Cover of The Pact
    DramaFictionPsychological

    The Pact

    by Picoult, Jodi
    “The Pact” by Jodi Picoult explores themes of love, loyalty, and moral dilemmas through the story of two families bound by a tragic suicide pact. When teenagers Chris and Emily are found shot in a car, the aftermath reveals complex layers of friendship, parental expectations, and adolescent despair. Picoult’s narrative delves into legal and ethical questions surrounding assisted suicide, grief, and the boundaries of relationships. The novel’s courtroom drama and emotional depth make it a compelling read for fans of contemporary fiction.

    The chap­ter opens in Sep­tem­ber 1997, with high school seniors in a manda­to­ry Health Edu­ca­tion class led by Coach Krull, a swim coach whose awk­ward­ness under­scores the absur­di­ty of the les­son. Stu­dents pair up to prac­tice rolling con­doms onto bananas, a task met with ner­vous laugh­ter and embar­rass­ment. Emi­ly, the pro­tag­o­nist, is relieved her part­ner is her friend Heather rather than Chris, a boy she seems to have a com­pli­cat­ed rela­tion­ship with. The class devolves into jokes, but the under­ly­ing ten­sion is pal­pa­ble, espe­cial­ly when Coach Krull empha­sizes the lim­i­ta­tions of con­doms, not­ing their 75% effec­tive­ness against pregnancy—a sta­tis­tic that fore­shad­ows Emily’s lat­er cri­sis.

    The scene shifts to Emi­ly alone in a bath­room, tak­ing a preg­nan­cy test with trem­bling hands. The instruc­tions are clin­i­cal, but her fear is vis­cer­al as she waits for the results. When a faint sec­ond line appears, con­firm­ing her preg­nan­cy, she reacts with phys­i­cal and emo­tion­al pain, recall­ing Coach Krull’s warn­ing about the odds of con­tra­cep­tion fail­ing. The nar­ra­tive cap­tures her dis­be­lief and dread, high­light­ing the gap between the­o­ret­i­cal lessons and real-life con­se­quences.

    A flash­back reveals Emily’s inti­mate encounter with Chris, whose phys­i­cal pres­ence dom­i­nates the scene. Their cou­pling is fraught with unspo­ken ten­sion, as Emily’s mind races with her secret while Chris mis­reads her reac­tions as pas­sion. The descrip­tion of their inter­ac­tion is charged with irony, as his efforts to please her con­trast with her inter­nal tur­moil. The moment under­scores the dis­con­nect between their expe­ri­ences and the weight of Emily’s unshared real­i­ty.

    The chap­ter con­cludes at a Planned Par­ent­hood office, where Emi­ly, now con­firmed to be six weeks preg­nant, meets with a coun­selor. The ster­ile, non­judg­men­tal envi­ron­ment con­trasts with Emily’s inner chaos as she grap­ples with her options. The coun­selor gen­tly probes whether Chris should be involved, but Emi­ly insists he’s “not in the pic­ture,” pri­or­i­tiz­ing her col­lege plans over the preg­nan­cy. The finan­cial and emo­tion­al bar­ri­ers to an abor­tion loom large, leav­ing her trapped between impos­si­ble choic­es and the harsh real­i­ty of her sit­u­a­tion.

    FAQs

    • 1. How does the author use irony and humor to critique the effectiveness of the school’s sex education program in this chapter?

      Answer:
      The chapter employs sharp irony to highlight the inadequacy of the sex education program. Coach Krull’s clinical demonstration with bananas and condoms contrasts with the students’ prior real-world experience (“most of them had been rolling their own condoms down actual penises for several years”). The coach’s awkwardness (e.g., stammering over “menstruation”) and McMurray’s crude joke about Heather Burns further undermine his authority. The SKOR candy bar “prize” and Krull’s flippant remark (“it probably feels like [a race]”) trivialize the seriousness of sexual health. This ironic framing exposes the program as outdated, male-dominated, and divorced from students’ actual needs.

      2. Analyze Emily’s psychological state during the pregnancy test scene. What literary techniques does the author use to convey her emotional turmoil?

      Answer:
      The author uses visceral physical descriptions and temporal distortion to mirror Emily’s panic. Tactile details (“rubbed at the spots on her stomach where the sharp edges had dug in”) and urinary imagery (“beads of urine still beaded on the plastic”) create discomfort. The countdown (“who could pee for ten seconds?” / “three minutes was a very long time”) stretches subjective time. Internal monologue (“We were always careful”) clashes with Coach Krull’s statistical warning about condom failure rates, showing cognitive dissonance. The “hairline fracture” metaphor for the positive test result physically manifests Emily’s shattered reality, culminating in her doubled-over posture - a fetal position mirroring her unwanted pregnancy.

