Cover of Gregor and the Curse of the Warmbloods
    Adventure FictionFantasyFictionThriller

    Gregor and the Curse of the Warmbloods

    by Suzanne, Collins,
    In “Gregor and the Curse of the Warmbloods” by Suzanne Collins, the third installment of the Underland Chronicles, young Gregor returns to the subterranean world beneath New York City. Tasked with aiding his allies, the Underlanders, he embarks on a perilous quest to find a cure for a deadly plague threatening both humans and creatures. The novel explores themes of loyalty, sacrifice, and the consequences of war, as Gregor grapples with moral dilemmas and the weight of leadership. Collins blends adventure and introspection, delivering a gripping tale that underscores the fragility of life and the bonds between species.

    Gre­gor is over­whelmed with nau­sea after wit­ness­ing the hor­rif­ic con­di­tion of his bat, Ares, who is suf­fer­ing from a dead­ly plague. Ares lies severe­ly ill, with burst pur­ple bumps ooz­ing pus and blood, his tongue coat­ed white, and his breath­ing labored. A sym­pa­thet­ic woman named Susan­nah com­forts Gre­gor and leads him to a bath­room, where he vom­its repeat­ed­ly. She reas­sures him that his reac­tion is nor­mal, explain­ing that even sea­soned sol­diers strug­gle with the sight of plague vic­tims. Gre­gor, embar­rassed, wor­ries about Ares see­ing his dis­tress, but Susan­nah assures him the bat was asleep.

    Susan­nah reveals her iden­ti­ty as Howard’s moth­er and a vis­i­tor from the Fount. Gre­gor recalls her son, Howard, who accom­pa­nied him on a pre­vi­ous quest. As they talk, Susan­nah tear­ful­ly dis­clos­es that Howard and his bat, Androm­e­da, have also con­tract­ed the plague, though their symp­toms are less advanced. Gre­gor reflects on his own luck at being unin­fect­ed, spec­u­lat­ing that his Over­lan­der immu­ni­ty or vac­ci­na­tions might have pro­tect­ed him. He express­es dis­be­lief, giv­en his close con­tact with Ares, and Susan­nah sug­gests his immu­ni­ty may be unique.

    Gre­gor gath­ers his com­po­sure and asks to see Howard and Ares again, promis­ing not to vom­it. Susan­nah takes him back to the glass-walled cor­ri­dor, where he brave­ly faces Ares’s suf­fer­ing. The bat briefly regains con­scious­ness, and they share a silent moment of sol­i­dar­i­ty. Susan­nah then leads Gre­gor to Howard and Androm­e­da, who are play­ing chess and appear less severe­ly affect­ed. Howard is vis­i­bly relieved to see Gre­gor, ask­ing about Boots. Their reunion is cut short when Neveeve, the ded­i­cat­ed plague doc­tor, enters to admin­is­ter treat­ment.

    As Gre­gor leaves, he encoun­ters Mareth, anoth­er famil­iar face, alive and well in the hos­pi­tal. The chap­ter ends with Gregor’s relief at see­ing Mareth, hint­ing at the emo­tion­al toll of the plague and the resilience of those fight­ing it. The inter­ac­tions high­light the bonds between char­ac­ters and the loom­ing threat of the plague, while also under­scor­ing Gregor’s growth in fac­ing adver­si­ty with courage and empa­thy.

    FAQs

    • 1. How does Gregor initially react to seeing Ares’s condition, and what does this reveal about their bond?

      Answer:
      Gregor’s physical reaction to seeing Ares—violent vomiting, sweating, and shaking—demonstrates the depth of their bond and the horror of Ares’s condition. The graphic description of Ares’s plague symptoms (bursting purple bumps, oozing pus, labored breathing) shocks Gregor so profoundly that he empties his stomach repeatedly. This visceral reaction underscores Gregor’s emotional connection to Ares; he isn’t just a companion but a cherished friend whose suffering distresses Gregor deeply. His later shame over the reaction (“I’m so sorry”) and his effort to compose himself for Ares’s sake further highlight their mutual care, as seen when Ares weakly lifts his claw in response to Gregor’s hand on the glass.


      2. What role does Susannah play in this chapter, and how does her character provide insight into the Underland’s societal structure?

