132 Results with the "Philosophical" genre
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Chapter
Why Make Art?
Art is more than an individual pursuit; it is an expression that extends beyond the artist, reaching into the collective human experience. The creative drive within artists resembles an instinctual pull, much like a bird’s migration or a river’s course to the sea—an unstoppable force that moves them to create. This impulse is not solely about personal exploration or the pursuit of recognition but rather an innate urge to communicate something meaningful, a desire to share a distinct perspective that…-
341.4 K • Ongoing
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Chapter
Harmony
The concept of harmony is deeply ingrained in the natural world, revealing itself through mathematical ratios that govern the universe’s most mesmerizing patterns. From the swirling arms of distant galaxies to the delicate symmetry of human features, these proportional relationships evoke a sense of order and aesthetic appeal. This intrinsic balance is the foundation of some of humanity’s most revered artistic and architectural marvels, such as the Parthenon’s classical proportions and Beethoven’s…-
341.4 K • Ongoing
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Chapter
What We Tell Ourselves
The chapter titled What We Tell Ourselves delves into the profound self-reflection that artists experience in their creative journeys. It examines how the stories artists tell themselves about their identity and their work often serve as distractions, masking the deeper truths of their creations. These narratives, while comforting, fail to capture the authentic essence of the art itself or the impact it has on the world, emphasizing that the true value lies in the work produced rather than the tales…-
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A New Philosophy by Henri Bergson is a collection of essays where Bergson explores the nature of time, consciousness, and intuition, advocating for a philosophy that emphasizes direct experience and the fluidity of life over rigid, intellectual analysis.-
2.4 K • Nov 8, '24
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2.7 K • Nov 8, '24
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Chapter
II. Teaching.
It is drawn by the future rather than pushed by the past, achieving progress through both the accumulation of experiences and the intrinsic push for experimentation and novelty inherent to life itself. At the core of this philosophy is the notion that life is fundamentally a creative and forward-moving force. This fundamentally counters any notion of 'non-morality.' Instead, it suggests a universe inherently inclined towards complexity, consciousness, and, perhaps implicitly, towards higher forms of moral…-
29.1 K • Ongoing
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Chapter
I. Method.
The critic must understand that philosophical intuition, far from excluding science, presupposes it, and in fact, builds upon it. The difference between metaphysical and aesthetic intuition lies in their goals. The artist seeks to express, to externalize in a sensory form an inner state; the philosopher, although he also translates intuition into images, uses these images as springboards to propel the mind towards a reality that these images can at best only symbolize. The intention in philosophy is to…-
29.1 K • Ongoing
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Chapter
Preface
This preface introduces the essence and aims of a book designed to elucidate Henri Bergson's philosophy for the general public. Originating from two articles published in the "Revue des Deux Mondes" in February 1912, the author expands on these initial sketches by adding continuous notes for further clarification on certain points. The text is candid about its purpose: not to present a comprehensive critical analysis of Bergson's work—deemed premature given Bergson's ongoing contributions—but rather to…-
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Reflecting on the profound influence of Henri Bergson's philosophy, this chapter emphasizes how Bergson's work signifies a pivotal moment in the course of human thought, particularly with regards to religion and the interpretation of life and reality. Bergson's philosophy, rooted in the concept of creative evolution, is not merely an academic pursuit but a journey that ventures beyond the explicit content of his books, exploring the very essence of consciousness and the latent potential within human…
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29.1 K • Ongoing
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Chapter
CHAPTER 6 – Modern Architecture
In Chapter 6 of "The Ways of Men," titled "Modern Architecture," the narrative opens with a foreign tourist's hypothetical first encounter with New York's skyline, described as both chaotic and enchantingly wild at twilight yet dishearteningly graceless by daylight. This dichotomy underscores the broader critique of the city's contemporary architectural ethos, contrasting sharply with the classical beauty and proportionality revered by past critics and architects. The author employs vivid analogies,…-
88.3 K • Ongoing
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Chapter 7 of "The Ways of Men," entitled "Worldly Color-Blindness," draws a parallel between the literal inability to discern colors and tones and a metaphorical lack of discernment in social settings. The author presents a critical view of those who, despite good intentions, fail to understand the subtleties of social gatherings, resulting in uncomfortable and unenjoyable events. The text opens with an analogy to physical color-blindness and tone-deafness, mentioning individuals who, despite these…
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88.3 K • Ongoing
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