      3. Contrast Emily’s two sexual experiences described in the chapter (with Chris vs. the condom exercise). How do these scenes reveal her evolving understanding of intimacy and consequences?

      Answer:
      The sterile condom exercise (mechanical, public, grade-focused) contrasts sharply with the later intimate scene (sensory, private, emotionally charged). During the class, Emily’s embarrassment stems from social perception (“blushed furiously” at teeth-opening the condom), while with Chris, her distress is internal (“uncharitable thought that maybe he could drive the thing out of her”). The banana’s passive role as a prop opposes Chris’s active “battering ram” imagery. Notably, both scenes involve performative elements - the classroom “race” and Emily’s faked pleasure - revealing how societal expectations distort her relationship with her own body. The juxtaposition shows her transition from abstract health class statistics to visceral personal consequences.

      4. What societal commentary does the Planned Parenthood scene provide about class and reproductive rights?

      Answer:
      The scene highlights disparities in access to reproductive healthcare through Emily’s privileged lens. Her “rich girl from a bedroom community” status makes her an outlier among the clinic’s diverse, predominantly lower-income clients. The $325 abortion cost - a prohibitive sum requiring parental or partner assistance she refuses to seek - becomes a class barrier despite her background. Nurse Stephanie’s neutral language (“pregnant,” not “baby”) reflects institutional awareness that not all pregnancies are wanted, yet the financial requirement contradicts this philosophy. Emily’s realization that her community’s affluent facade hides real crises (“things like this did not happen”) critiques how socioeconomic status shapes reproductive autonomy.

      5. How does the chapter use Coach Krull’s voice as a recurring motif, and what effect does this have on the narrative?

      Answer:
      Krull’s disembodied voice functions as a Greek chorus, haunting Emily at key moments. His statistics (“seventy-five-percent effectiveness”) resurface during her pregnancy test, transforming from abstract warning to personal condemnation. This recurrence underscores how institutional failures have real consequences - the very system meant to educate becomes a source of retrospective shame. The contrast between his jovial classroom persona (“grinned, adding…”) and the cold accuracy of his warnings creates dramatic irony. By having his voice persist beyond the classroom, the narrative emphasizes how half-truths and awkward silences in sex education contribute to crises like Emily’s, holding the system partially accountable for individual suffering.

    Quotes

    • 1. “In his right hand, Coach Krull held a banana. In his left hand was a condom. ‘Ladies and gentlemen,’ he said dispassionately, ‘take your marks.’”

      This opening scene immediately establishes the awkward yet critical nature of sex education in schools, using dark humor to highlight how unprepared adults often are to guide teens through serious topics.

      2. “Seventy-five-percent effectiveness isn’t a great form of birth control, at least not for those twenty-five women out of a hundred who wind up pregnant.”

      Coach Krull’s statistics-driven warning becomes tragically ironic when Emily later discovers her pregnancy, underscoring how theoretical knowledge often fails to prevent real-world consequences.

      3. “The second line came thin as a hairline fracture, and carried just as much pain.”

      This visceral description of Emily’s pregnancy test result powerfully conveys both the physical and emotional impact of her discovery, comparing the faint positive line to a painful break in her life plans.

      4. “She felt his hand slip between them—he hated it when she didn’t come, too—and she clamped her legs together before she could remember to relax.”

      This intimate moment reveals Emily’s psychological turmoil during sex after learning she’s pregnant, showing how her body betrays her attempts to act normally while carrying this secret.

      5. “‘I can’t have this baby,’ she said flatly. ‘I’m going to college next year.’”

      Emily’s blunt declaration to the Planned Parenthood counselor captures the central conflict between teenage pregnancy and future aspirations, highlighting the impossible choice many young women face.

    Quotes

    1. “In his right hand, Coach Krull held a banana. In his left hand was a condom. ‘Ladies and gentlemen,’ he said dispassionately, ‘take your marks.’”

    This opening scene immediately establishes the awkward yet critical nature of sex education in schools, using dark humor to highlight how unprepared adults often are to guide teens through serious topics.

    2. “Seventy-five-percent effectiveness isn’t a great form of birth control, at least not for those twenty-five women out of a hundred who wind up pregnant.”

    Coach Krull’s statistics-driven warning becomes tragically ironic when Emily later discovers her pregnancy, underscoring how theoretical knowledge often fails to prevent real-world consequences.

