ILLUSTRATED BOOKS {8}

The chapter from “The Library” titled **ILLUSTRATED BOOKS** centers on the evolution of book illustration in England, particularly modern English book-illustration, situating its beginnings in the latter part of the 18th century with Bewick’s work in wood engraving and Stothard’s illustrative compositions. Despite earlier forms of book illustrations, such as engravings to complement literary works, it argues that the true flourish of imaginative book illustration began with these artists, notably transitioning from metal to wood as the preferred medium.

The narrative highlights several influential figures in book illustration, among them Stothard, Blake, and Flaxman, scrutinizing their distinct styles and contributions to the literature. Stothard is noted for his graceful, albeit somewhat insipid, designs that often featured literary scenes, whereas Blake is celebrated for his visionary, ethereal designs in works like “Songs of Innocence and Experience,” and Flaxman for his classical illustrations that captured the spirit of ancient texts.

Additionally, the chapter delves into the decline of metal engraving with the rise of wood as the primary medium, leading into discussions on the “Annuals” – illustrated gift books popular in the early 19th century that played a significant role in the resurgence of wood engraving, largely through the contributions of artists like Turner and various others.

The text also examines the evolution and impact of wood engraving, especially through the innovations introduced by Thomas Bewick, which revived the medium and significantly influenced the field of book illustration. It encapsulates Bewick’s mastery in depicting animals and rural scenes with precision and emotion, alongside his notable tail-pieces that often carried a blend of wit and moral commentary.

In the broader scope of book illustration, it touches upon the contributions of Bewick’s pupils and the “London School” of engravers that succeeded him, emphasizing the shift in the 19th century towards artist-engravers who brought personal creativity to their works. The chapter concludes by reflecting on modern developments in book illustration, including the rise of color printing and photomechanical processes that enabled more direct reproductions of artists’ works, pointing towards a future where technology would continue to shape and redefine the boundaries of illustrated literature.