ryn, as it con­tra­dicts the ear­li­er assump­tion that the spi­ders served Erawan, anoth­er dark fig­ure.

    The chap­ter ends with the spider’s chill­ing procla­ma­tion about Maeve’s return, leav­ing Nes­ryn to grap­ple with the impli­ca­tions. The encounter under­scores the spi­ders’ loy­al­ty to a far more ancient and ter­ri­fy­ing pow­er, while Nes­ryn and Falkan remain trapped in a des­per­ate race against time. The ten­sion builds as the spider’s pres­ence looms, and the carved gate on the wall hints at a loom­ing threat beyond their cur­rent predica­ment.

    FAQs

    • 1. What is the significance of the carvings Nesryn observes in the cave, and what do they reveal about the spiders’ motives?

      Answer:
      The carvings in the cave depict an archway with a cloaked female figure, later revealed to represent Maeve, the Queen of the Valg. These carvings are central to the spiders’ purpose, as they are waiting for Maeve’s return, whom they regard as their true queen. This revelation connects to broader lore in the series, as Maeve is a powerful Valg queen masquerading as a fae ruler. The spiders’ disdain for Erawan and their devotion to Maeve suggest a factional divide among the Valg forces, hinting at deeper conflicts within the antagonist forces.

      2. How does Nesryn attempt to distract the spider, and what does this reveal about her character?

      Answer:
      Nesryn fabricates a story about being sent by a merchant to trade with the spiders, claiming their northern kin (stygian spiders) were deemed unimpressive. This quick thinking under extreme duress demonstrates her resourcefulness and ability to improvise in life-threatening situations. Her tactic also buys time for Falkan to chew through the silk binding her, showing strategic prioritization of survival. The scene highlights Nesryn’s courage and adaptability, traits consistent with her role as a leader and warrior.

      3. Analyze the spiders’ ideological conflict with their northern kin. What does this reveal about their worldview?

      Answer:
      The spiders scorn their northern kin for trading with mortals, declaring they were “born to devour” humans rather than bargain with them. This reflects a purist, predatory ideology aligned with traditional Valg brutality. Their rejection of cooperation underscores their adherence to Maeve’s likely more vicious methods, contrasting with other Valg factions like Erawan’s forces, who may employ subtler strategies. The divide mirrors real-world ideological rifts, emphasizing how shared origins don’t preclude violent discord.

      4. Why is the revelation about Maeve’s identity significant for the series’ larger conflict?

      Answer:
      The spiders’ confirmation that Maeve is the Valg queen they await exposes her true nature to Nesryn and Sartaq, providing critical intelligence about the enemy’s hierarchy. This revelation has far-reaching implications: Maeve’s dual identity as a fae ruler and Valg queen suggests deep infiltration of key powers, raising stakes for protagonists unaware of her treachery. It also hints at potential infighting among Valg rulers (Maeve vs. Erawan), which protagonists might exploit strategically.

      5. How does the chapter use physical descriptions to create tension? Provide specific examples.

      Answer:
      Tension is built through visceral details: the “sharp biting” waking Nesryn, the spider’s “blackness deeper” than night, and the venom spat near Sartaq’s feet. The confined cave setting—with its polished, carved walls—contrasts eerily with the spiders’ menace. Sensory cues like the silk’s reek and Nesryn’s dry tongue amplify discomfort. The spider’s lyrical voice juxtaposed with her violent intent creates unsettling dissonance, heightening dread through stark contrasts between beauty and threat.

    Quotes

    • 1. “‘Sisters!’ The spider hissed. ‘Our blood kin they may be, but no true sisters of the soul. Gentlehearted fools, trading with mortals—trading, when we were born to devour you.’”

      This quote reveals the spider’s disdain for its northern kin and establishes the predatory nature of the kharankui. It highlights the chapter’s theme of primal instincts versus civilization, showing how these creatures view humans as prey rather than trading partners.

      2. “‘We wait for the Queen of the Valg,’ the spider purred, rubbing against the carving. ‘Who in this world calls herself Maeve.’”

      This shocking revelation serves as the chapter’s climax, exposing Maeve’s true identity as the Valg Queen. The quote fundamentally shifts our understanding of the series’ mythology and sets up major conflicts to come.

