Chapter 17
by testsuphomeAdminIn Chapter 17 of “The Art Thief,” Breitwieser reflects on the audacity of stealing the iconic painting, the Madeleine, during a visit to the Royal Château of Blois. He and his accomplice, Anne-Catherine, had initially dismissed the idea due to the heavy security and the presence of tourists. However, the allure of the painting lured them back for one final look before closure. The journey across France, undertaken at reckless speeds, had been a concerted effort for both, especially since Anne-Catherine did not drive.
Upon their return, the atmosphere in the exhibition room was chaotic with guards and visitors, but Breitwieser noticed an opportunity: a moment when the guards were distracted, engrossed in their own discussions. He observed the unique double frame of the painting but realized he had no time to devise a full plan; he would have to act on instinct.
Breitwieser discovered that the inner frame was secured with just a few strips of velcro. With one quick motion, he tore it free, the sound blending into the room’s noise. He quickly concealed the painting in his pants, awkward and conspicuous, but managed to hide it from the guards by turning his back. As he stepped towards the exit, he experienced a rush of adrenaline, likening the heist to the delicate act of threading a needle, an analogy rooted in his extensive experience, having nearly completed his one hundredth theft in the art world.
Throughout the day, Breitwieser maintained a relentless pace, stealing three times a month alongside Anne-Catherine. Earlier that day, they had stolen from the Château de Chambord, utilizing a crafty method to unlock display cases. By leveraging a Swiss Army knife, he was able to lift the locking mechanism, allowing him to snatch valuable items, including a folding fan and tobacco boxes, before they made their way to seize the Madeleine. This heist, while daunting for many, felt almost routine for the seasoned thieves, emphasizing their growing audacity and skill in the art of theft.
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