      Answer:
      Susannah serves as both a compassionate guide for Gregor and a window into Underland’s interconnected society. As Howard’s mother and the daughter of Vikus and Solovet, she embodies the close-knit, hierarchical nature of Regalia’s leadership families. Her calm demeanor during Gregor’s distress (“Do not be [ashamed]”) reflects Underlander resilience, while her tears over Howard’s illness humanize the plague’s toll on even the most esteemed families. Her presence also reinforces the theme of duty—she visits the hospital despite personal grief, mirroring the Underland’s collective struggle against the plague. Her dialogue reveals how familial and societal roles intertwine (e.g., mentioning her husband, a soldier, fainted at plague victims).


      3. Analyze the significance of Gregor’s immunity to the plague. What possible explanations are suggested, and why might this be important later?

      Answer:
      Gregor’s immunity (“I can’t believe I don’t have it”) introduces a critical plot point. Susannah hypothesizes that Overlanders may have innate immunity, possibly due to surface-world vaccinations or biological differences. This raises stakes: if Gregor’s immunity can be replicated, he might hold the key to a cure. The detail that Boots was also tested hints at future medical exploration. Additionally, Gregor’s exposure to Ares without infection contrasts with Howard and Andromeda’s cases, suggesting transmission nuances (e.g., direct contact vs. airborne). This immunity could position Gregor as a healer or target in the plague’s resolution, adding tension to his role as the “Overlander.”


      4. How does the chapter depict the psychological and physical toll of the plague on both victims and observers?

      Answer:
      The plague’s brutality is shown through both physical decay (Ares’s grotesque symptoms, Howard’s walnut-sized bump) and psychological trauma. Gregor’s vomiting and Susannah’s mention of nightmares (“wake up screaming”) illustrate how witnessing the plague scars even bystanders. Howard and Andromeda’s chess game contrasts with Ares’s agony, showing varying stages of illness, while Neveeve’s protective gear underscores its contagious terror. The Underlanders’ coping mechanisms—Susannah’s stoicism, Howard’s attempt at normalcy via chess—reveal a society grappling with fear. The plague isn’t just a disease; it’s a “Curse” that tests bonds, courage, and hope.


      5. Evaluate the symbolic meaning of the glass walls in the hospital. How do they reflect themes of separation and connection?

      Answer:
      The glass walls physically separate the healthy from the infected but also frame moments of poignant connection. Gregor’s hand pressed against the glass mirrors Ares’s claw lift—a muted yet powerful affirmation of their bond despite isolation. The walls also emphasize vulnerability: Howard’s joy at seeing Gregor through the glass contrasts with his confinement, highlighting how the plague enforces emotional and physical divides. Yet, the transparency allows for unspoken solidarity (e.g., Susannah’s reassurance, Howard’s smile). The glass thus becomes a metaphor for the Underland’s crisis: barriers are necessary for safety, but human (and bat) connections persist through them.

    Quotes

    • 1. “Gregor had never seen anything so frightening in his life.”

      This quote captures Gregor’s visceral reaction to seeing Ares afflicted by the plague, emphasizing the horror of the disease and its physical toll. It marks a turning point where Gregor confronts the brutal reality of the Underland’s dangers.

      2. “It is a very fearful thing.”

      Susannah’s observation about reactions to the plague underscores the universal terror it inspires, whether in soldiers or civilians. This quote highlights the psychological impact of the plague beyond its physical symptoms.

      3. “Perhaps, as an Overlander, you have some immunity that Underlanders do not.”

      Susannah’s speculation about Gregor’s potential immunity introduces a key thematic element - the biological/cultural differences between Overlanders and Underlanders. This becomes crucial to the plague’s dynamics and possible cure.

      4. “Gregor mustered every ounce of strength he had and gave Ares what he hoped was an encouraging smile.”

      This moment of silent communication between Gregor and Ares demonstrates their deep bond and Gregor’s growth in facing difficult situations. It shows his determination to support his friend despite his own fear.

      5. “Neveeve is extremely dedicated… She is determined that we will cure ‘The Curse of the Warmbloods.’”

      This quote introduces both Neveeve’s character and the plague’s ominous nickname, foreshadowing future developments. It suggests the disease’s historical significance and the high stakes of finding a cure.

    Quotes

    1. “Gregor had never seen anything so frightening in his life.”

    This quote captures Gregor’s visceral reaction to seeing Ares afflicted by the plague, emphasizing the horror of the disease and its physical toll. It marks a turning point where Gregor confronts the brutal reality of the Underland’s dangers.

    2. “It is a very fearful thing.”

    Susannah’s observation about reactions to the plague underscores the universal terror it inspires, whether in soldiers or civilians. This quote highlights the psychological impact of the plague beyond its physical symptoms.

    3. “Perhaps, as an Overlander, you have some immunity that Underlanders do not.”

