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    Cover of The Bab Ballads
    Poetry

    The Bab Ballads

    by

    “At A Pan­tomime. By A Bil­ious One” cap­tures a per­for­mance filled with glit­ter and illu­sion, mask­ing emo­tions not writ­ten into the script. Beneath a heavy cos­tume and exag­ger­at­ed make­up, an actor waits for his cue—not with excite­ment, but with weary famil­iar­i­ty. His role, as Old Christ­mas in a lav­ish pan­tomime, is expect­ed to be cheer­ful and hearty, but the man beneath the garb bears none of that spir­it. He stands back­stage in silence, know­ing his audi­ence expects mag­ic, while he feels the weight of rep­e­ti­tion and per­for­mance. The spot­light hides his dis­com­fort, turn­ing age and fatigue into humor for the sake of tra­di­tion. Chil­dren, unaware of the con­trast, cheer at the trans­for­ma­tion, find­ing joy in what to them feels time­less and new. To them, the fes­tive fig­ure is pure delight, a sym­bol of hol­i­days untouched by sor­row or strug­gle. Their laugh­ter fills the room, untaint­ed by his­to­ry, and that inno­cence becomes the real show.

    Beyond the foot­lights, the adults in the audi­ence see a dif­fer­ent sto­ry unfold. Some smile for their children’s sake but feel noth­ing of the cheer them­selves. They watch Old Christ­mas emerge with the uneasy recog­ni­tion that he brings not just gifts and car­ols, but mem­o­ries of cold win­ters, unpaid debts, and miss­ing faces. The theater’s warmth only mag­ni­fies the cold they’ve known. They nod at each exag­ger­at­ed ges­ture, not because it’s fun­ny, but because it is familiar—life pre­tend­ing every­thing is alright. For them, the sea­son is wrapped in con­trast: bright lights out­side, dim real­i­ty with­in. The laugh­ter of youth becomes a reminder of what used to be, or what was nev­er theirs to begin with. Their cheer is forced, a rit­u­al repeat­ed like lines in a script, hop­ing that maybe, with enough rep­e­ti­tion, it might feel true one day.

    This ten­sion between per­for­mance and real­i­ty sits at the core of the pantomime’s mes­sage. Joy is pre­sent­ed with such force that it dares sor­row to inter­rupt. The col­ors, the jokes, the glitter—it’s all loud enough to drown out silence. But some silences speak loud­er. For the actor on stage, whose aching knees are hid­den beneath vel­vet robes, each move­ment is a reminder that fan­ta­sy requires endurance. The audi­ence expects him to laugh, to dance, to jin­gle like a liv­ing orna­ment. And he does. Not for his sake, but because the illu­sion must be main­tained. That’s the unspo­ken rule of hol­i­day cheer: it must look effort­less, even when it’s any­thing but.

    For the chil­dren, the hol­i­day world is alive and enchant­ed. They don’t hear the actor’s sighs or see the fatigue in his eyes. They see only what’s pre­sent­ed: a mag­i­cal being emerg­ing from dark­ness, bring­ing snowflakes, sweets, and songs. Their delight is real, unfil­tered, and pre­cious. They believe in the won­der of it all, and for a brief moment, so does every­one else. That’s the strange mag­ic of the stage. Even those who know the trick some­times let them­selves believe it. And maybe that belief, how­ev­er tem­po­rary, is enough. It doesn’t change real­i­ty, but it soft­ens its edge.

    What the bal­lad clev­er­ly reveals is the lay­ered nature of cel­e­bra­tion. One person’s joy might be another’s mask. Fes­tiv­i­ties are not dis­hon­est, but they are often incomplete—they don’t always tell the whole sto­ry. The hol­i­day sea­son, espe­cial­ly when tied to per­for­mance, becomes a mir­ror. Some see hope reflect­ed in it. Oth­ers see what they’ve lost. But both respons­es are human. The actor’s task is to deliv­er joy, not because he feels it, but because some­one in the audi­ence might need it. And that qui­et sense of duty, even from some­one “bil­ious” and tired, gives the pan­tomime its unex­pect­ed dig­ni­ty.

    Even in satire, there is truth. The mock­ery of sea­son­al cheer isn’t cruel—it’s an invi­ta­tion to look clos­er. Behind the sequins and false beards are real peo­ple. Behind every laugh is a sigh. And behind every pan­tomime cur­tain is the sim­ple, bit­ter­sweet knowl­edge that for all its sparkle, joy is often hard-won. That’s the mes­sage beneath the humor of At A Pan­tomime. By A Bil­ious One—a hol­i­day tale that dares to admit that not every­one finds Decem­ber easy, yet still choos­es to step onto the stage and per­form it all the same.

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