Chapter Index
    Cover of A Darker Shade of Magic
    Adventure FictionFantasyFiction

    A Darker Shade of Magic

    by Schwab, V. E.
    “A Darker Shade of Magic” by V. E. Schwab is a fantasy novel set in a multiverse of parallel Londons, each with varying degrees of magic. The story follows Kell, one of the last Travelers capable of moving between these worlds, as he navigates political intrigue and dangerous power struggles. When a forbidden artifact from a forbidden London falls into his hands, Kell teams up with a cunning thief, Delilah Bard, to prevent its destructive power from unraveling the balance between worlds. The novel explores themes of power, identity, and the consequences of ambition, blending adventure with richly imagined world-building. Its unique premise and dynamic characters make it a standout in the fantasy genre.

    King Athos Dane sits in his throne room, observ­ing the move­ments of Kell and his com­pan­ion through a scry­ing stone. The stone, linked to its miss­ing half, pro­vides a clear view of their approach to his cas­tle. Athos reflects on the events that unfold­ed across dif­fer­ent Londons—Kell’s escape, the girl’s clev­er­ness, and the fail­ures of his own ser­vants. His emo­tions oscil­late between amuse­ment, annoy­ance, and a dark excite­ment at the prospect of killing Kell, though he bris­tles at the loss of his ser­vant, Hol­land.

    Beside Athos sits the motion­less body of his sis­ter, Astrid, kept under a spell. He chas­tis­es her for her fail­ure to han­dle Kell, not­ing that her inac­tion has led to chaos. Though Astrid is capa­ble of wreak­ing hav­oc else­where, here she remains silent and life­less. Athos con­sid­ers wak­ing her but decides against it, believ­ing she would only com­pli­cate mat­ters. He resolves to take mat­ters into his own hands, con­fi­dent in his abil­i­ty to con­trol the sit­u­a­tion.

    Athos rev­els in the pow­er at his dis­pos­al, restrain­ing the mag­ic that thrums with­in him. He is a strict mas­ter, feed­ing the mag­ic only what it needs to serve his pur­pos­es. As the image of Kell dis­si­pates, Athos pre­pares to con­front his guests, smooth­ing his appear­ance and adjust­ing his white cloak. His demeanor is calm yet cal­cu­lat­ed, under­scor­ing his ruth­less con­trol over both mag­ic and peo­ple.

    The chap­ter con­cludes with Athos leav­ing the throne room to greet Kell and his com­pan­ion, promis­ing to rec­ti­fy the chaos Astrid failed to con­tain. His tone is dis­mis­sive yet men­ac­ing, high­light­ing his arro­gance and deter­mi­na­tion to assert dom­i­nance. The scene sets the stage for a con­fronta­tion, with Athos poised as a for­mi­da­ble and unyield­ing antag­o­nist.

    FAQs

    • 1. What is the significance of the black smoke and the stone in Athos’s hand, and how do they function in this chapter?

      Answer:
      The black smoke and the stone serve as a scrying tool, allowing Athos to observe events remotely. The smoke forms a “patch of night” in the throne room, functioning like a magical screen, while the stone acts as the focal point for this surveillance. The text notes that “where the stone’s other half had gone, so had its gaze,” implying a paired magical connection. Athos uses this to track Kell’s movements across various cities, watching events unfold with increasing clarity as Kell approaches. This magical device demonstrates Athos’s power and his obsession with controlling the narrative, as he monitors both his enemies and his sister’s failures.

      2. How does Athos’s relationship with his sister, Astrid, reflect their power dynamics and conflicting approaches?

      Answer:
      Athos and Astrid have a tense, competitive relationship marked by mutual frustration. While Astrid is physically present but spellbound (“still and pale”), Athos mocks her failure to handle Kell, saying, “You should have let me go… Now my plaything is dead, and yours has made an awful mess.” This reveals his belief in his own superiority and his willingness to override her methods. He withholds her revival, fearing she would “complicate things,” which underscores his authoritarian control. Their dynamic highlights a broader theme of power struggles—both familial and political—where trust is absent, and dominance is prioritized over collaboration.

