Header Image
    Cover of The Three Taverns
    Poetry

    The Three Taverns

    by

    The Wan­der­ing Jew walks not with the hur­ried steps of mod­ern man, but with the delib­er­ate grace of one who has seen too much to rush. He pass­es through cen­turies as though they were mere shad­ows, leav­ing behind no foot­print, yet car­ry­ing every sor­row the world has cast upon him. His pres­ence in a bustling city teem­ing with noise and ambi­tion feels like a paradox—timeless silence brush­ing against the urgency of now. Peo­ple around him do not see the weight he car­ries, the lives and empires he has out­lived, nor the wars he has watched begin again in dif­fer­ent forms. His gaze unset­tles the soul, not with judg­ment, but with qui­et tes­ti­mo­ny of all that human­i­ty has repeat­ed. Those who meet his eyes find their own reflec­tion buried under years they haven’t yet lived, as if their future fail­ures and regrets have already passed before his sight.

    In his pres­ence, the moment stretch­es, bur­dened with echoes of for­got­ten cries and laugh­ter lost to dust. His face, marked not by age but by endurance, holds sto­ries no library could con­tain. There is no resent­ment in him, only an exhaust­ed com­pas­sion, like that of a par­ent who has long stopped scold­ing but can­not stop mourn­ing. His words, when spo­ken, fall not as rev­e­la­tions but reminders—gentle nudges to a con­science dulled by dis­trac­tion. He does not preach, for his very exis­tence is ser­mon enough. The pain of per­ma­nence has stripped away the desire for recog­ni­tion, leav­ing only the task of walk­ing and wit­ness­ing. And while oth­ers build, con­quer, and for­get, he remem­bers it all.

    The city may shine, its sky­line declar­ing progress, but to him, it is anoth­er Baby­lon built on shift­ing sand. The same hunger for pow­er, masked now in suits and tech­nol­o­gy, still feeds the same fires that burned cities of stone. He has seen tem­ples fall, tyrants crowned and dethroned, and faiths rise only to frac­ture. He watch­es with nei­ther approval nor dis­dain, only a weari­ness that comes from know­ing that the arc of his­to­ry bends slow­ly, and some­times not at all. Though prophets once cried in the wilder­ness, now the wilder­ness cries back, unheard beneath neon and steel. He lis­tens for truth but hears only echoes bounc­ing off mar­ble and screens.

    The peo­ple who pass him feel some­thing ancient brush against them, but they can­not name it. It’s in the chill that runs up their spine or the pause in their breath when he speaks. He speaks of a time before time mat­tered, when men still believed their actions echoed into eter­ni­ty. His voice is low, but it car­ries. It sug­gests that com­pas­sion, though often for­got­ten, is the only con­stant that could have redeemed all those for­got­ten ages. He does not believe men are hope­less, only that they have a ter­ri­ble mem­o­ry. And so, he walks, not to escape, but to remind.

    His jour­ney is not one of pun­ish­ment but pur­pose. The curse, if it ever was one, became a call­ing. He has out­lived kings and mes­si­ahs, not to mock their fail­ings but to guard the mem­o­ry of their hopes. Those he loved are long gone, but not lost. In his thoughts, they live again—less as names and more as lessons. There’s no home wait­ing at the end of the road, but every place he enters becomes a reminder that the world is both cru­el and beau­ti­ful. His arrival in a city means lit­tle to oth­ers, but for him, it is anoth­er page in the end­less book he writes with every step.

    Many have tried to define him—as a sym­bol, a myth, a warn­ing. But he is none of these. He is sim­ply there, watch­ing, walk­ing, remem­ber­ing. His eyes car­ry no prophe­cy, only his­to­ry. And in that his­to­ry lies every­thing we need to know about who we are and who we may still become. When he leaves, noth­ing is different—yet for those who tru­ly saw him, every­thing has changed. What lingers is not his image but the unset­tling ques­tion he leaves behind: If he remem­bers it all, why do we for­get so quick­ly?

    In Edwin Arling­ton Robin­son’s telling, the Wan­der­ing Jew is not con­demned but entrust­ed. Through his qui­et pres­ence, we con­front the uncom­fort­able truth that progress with­out mem­o­ry is motion with­out mean­ing. His eter­nal path urges us to walk slow­er, see deep­er, and hold longer to the lessons we too often let fade. This fig­ure, bound to time yet beyond it, offers a gift—not answers, but a mir­ror. And in that mir­ror, we find not just him, but our­selves.

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