      3. “‘We wait.’ […] ‘Our queen,’ the spider said. ‘We wait for Her Dark Majesty to return at last.’”

      This ominous statement builds tension while revealing the spiders’ ancient purpose. The quote is significant as it shows these creatures aren’t just random monsters, but devoted followers awaiting their ruler’s return - tying into larger series lore about the Valg’s history.

    Quotes

    1. “‘Sisters!’ The spider hissed. ‘Our blood kin they may be, but no true sisters of the soul. Gentlehearted fools, trading with mortals—trading, when we were born to devour you.’”

    This quote reveals the spider’s disdain for its northern kin and establishes the predatory nature of the kharankui. It highlights the chapter’s theme of primal instincts versus civilization, showing how these creatures view humans as prey rather than trading partners.

    2. “‘We wait for the Queen of the Valg,’ the spider purred, rubbing against the carving. ‘Who in this world calls herself Maeve.’”

    This shocking revelation serves as the chapter’s climax, exposing Maeve’s true identity as the Valg Queen. The quote fundamentally shifts our understanding of the series’ mythology and sets up major conflicts to come.

    3. “‘We wait.’ […] ‘Our queen,’ the spider said. ‘We wait for Her Dark Majesty to return at last.’”

    This ominous statement builds tension while revealing the spiders’ ancient purpose. The quote is significant as it shows these creatures aren’t just random monsters, but devoted followers awaiting their ruler’s return - tying into larger series lore about the Valg’s history.

    FAQs

    1. What is the significance of the carvings Nesryn observes in the cave, and what do they reveal about the spiders’ motives?

    Answer:
    The carvings in the cave depict an archway with a cloaked female figure, later revealed to represent Maeve, the Queen of the Valg. These carvings are central to the spiders’ purpose, as they are waiting for Maeve’s return, whom they regard as their true queen. This revelation connects to broader lore in the series, as Maeve is a powerful Valg queen masquerading as a fae ruler. The spiders’ disdain for Erawan and their devotion to Maeve suggest a factional divide among the Valg forces, hinting at deeper conflicts within the antagonist forces.

    2. How does Nesryn attempt to distract the spider, and what does this reveal about her character?

    Answer:
    Nesryn fabricates a story about being sent by a merchant to trade with the spiders, claiming their northern kin (stygian spiders) were deemed unimpressive. This quick thinking under extreme duress demonstrates her resourcefulness and ability to improvise in life-threatening situations. Her tactic also buys time for Falkan to chew through the silk binding her, showing strategic prioritization of survival. The scene highlights Nesryn’s courage and adaptability, traits consistent with her role as a leader and warrior.

    3. Analyze the spiders’ ideological conflict with their northern kin. What does this reveal about their worldview?

    Answer:
    The spiders scorn their northern kin for trading with mortals, declaring they were “born to devour” humans rather than bargain with them. This reflects a purist, predatory ideology aligned with traditional Valg brutality. Their rejection of cooperation underscores their adherence to Maeve’s likely more vicious methods, contrasting with other Valg factions like Erawan’s forces, who may employ subtler strategies. The divide mirrors real-world ideological rifts, emphasizing how shared origins don’t preclude violent discord.

    4. Why is the revelation about Maeve’s identity significant for the series’ larger conflict?

    Answer:
    The spiders’ confirmation that Maeve is the Valg queen they await exposes her true nature to Nesryn and Sartaq, providing critical intelligence about the enemy’s hierarchy. This revelation has far-reaching implications: Maeve’s dual identity as a fae ruler and Valg queen suggests deep infiltration of key powers, raising stakes for protagonists unaware of her treachery. It also hints at potential infighting among Valg rulers (Maeve vs. Erawan), which protagonists might exploit strategically.

    5. How does the chapter use physical descriptions to create tension? Provide specific examples.

    Answer:
    Tension is built through visceral details: the “sharp biting” waking Nesryn, the spider’s “blackness deeper” than night, and the venom spat near Sartaq’s feet. The confined cave setting—with its polished, carved walls—contrasts eerily with the spiders’ menace. Sensory cues like the silk’s reek and Nesryn’s dry tongue amplify discomfort. The spider’s lyrical voice juxtaposed with her violent intent creates unsettling dissonance, heightening dread through stark contrasts between beauty and threat.

    Note