    3. “The second line came thin as a hairline fracture, and carried just as much pain.”

    This visceral description of Emily’s pregnancy test result powerfully conveys both the physical and emotional impact of her discovery, comparing the faint positive line to a painful break in her life plans.

    4. “She felt his hand slip between them—he hated it when she didn’t come, too—and she clamped her legs together before she could remember to relax.”

    This intimate moment reveals Emily’s psychological turmoil during sex after learning she’s pregnant, showing how her body betrays her attempts to act normally while carrying this secret.

    5. “‘I can’t have this baby,’ she said flatly. ‘I’m going to college next year.’”

    Emily’s blunt declaration to the Planned Parenthood counselor captures the central conflict between teenage pregnancy and future aspirations, highlighting the impossible choice many young women face.

    FAQs

    1. How does the author use irony and humor to critique the effectiveness of the school’s sex education program in this chapter?

    Answer:
    The chapter employs sharp irony to highlight the inadequacy of the sex education program. Coach Krull’s clinical demonstration with bananas and condoms contrasts with the students’ prior real-world experience (“most of them had been rolling their own condoms down actual penises for several years”). The coach’s awkwardness (e.g., stammering over “menstruation”) and McMurray’s crude joke about Heather Burns further undermine his authority. The SKOR candy bar “prize” and Krull’s flippant remark (“it probably feels like [a race]”) trivialize the seriousness of sexual health. This ironic framing exposes the program as outdated, male-dominated, and divorced from students’ actual needs.

    2. Analyze Emily’s psychological state during the pregnancy test scene. What literary techniques does the author use to convey her emotional turmoil?

    Answer:
    The author uses visceral physical descriptions and temporal distortion to mirror Emily’s panic. Tactile details (“rubbed at the spots on her stomach where the sharp edges had dug in”) and urinary imagery (“beads of urine still beaded on the plastic”) create discomfort. The countdown (“who could pee for ten seconds?” / “three minutes was a very long time”) stretches subjective time. Internal monologue (“We were always careful”) clashes with Coach Krull’s statistical warning about condom failure rates, showing cognitive dissonance. The “hairline fracture” metaphor for the positive test result physically manifests Emily’s shattered reality, culminating in her doubled-over posture - a fetal position mirroring her unwanted pregnancy.

    3. Contrast Emily’s two sexual experiences described in the chapter (with Chris vs. the condom exercise). How do these scenes reveal her evolving understanding of intimacy and consequences?

    Answer:
    The sterile condom exercise (mechanical, public, grade-focused) contrasts sharply with the later intimate scene (sensory, private, emotionally charged). During the class, Emily’s embarrassment stems from social perception (“blushed furiously” at teeth-opening the condom), while with Chris, her distress is internal (“uncharitable thought that maybe he could drive the thing out of her”). The banana’s passive role as a prop opposes Chris’s active “battering ram” imagery. Notably, both scenes involve performative elements - the classroom “race” and Emily’s faked pleasure - revealing how societal expectations distort her relationship with her own body. The juxtaposition shows her transition from abstract health class statistics to visceral personal consequences.

    4. What societal commentary does the Planned Parenthood scene provide about class and reproductive rights?

    Answer:
    The scene highlights disparities in access to reproductive healthcare through Emily’s privileged lens. Her “rich girl from a bedroom community” status makes her an outlier among the clinic’s diverse, predominantly lower-income clients. The $325 abortion cost - a prohibitive sum requiring parental or partner assistance she refuses to seek - becomes a class barrier despite her background. Nurse Stephanie’s neutral language (“pregnant,” not “baby”) reflects institutional awareness that not all pregnancies are wanted, yet the financial requirement contradicts this philosophy. Emily’s realization that her community’s affluent facade hides real crises (“things like this did not happen”) critiques how socioeconomic status shapes reproductive autonomy.

    5. How does the chapter use Coach Krull’s voice as a recurring motif, and what effect does this have on the narrative?

    Answer:
    Krull’s disembodied voice functions as a Greek chorus, haunting Emily at key moments. His statistics (“seventy-five-percent effectiveness”) resurface during her pregnancy test, transforming from abstract warning to personal condemnation. This recurrence underscores how institutional failures have real consequences - the very system meant to educate becomes a source of retrospective shame. The contrast between his jovial classroom persona (“grinned, adding…”) and the cold accuracy of his warnings creates dramatic irony. By having his voice persist beyond the classroom, the narrative emphasizes how half-truths and awkward silences in sex education contribute to crises like Emily’s, holding the system partially accountable for individual suffering.

    Note