123 Results with the "Drama" genre
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Chapter
THE WEEKEND ANNA
The chapter opens with Anna reflecting on the origins of human existence, contrasting mythological narratives like the Pawnee creation story with scientific explanations such as primordial soup and evolution. She muses on the improbability of life's complexity, noting how humans still manage to make flawed decisions despite their advanced cognitive abilities. This philosophical musing transitions into a starkly personal moment as Anna sits with her sister Kate and mother in the hospital, all avoiding the…-
208.9 K • Ongoing
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Chapter
THE WEEKEND ANNA
The chapter opens with Anna reflecting on the origins of human existence, contrasting mythological narratives like the Pawnee creation story with scientific explanations such as primordial soup and evolution. She muses on the improbability of life's complexity, noting how humans still manage to make mistakes despite their advanced cognitive abilities. This philosophical musing transitions into a scene at the hospital, where Anna, her sister Kate, and their mother distract themselves from the impending…-
208.9 K • Ongoing
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Chapter
THE WEEKEND BRIAN
The chapter opens with a surreal scene where Mrs. Zegna, a woman dressed as an octopus, arrives at the station distraught after losing her home in a fire. Her only remaining belongings are a Halloween costume and a Peter Paul and Mary album collection stored in a locker. The narrator, Brian, offers to connect her with a shelter and assist with insurance, only to learn she has none, as she doesn’t believe in preparing for disaster. This encounter prompts Brian to reflect on his own relationship with…-
208.9 K • Ongoing
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Chapter
THE WEEKEND BRIAN
The chapter opens with a surreal yet poignant scene where Mrs. Zegna, a woman dressed as an octopus, arrives at the station distraught after losing her home in a fire. Her only remaining belongings are a Halloween costume and a collection of albums, highlighting her vulnerability and refusal to live in fear of disaster. The narrator, Brian, offers practical help, but her lack of home insurance underscores her optimistic yet unprepared outlook. This encounter prompts Brian to reflect on his own shifting…-
208.9 K • Ongoing
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Chapter
MONDAY CAMPBELL
The chapter opens with an intimate scene between the narrator and Julia in a small cabin, where their physical closeness contrasts with the emotional distance of their past. Reflecting on their teenage years, the narrator recalls how Julia's independence initially attracted him, but their relationship ultimately diminished her free-spirited nature. Now, fifteen years later, he struggles with fleeting connections and escape tactics, yet finds himself unable to leave Julia despite his usual patterns of…-
208.9 K • Ongoing
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Chapter
MONDAY ANNA
The chapter opens with Anna reflecting on the imaginative language of childhood, which she calls "Ifspeak"—a boundless way of thinking where anything is possible. She contrasts this with adulthood, where such openness slowly fades. Anna's introspection sets the tone for her internal conflict as she navigates a courtroom battle over her medical autonomy. The surreal experience of hearing her life discussed as if she isn't present underscores her growing awareness of the complexities of adulthood and the…-
208.9 K • Ongoing
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Chapter
MONDAY ANNA
The chapter explores the contrast between childhood imagination and adult reality through Anna's reflections. As a child, she recalls the boundless "Ifspeak" language of hypothetical scenarios, where anything feels possible. Now, as a teenager in a courtroom, she grapples with the weight of real-world decisions, feeling like an invisible observer in her own life. The narrative highlights how adulthood slowly closes the door on childhood wonder, leaving Anna torn between her past innocence and present…-
208.9 K • Ongoing
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Chapter
MONDAY SARA
The chapter opens with Kate, a fourteen-year-old leukemia patient, striking up an unexpected conversation with Taylor Ambrose, a sixteen-year-old boy also undergoing treatment. Their banter is lighthearted despite the hospital setting, as they bond over their shared experiences with illness. Taylor’s charm and humor bring out a playful side of Kate that surprises her mother, who narrates the scene. The two exchange phone numbers, leaving Kate exhilarated by the possibility of a connection beyond their…-
208.9 K • Ongoing
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Chapter
MONDAY SARA
The chapter opens with Kate, a 14-year-old leukemia patient, meeting Taylor Ambrose, a 16-year-old boy undergoing chemotherapy, during their hospital treatments. Their playful banter about their conditions and hospital life reveals an instant connection, with Taylor’s humor and confidence drawing Kate out of her usual reserved demeanor. The narrator, likely Kate’s mother, observes their interaction with surprise and joy, noting how Taylor’s presence seems to invigorate Kate. Their exchange ends with…-
208.9 K • Ongoing
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Chapter
THE WEEKEND SARA
The chapter opens with Anna, a ten-year-old girl, asking her parents, Brian and Sara, for $614.96 to buy hockey goalie equipment after revealing she has secretly been practicing with a boys' team. Initially skeptical, her parents are surprised to learn she has been invited to join the team as their first female player. Anna's passion for hockey and her natural talent become apparent, but the cost of the gear sparks a family discussion about finances and the unexpected discovery of their daughter's hidden…-
208.9 K • Ongoing
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