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    Fiction

    Dolly Dialogues

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    A Liberal Education opens with Dolly Foster observing Phil Meadows, now a polished member of society, pass her by on the Row without the slightest nod of recognition. This moment stirs a reflective irritation in her, as she recounts to Mr. Carter how, just a few years earlier, he was a socially awkward and hopeless figure. Meadows once carried an unrolled umbrella and a brown paper parcel, wore ill-fitting clothes, and approached life with a sense of grim earnestness. He neither smoked nor drank, and his leisure activities included playing a violin and attending classical concerts. Dolly, intrigued by his lack of finesse and moved by a mixture of amusement and pity, took it upon herself to reform him. She saw him as a project—raw material in need of refinement—and dedicated herself to his social education.

    Her method of instruction was both gentle and relentless. She corrected his posture, reintroduced him to more stylish tailors, and persuaded him to retire his violin, an act she considered an essential sacrifice for his new social ascent. She encouraged him to dance, advised on cigars, and even helped adjust the angle of his hat. Each improvement came not from mere observation but through carefully orchestrated encounters—morning walks in the park, quiet lectures over tea, and the subtle withdrawal of approval when he lapsed into his old ways. Phil, smitten by her charm and eager to please, followed every cue, slowly morphing into a man accepted by fashionable society. Yet as he began to gain confidence and navigate circles she once had to lead him through, his need for her dwindled.

    Now, watching him in fine clothes, accompanied by a plain but wealthy woman, Dolly expresses a complicated sense of accomplishment and resentment. To Carter, she recounts how she never intended to fall in love with Phil—nor he with her, she assumed—but how the dynamic turned strained once her mentorship bore fruit. Phil accused her of manipulating his affections and turning him into a cynic. He told her, in a tone more cutting than kind, that she had stolen not only his old self but also his sense of romantic trust. Dolly, though stung by his words, cannot help but laugh at the drama of it all. Yet her amusement doesn’t fully mask her deeper disappointment—he had taken everything she offered and walked away without a backward glance.

    Mr. Carter listens with his usual mix of sympathy and wry detachment. He understands Dolly too well to believe her entirely indifferent. Her story, for all its charm and flippancy, contains the outline of genuine hurt. She invested effort, time, and care—not out of romance, as she insists—but from a desire to shape someone she believed could do better. What she received in return was reproach, silence, and now, a public snub. Carter notes that this is the risk of playing professor to men who are learning what it means to be desirable. Once they graduate, they rarely remember the teacher.

    As they stroll along the Row, the conversation widens. Dolly muses aloud whether it is ever wise to improve people who didn’t ask to be improved. She wonders if, by interfering with Phil’s natural awkwardness, she merely helped him exchange one set of limitations for another. His old simplicity, though unfashionable, was at least honest. Now, he moves through society with polish, but perhaps less soul. Mr. Carter teases her gently, suggesting that she created a rival without intending to, and worse, one who now pretends not to know her.

    Despite the sting of the moment, Dolly regains her composure with ease. She declares that Phil will likely make an excellent husband to his heiress and wishes them happiness with only a slight edge to her tone. She shrugs off Carter’s jokes and insists she holds no regrets. Still, as they part ways, Carter senses that this chapter in Dolly’s life was not just a social experiment gone awry. It was, perhaps, a rare instance where she gave more than she intended and was left with nothing more than a story to retell.

    The closing moments reinforce the irony of the entire encounter. Phil Meadows, once a humble project, now embodies the very charm and elegance Dolly once modeled for him—yet he no longer acknowledges her role in the transformation. Dolly, ever composed and witty, bears the insult with grace but not without reflection. The liberal education she gave cost more than she anticipated. And while she lost a pupil and perhaps a friend, she gained the one thing she values most—a sharp story, a lesson in emotional economy, and another elegant anecdote for the next drawing-room conversation.

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