The Bloody Doctor
byThe Bloody Doctor begins with a recollection as sharp as the breeze skimming the loch’s surface—where triumph is rare, but every cast carries hope. The narrator revisits Clearburn Loch, a rugged haven where trout still thrive despite dwindling populations elsewhere. The loch, distant and unforgiving, holds a charm stronger than logic. It’s not the ease of the catch that draws anglers, but the purity of the challenge. Even on days when lines come back empty, the promise of wild fish gliding under reed-covered shallows keeps hearts tethered to its banks. The narrator, armed with memory and optimism, makes the trek again, ready to lose as much as to win.
Surrounded by land immortalized by Leyden and Scott, the road to Clearburn reads like a passage through folklore. Hills and trees echo with verses long forgotten by most, but not by the narrator. There’s something grounding in walking where poets once wandered, casting their thoughts into the same wind. Upon reaching the loch, the reality of the terrain asserts itself. Narrow strips of shore offer the only stable ground from which to fish. The rest is rimmed by marshes and hidden springs, eager to claim careless boots. Yet, despite the risk, that narrow shore feels sacred—like a pulpit for the faithful. In its stillness, the water conceals a promise.
At first, the fish are silent, and the loch sits like a mirror untroubled by ripple or rise. But then, as if called by some unseen hand, the surface erupts with feeding trout. Their frenzy is clear, but their appetite is puzzling. The narrator scrambles through his collection of flies, yet nothing matches the unknown insect they seek. Cast after cast is ignored, met only with the indifference of trout locked in their strange craving. It’s a maddening scene, watching them feed with abandon yet refusing every offering. Anglers know this feeling—a moment of feast, but never for them.
When the rise fades as abruptly as it began, the loch returns to its mysterious calm. The narrator doesn’t leave but remains rooted, studying the reeds that hide more than they reveal. He begins to suspect a particularly large trout, a shadow that emerges only when least expected. It’s the kind of fish whispered about in pubs and journals—known more by near-captures than by trophies. A flicker near the reeds becomes the moment he’s waited for. Hook set, line pulled, the struggle begins. Yet the fish—clever, monstrous, or perhaps something more—refuses to be caught.
What follows is not just a battle of rod and fish, but of man against all odds. The trout runs, weaving through reeds like it knows every inch of the loch better than any man ever could. The narrator moves with caution, balancing between rocks and slippery mud, heart racing with each tug of the line. But the fish has the final word. The line snaps—not from a mistake, but from inevitability. There is no tantrum, just the long sigh of realization. In that moment, the weight isn’t just of the lost fish but of everything that could have been.
Walking back along the same trail, now with aching limbs and an empty creel, the narrator doesn’t feel defeated. Instead, there’s a strange gratitude—a sense that something sacred was experienced, even if nothing was caught. The loch gave a memory, not a meal, and that seems enough. Looking back over his shoulder, he swears he sees a swirl—just where the big trout vanished. Some spirits are never meant to be caught, only encountered. Fishing, after all, is less about possession than presence.
The landscape is more than a backdrop; it’s part of the story. Clearburn isn’t just a loch, it’s a character with moods, secrets, and a sense of humor darker than the peat-stained water. That a fish can outwit a seasoned angler is not an insult but a ritual. The failure sharpens the passion, the chase renews the purpose. That’s the cycle, and the narrator accepts it. Tomorrow, the loch may be silent, or it may awaken with another mystery. But either way, it will be waited for.
The Bloody Doctor isn’t a chapter about glory, but about pursuit. It captures how nature humbles without cruelty, how the act of casting becomes prayerful, and how even an unlanded trout can mark a man’s memory. The experience lingers not in the hand but in the heart. Every angler has their “one that got away,” but few can name the hill, the wind, and the shadow that made it worth it. This tale does. In that way, it becomes more than a fishing story—it becomes a quiet meditation on hope, humility, and the strange joy of not quite catching what we came for.