      3. Analyze Athos’s emotional response to the events he witnesses through the scrying stone. What does this reveal about his character?

      Answer:
      Athos exhibits a volatile mix of emotions: amusement, annoyance, excitement, and vengeful pleasure. He “bristles at the loss of Holland” but feels a “spike of pleasure at the thought of killing Kell,” showing his capricious and sadistic nature. His reactions are self-centered—he focuses on personal grievances rather than strategic consequences. The line “It was a thing to be controlled, and Athos had never been a lenient master” extends this trait to his magic, revealing his obsession with domination. These traits paint him as a tyrant who derives joy from others’ suffering and views all relationships through a lens of control.

      4. How does the author use physical descriptions of the throne room and characters to reinforce the tone and themes of the chapter?

      Answer:
      The stark contrast between the “white throne room” and the “black smoke” creates a visual dichotomy, symbolizing the clash of purity and corruption. Athos’s “white cloak” and Astrid’s “pale” corpse-like appearance juxtapose with the dark magic they wield, hinting at hypocrisy. The throne room’s grandeur (“sculpted stone”) contrasts with Astrid’s lifelessness, emphasizing the emptiness of their power. These descriptions cultivate a tone of eerie opulence, reinforcing themes of decay beneath a facade of order. The imagery mirrors Athos’s character—controlled yet cruel, elegant but morally rotten.

      5. Critical Thinking: Why might Athos choose to confront Kell personally at the chapter’s end, and what risks or motivations could drive this decision?

      Answer:
      Athos’s decision to “greet his guests” himself stems from his arrogance and desire for direct control. Having watched Astrid fail, he likely believes only he can “make things right,” reflecting his distrust of others. There’s also a performative element—he smooths his hair and adjusts his cloak, suggesting he views this as a theatrical display of power. However, this choice carries risks: it exposes him to potential defeat and undermines his earlier caution (e.g., keeping Astrid spellbound). His actions reveal a flawed leader who prioritizes ego over strategy, potentially setting up his downfall.

    Quotes

    • 1. “Athos had watched it all unfold with a mixture of amusement and annoyance and, admittedly, excitement. He bristled at the loss of Holland, but a spike of pleasure ran through him at the thought of killing Kell.”

      This quote reveals Athos Dane’s complex and sinister personality, showcasing his cold detachment and sadistic pleasure in others’ suffering. It highlights his anticipation of violence and sets the tone for his ruthless approach to power.

      2. “Astrid would be furious.”

      This short but impactful line underscores the tense dynamic between Athos and his sister, Astrid. It hints at their rivalry and differing methods, while also foreshadowing potential conflict between them over how to handle Kell.

      3. “It was a thing to be controlled, and Athos had never been a lenient master.”

      This quote encapsulates Athos’s philosophy of power and his authoritarian nature. It demonstrates his belief in absolute control, whether over magic or people, reinforcing his identity as a merciless ruler.

      4. “Do not worry yourself, Astrid. I will make things right.”

      This chilling statement, delivered to his spellbound sister, reveals Athos’s arrogance and his belief in his own superiority. It marks a turning point where he takes full control of the situation, dismissing Astrid’s failed approach in favor of his own methods.

    Quotes

    1. “Athos had watched it all unfold with a mixture of amusement and annoyance and, admittedly, excitement. He bristled at the loss of Holland, but a spike of pleasure ran through him at the thought of killing Kell.”

    This quote reveals Athos Dane’s complex and sinister personality, showcasing his cold detachment and sadistic pleasure in others’ suffering. It highlights his anticipation of violence and sets the tone for his ruthless approach to power.

    2. “Astrid would be furious.”

    This short but impactful line underscores the tense dynamic between Athos and his sister, Astrid. It hints at their rivalry and differing methods, while also foreshadowing potential conflict between them over how to handle Kell.

