28 Results with the "Drama" genre
Adventure Fiction (1104)
Biography (410)
Business & Finance (1)
Children's Literature (124)
Comics (6)
Culture (51)
Dystopian (16)
Fable (86)
Fantasy (1109)
Fantasy (202)
Fiction (978)
Finance (16)
Gothic Fiction (12)
Historical Fiction (613)
History (122)
Horror (55)
Lifestyle (36)
Literary (404)
Literary Fiction (168)
Memoir (183)
Mystery (333)
Non-fiction (97)
Novel (549)
Paranormal Fiction (96)
Philosophical (180)
Philosophy (45)
Poetry (249)
Political Fiction (11)
Politics (41)
Practical (32)
Psychological Thriller (107)
Relationship (5)
Romance Novel (712)
Romantic Melodrama (14)
Satire (91)
Science (55)
Science Fiction (322)
Self-help (64)
Society (65)
Society (2)
Spiritual Growth (1)
story (2)
Thriller (675)
True Crime (55)
view (11)
Women's Fiction (1)
Young Adult (221)
-
Act IV opens in a place burdened by authority and shadowed by emotional tension, as Queen Mary of Scots navigates the agonizing weight of leadership. With St. Andrew's echoing silence behind her and a restless court observing every motion, she finds herself pulled between public expectation and private longing. The memory of Chastelard lingers not only as a scandal but as a living wound she cannot conceal. Her desire to show mercy battles with the political risks attached to compassion. The Queen’s…-
37.0 K • Ongoing
-
-
Chapter
ACT THE FOURTH.
"Act The Fourth" deepens the tension and multiplies the confusion that has been cleverly building throughout the play. With the unexpected arrival of Sir Charles on the horizon, Hastings becomes increasingly anxious and urges Miss Neville to proceed with their secret escape. The pair fears that once Sir Charles arrives, their elopement will no longer be possible. To protect her jewelry, Hastings convinces Marlow to entrust it to the landlady—who is, of course, Mrs. Hardcastle in disguise. They believe…-
29.1 K • Ongoing
-
-
Chapter
ACT IV — Ivanoff
ACT IV - Ivanoff opens in a room prepared for celebration, yet the air feels anything but festive. Lvoff stands alone in moral agitation, convinced that Ivanoff is nothing more than a manipulator of hearts and fortunes. His frustration boils over as he voices his intent to expose Ivanoff for using women as means to personal advancement. The seriousness of his claim is quickly undercut when Kosich bursts in with a story about cards, revealing the comic absurdity that often surrounds personal tragedy. This…-
14.6 K • Ongoing
-
-
Chapter
SCENE I — Before Holyrood.
Scene I opens outside Holyrood, where a restless crowd gathers, murmuring with anticipation and judgment. The name on everyone’s lips is Chastelard—a poet, a lover, and now, a man bound for execution. The people, dressed in everyday wear, bring with them opinions sharpened by gossip and colored by class divides. Soldiers stand alongside commoners, their expressions a mix of curiosity and disdain. Whispers spread like fire, suggesting that the Queen herself may have shared more than courtly affection…-
37.0 K • Ongoing
-
-
Chapter
ACT THE FIFTH.
"Act The Fifth" closes the play with laughter, closure, and a satisfying dose of dramatic irony. As misunderstandings are cleared, emotions surface more honestly, and characters show new sides of themselves. Hastings, who had felt defeated by Miss Neville’s departure, is uplifted when he realizes the journey was orchestrated by Tony’s mischief. His moment of disappointment turns to amusement as he finds himself once again at the Hardcastle estate, unaware at first of Tony’s clever tricks. Meanwhile,…-
29.1 K • Ongoing
-
-
Chapter
SCENE II- In Prison.
Scene II opens in a prison cell, where the shadows stretch long and the silence carries a weight too heavy for comfort. Chastelard, confined and facing execution, finds himself not in fear but in deep reflection. The room, though dim and still, becomes alive with memories—moments of beauty, passion, and the haunting allure of Queen Mary. Every recollection sharpens his acceptance that love, for him, was never meant to save but to consume. He speaks not as one pleading for life but as someone who has…-
37.0 K • Ongoing
-
-
Chapter
Act I — The Seagull
Act I begins on the expansive grounds of Sorin’s estate, where nature’s beauty is momentarily obscured by a makeshift stage constructed for an evening performance. The lake behind the platform remains hidden, a subtle metaphor for the concealed emotions and quiet frustrations among the characters. Masha and Medviedenko arrive first, their conversation revealing mismatched affections and differing outlooks on life. Medviedenko speaks earnestly about his love, equating happiness with companionship, while…-
17.7 K • Ongoing
-
-
Scene III unfolds with Queen Mary’s decision placing her at the heart of a deeply human and political conflict, where emotions and duties become dangerously entangled. The Queen, determined to intervene in Chastelard's sentencing, declares a readiness to share in his punishment, a reflection of both her affection and her inner turmoil. She speaks not as a sovereign detached from consequence, but as a woman bound by a growing sense of helplessness. Her commands to Mary Beaton and Mary Carmichael—to…
-
37.0 K • Ongoing
-
-
Chapter
Act II — The Seagull
Act II takes place on a warm afternoon near the tranquil lake on Sorin’s estate, where the sun lights the surface gently while conversations shift under the cool shade of a linden tree. Arkadina, Masha, and Dorn pass the time in seemingly casual talk, yet beneath their words lie complex fears and quiet confessions. Arkadina’s lively anecdotes and harsh wit mask a deeper anxiety—one driven by aging, competition, and the looming threat of being forgotten. Her laughter has edges, cutting into anyone who…-
17.7 K • Ongoing
-
-
Chapter
Act I — Uncle Vanya
Act I begins with a lazy stillness that clings to the countryside air, where time moves slowly but tension simmers beneath the calm. The estate, once a model of routine and quiet labor, now holds a household uncertain of its own rhythm. Astrov, the visiting doctor, speaks not only of fatigue but of emotional erosion brought on by years of duty without gratitude. His cynicism is not theatrical—it’s weariness wrapped in intellect. Marina, the caretaker, tries to soothe him with habit and prayer, but her…-
13.2 K • Ongoing
-
- 1 2 3 Next
