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Buttercup Gold and Other Stories by Ellen Robena Field is a delightful collection of heartwarming tales and poems that celebrate nature, kindness, and the innocence of childhood. Filled with vivid imagery and timeless lessons, the book offers a nostalgic glimpse into simple joys and moral values.
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4.2 K • Nov 8, '24
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4.7 K • Nov 8, '24
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4.4 K • Nov 8, '24
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Chapter
As It Is
As It Is opens with a voice that feels both hopeful and honest—someone who has dreamed of a better world but now sees value in the one already here. The speaker reflects on how much easier life might be if people were less greedy, more patient, or more forgiving of each other's flaws. Yet even with those thoughts, there’s no bitterness. Instead, there’s acceptance—a recognition that the world, with all its messiness and contradictions, still offers beauty. It may not be perfect, but it’s deeply…-
116.6 K • Ongoing
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Letter to Pierre de Ronsard begins with an image not of glory, but of solitude and loss—a poet once crowned by laurels now lying beneath disturbed soil, his tomb dishonored by storms of fanaticism and revolution. The admiration poured into this letter is tempered by the irony that while Ronsard sought a humble resting place by the Loire, shaded by trees and remembered only by his verse, his grave instead bore the brunt of turmoil. Yet, that broken tomb does not mark the end of his legacy. His poetry,…
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82.9 K • Ongoing
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Chapter XV begins with what seems like a peaceful evening aboard the “Marie,” as the Sparling circus fleet floats smoothly down the Mississippi. The stillness is deceptive, concealing the storm of confusion about to unfold. While most of the crew remains alert, Teddy snoozes soundly, oblivious to the turmoil he unknowingly helped ignite earlier. Tension brews quietly in the pilot house, where Mr. Cummings fumes over a previous encounter with Teddy that bruised his pride. His frustration festers into…
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101.4 K • Ongoing
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Chapter
Notes
In this notes "THE BLENDING"--of alternate prose and verse--"is not unknown in various countries." Thus in Dr. Steere's Swahili Tales (London, 1870), p. vii. we read: "It is a constant characteristic of popular native tales to have a sort of burden, which all join in singing. Frequently the skeleton of the story seems to be contained in these snatches of singing, which the story-teller connects by an extemporized account of the intervening history . . . Almost all these stories had sung parts, and of some…-
12.1 K • Ongoing
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Chapter I begins with a quiet but heavy journey as Nikolay Tchikildyeev returns to his childhood village of Zhukovo, no longer the man full of ambition he once was. Once a waiter in Moscow, he is now frail and financially defeated, clinging to a thin hope that the village may offer healing or, at least, shelter. With his wife, Olga, and their daughter, Sasha, beside him, the scene they encounter is bleak—crumbling buildings, barefoot children, and a home stripped of dignity. The interior is dark,…
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165.6 K • Ongoing
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Chapter IX - The woman in the Alcove follows the narrator as she pushes past social restraint to speak directly with Inspector Dalzell about a theory that challenges the accepted line of investigation. Her belief in Mr. Durand’s innocence fuels her courage, despite knowing that her position as a woman and an outsider might weaken the impact of her words. She recounts what she witnessed on the night of the murder, focusing not on the bloodstained evidence but on subtler cues that others have dismissed.…
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96.5 K • Ongoing
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Chapter
The Perverseness of It
The Perverseness of It begins with Mr. Carter accompanying Miss Nellie Phaeton on a brisk carriage ride through the Park, their lively conversation sparking with wit and layered meanings. Miss Phaeton’s energy contrasts Carter’s composed demeanor, yet they match intellectually, their banter circling the nuances of affection and societal ambition. She pokes at the contradictions of love and marriage, suggesting that romantic inclinations often crumble under the weight of expectations and fortune.…-
86.7 K • Ongoing
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Chapter
Un Morso doo Pang [1919]
Un Morso doo Pang begins in a quiet, firelit room, where Tessie repeats a foreign phrase with hesitant precision. Her voice wavers, not from a lack of courage, but from the weight of the moment—it’s not just a lesson in language, but a declaration of intent. Angie, patient and grounded, corrects her gently, encouraging not just her pronunciation but her self-belief. Tessie’s lips form the words again, this time with more clarity, her eyes lit by something deeper than understanding. It’s hope.…-
28.7 K • Ongoing
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Chapter
The Hunting Parson
In this chapter titled The Hunting Parson, the narrative explores the tension between religious expectation and recreational freedom, using the keyword as a thematic gateway into a long-standing cultural contradiction. The hunting parson is presented as a man caught between duty and desire, embodying a kind of moral paradox that society refuses to accept easily. Though clergy are often presumed to lead lives of unrelenting solemnity, the chapter opens with a challenge to that perception, questioning…-
40.6 K • Ongoing
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