    3. “It was a thing to be controlled, and Athos had never been a lenient master.”

    This quote encapsulates Athos’s philosophy of power and his authoritarian nature. It demonstrates his belief in absolute control, whether over magic or people, reinforcing his identity as a merciless ruler.

    4. “Do not worry yourself, Astrid. I will make things right.”

    This chilling statement, delivered to his spellbound sister, reveals Athos’s arrogance and his belief in his own superiority. It marks a turning point where he takes full control of the situation, dismissing Astrid’s failed approach in favor of his own methods.

    FAQs

    1. What is the significance of the black smoke and the stone in Athos’s hand, and how do they function in this chapter?

    Answer:
    The black smoke and the stone serve as a scrying tool, allowing Athos to observe events remotely. The smoke forms a “patch of night” in the throne room, functioning like a magical screen, while the stone acts as the focal point for this surveillance. The text notes that “where the stone’s other half had gone, so had its gaze,” implying a paired magical connection. Athos uses this to track Kell’s movements across various cities, watching events unfold with increasing clarity as Kell approaches. This magical device demonstrates Athos’s power and his obsession with controlling the narrative, as he monitors both his enemies and his sister’s failures.

    2. How does Athos’s relationship with his sister, Astrid, reflect their power dynamics and conflicting approaches?

    Answer:
    Athos and Astrid have a tense, competitive relationship marked by mutual frustration. While Astrid is physically present but spellbound (“still and pale”), Athos mocks her failure to handle Kell, saying, “You should have let me go… Now my plaything is dead, and yours has made an awful mess.” This reveals his belief in his own superiority and his willingness to override her methods. He withholds her revival, fearing she would “complicate things,” which underscores his authoritarian control. Their dynamic highlights a broader theme of power struggles—both familial and political—where trust is absent, and dominance is prioritized over collaboration.

    3. Analyze Athos’s emotional response to the events he witnesses through the scrying stone. What does this reveal about his character?

    Answer:
    Athos exhibits a volatile mix of emotions: amusement, annoyance, excitement, and vengeful pleasure. He “bristles at the loss of Holland” but feels a “spike of pleasure at the thought of killing Kell,” showing his capricious and sadistic nature. His reactions are self-centered—he focuses on personal grievances rather than strategic consequences. The line “It was a thing to be controlled, and Athos had never been a lenient master” extends this trait to his magic, revealing his obsession with domination. These traits paint him as a tyrant who derives joy from others’ suffering and views all relationships through a lens of control.

    4. How does the author use physical descriptions of the throne room and characters to reinforce the tone and themes of the chapter?

    Answer:
    The stark contrast between the “white throne room” and the “black smoke” creates a visual dichotomy, symbolizing the clash of purity and corruption. Athos’s “white cloak” and Astrid’s “pale” corpse-like appearance juxtapose with the dark magic they wield, hinting at hypocrisy. The throne room’s grandeur (“sculpted stone”) contrasts with Astrid’s lifelessness, emphasizing the emptiness of their power. These descriptions cultivate a tone of eerie opulence, reinforcing themes of decay beneath a facade of order. The imagery mirrors Athos’s character—controlled yet cruel, elegant but morally rotten.

    5. Critical Thinking: Why might Athos choose to confront Kell personally at the chapter’s end, and what risks or motivations could drive this decision?

    Answer:
    Athos’s decision to “greet his guests” himself stems from his arrogance and desire for direct control. Having watched Astrid fail, he likely believes only he can “make things right,” reflecting his distrust of others. There’s also a performative element—he smooths his hair and adjusts his cloak, suggesting he views this as a theatrical display of power. However, this choice carries risks: it exposes him to potential defeat and undermines his earlier caution (e.g., keeping Astrid spellbound). His actions reveal a flawed leader who prioritizes ego over strategy, potentially setting up his downfall.

    Note