549 Results with the "Novel" genre
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Chapter
Part One:Chapter 28
The chapter opens with the protagonist, a recently purchased Black man, encountering the Virginia Minstrels—a group of white performers camped outside town. Though initially fearful of their intentions, he is offered coffee by Cassidy, a trombonist whose awkward yet seemingly kind demeanor creates a mix of comfort and offense. The protagonist, referred to as "Jim" or "Jimbo," navigates the unfamiliar dynamic, unsure whether the men are mocking him or genuinely attempting camaraderie. The exchange…-
117.1 K • Ongoing
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Chapter
Part One:Chapter 13
The chapter opens with James, a runaway slave, waking up on a raft covered by a tarp, hidden from view. He overhears Huck, his young companion, being questioned by two men about his presence on the river. Huck cleverly disguises himself as "Johnny" and claims to be fishing, deflecting suspicion. When the men inquire about a runaway slave, Huck feigns ignorance, protecting James. The tension escalates as the men notice the tarp, but Huck improvises, claiming it covers his "sick uncle" with smallpox, a ruse…-
117.1 K • Ongoing
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Chapter
Part One:Chapter 29
In this chapter, James, a Black man posing as a white performer, is being prepared for a minstrel show by Norman, a fellow Black man who has concealed his identity to work with the white troupe. Norman applies bootblack to darken James’s face, revealing his own background by dropping the pretense of white speech. Their conversation exposes the irony of white performers using blackface to mock Black people while being oblivious to how Black people might mock them in return. Norman explains the absurdity…-
117.1 K • Ongoing
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Chapter
Part One:Chapter 14
The chapter opens with James, the protagonist, being violently deposited on the Illinois shore by the river, where he finds himself entangled in unripe blackberry brambles. Exhausted and worried about Huck, whom he was separated from during their escape, James takes solace in his salvaged books and papers, which he spreads out to dry in the sun. After falling asleep in an exposed meadow, he wakes to find four Black men observing him. The oldest among them, Old George, is carefully tending to James's books,…-
117.1 K • Ongoing
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Chapter
Part One:Chapter 30
The chapter opens with a surreal and absurd scene where twelve men—ten white men in blackface, one black man painted to appear white but now in blackface, and the narrator, a light-skinned black man painted to resemble a white man in blackface—march down a town street. The narrator reflects on the irony of the situation, noting the blurred lines between the free and slave sides of town. The group performs a cakewalk and sings mocking minstrel songs, drawing laughter and applause from white spectators.…-
117.1 K • Ongoing
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Chapter
Part One:Chapter 15
The chapter follows James, a formerly enslaved man, as he survives in isolation by the river, foraging for food and remaining vigilant against potential threats. Despite his precarious freedom, he grapples with the psychological weight of exposure, fearing discovery by overseers or fellow enslaved people who might betray him. His days are spent reading, though he finds little solace in the books, which he critiques for their sanitized narratives and ideological biases. The Bible, in particular, feels like…-
117.1 K • Ongoing
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Chapter
Part One:Chapter 16
The chapter introduces James, a self-aware man who reflects on his fragmented heritage as a descendant of enslaved Africans. Unlike others who remember their ancestral lineage, James knows little of his roots but takes pride in his ability to read and write, using these skills to assert his identity. He emphasizes the importance of self-documentation, declaring his story will be "self-written" rather than "self-related." After escaping enslavement, he finds temporary refuge in a hidden spot, surviving on…-
117.1 K • Ongoing
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Chapter
Part One:Chapter 31
The chapter opens with the narrator, James, sharing a tent with Norman and a clarinet player named Big Mike. Despite initial discomfort, they settle in for the night, observing Big Mike's meticulous ritual with his instrument. The scene shifts abruptly when James is awakened by an unsettling touch—Polly’s father, a white man, is caressing his hair, mistaking his natural hair for a wig. The encounter escalates as James, caught between maintaining his enslaved persona and reacting authentically, shouts…-
117.1 K • Ongoing
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Chapter
Part Two:Chapter 1
The chapter opens with Jim, a runaway slave, waking to the sound of rustling leaves at dawn. He is startled to discover Norman, another slave who has escaped from their captors, emerging from the woods. Norman, still in blackface makeup, explains he fled after overhearing their former master, Emmett, threatening violent retribution against Jim. Exhausted from running all night, Norman collapses into sleep while Jim keeps watch. Their reunion sets the stage for a tense and uncertain journey, as both men…-
117.1 K • Ongoing
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Chapter
Part Two:Chapter 2
The chapter opens with James, a Black slave, recalling a painful memory of being whipped by Judge Thatcher for merely greeting a white woman. The scars on his back serve as a reminder of the brutality masked by the judge's reputation as a "good master." James and Norman, a light-skinned Black man passing as white, enter the town of Bluebird Hole, where they encounter Constable Frank McHart. Norman skillfully adopts the mannerisms of a white slave owner, while James plays the role of a submissive slave,…-
117.1 K • Ongoing
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