    Susannah’s speculation about Gregor’s potential immunity introduces a key thematic element - the biological/cultural differences between Overlanders and Underlanders. This becomes crucial to the plague’s dynamics and possible cure.

    4. “Gregor mustered every ounce of strength he had and gave Ares what he hoped was an encouraging smile.”

    This moment of silent communication between Gregor and Ares demonstrates their deep bond and Gregor’s growth in facing difficult situations. It shows his determination to support his friend despite his own fear.

    5. “Neveeve is extremely dedicated… She is determined that we will cure ‘The Curse of the Warmbloods.’”

    This quote introduces both Neveeve’s character and the plague’s ominous nickname, foreshadowing future developments. It suggests the disease’s historical significance and the high stakes of finding a cure.

    FAQs

    1. How does Gregor initially react to seeing Ares’s condition, and what does this reveal about their bond?

    Answer:
    Gregor’s physical reaction to seeing Ares—violent vomiting, sweating, and shaking—demonstrates the depth of their bond and the horror of Ares’s condition. The graphic description of Ares’s plague symptoms (bursting purple bumps, oozing pus, labored breathing) shocks Gregor so profoundly that he empties his stomach repeatedly. This visceral reaction underscores Gregor’s emotional connection to Ares; he isn’t just a companion but a cherished friend whose suffering distresses Gregor deeply. His later shame over the reaction (“I’m so sorry”) and his effort to compose himself for Ares’s sake further highlight their mutual care, as seen when Ares weakly lifts his claw in response to Gregor’s hand on the glass.


    2. What role does Susannah play in this chapter, and how does her character provide insight into the Underland’s societal structure?

    Answer:
    Susannah serves as both a compassionate guide for Gregor and a window into Underland’s interconnected society. As Howard’s mother and the daughter of Vikus and Solovet, she embodies the close-knit, hierarchical nature of Regalia’s leadership families. Her calm demeanor during Gregor’s distress (“Do not be [ashamed]”) reflects Underlander resilience, while her tears over Howard’s illness humanize the plague’s toll on even the most esteemed families. Her presence also reinforces the theme of duty—she visits the hospital despite personal grief, mirroring the Underland’s collective struggle against the plague. Her dialogue reveals how familial and societal roles intertwine (e.g., mentioning her husband, a soldier, fainted at plague victims).


    3. Analyze the significance of Gregor’s immunity to the plague. What possible explanations are suggested, and why might this be important later?

    Answer:
    Gregor’s immunity (“I can’t believe I don’t have it”) introduces a critical plot point. Susannah hypothesizes that Overlanders may have innate immunity, possibly due to surface-world vaccinations or biological differences. This raises stakes: if Gregor’s immunity can be replicated, he might hold the key to a cure. The detail that Boots was also tested hints at future medical exploration. Additionally, Gregor’s exposure to Ares without infection contrasts with Howard and Andromeda’s cases, suggesting transmission nuances (e.g., direct contact vs. airborne). This immunity could position Gregor as a healer or target in the plague’s resolution, adding tension to his role as the “Overlander.”


    4. How does the chapter depict the psychological and physical toll of the plague on both victims and observers?

    Answer:
    The plague’s brutality is shown through both physical decay (Ares’s grotesque symptoms, Howard’s walnut-sized bump) and psychological trauma. Gregor’s vomiting and Susannah’s mention of nightmares (“wake up screaming”) illustrate how witnessing the plague scars even bystanders. Howard and Andromeda’s chess game contrasts with Ares’s agony, showing varying stages of illness, while Neveeve’s protective gear underscores its contagious terror. The Underlanders’ coping mechanisms—Susannah’s stoicism, Howard’s attempt at normalcy via chess—reveal a society grappling with fear. The plague isn’t just a disease; it’s a “Curse” that tests bonds, courage, and hope.


    5. Evaluate the symbolic meaning of the glass walls in the hospital. How do they reflect themes of separation and connection?

    Answer:
    The glass walls physically separate the healthy from the infected but also frame moments of poignant connection. Gregor’s hand pressed against the glass mirrors Ares’s claw lift—a muted yet powerful affirmation of their bond despite isolation. The walls also emphasize vulnerability: Howard’s joy at seeing Gregor through the glass contrasts with his confinement, highlighting how the plague enforces emotional and physical divides. Yet, the transparency allows for unspoken solidarity (e.g., Susannah’s reassurance, Howard’s smile). The glass thus becomes a metaphor for the Underland’s crisis: barriers are necessary for safety, but human (and bat) connections persist through them.

    Note