123 Results with the "Drama" genre
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Chapter
THE WEEKEND ANNA
The chapter opens with Anna reflecting on the origins of human existence, contrasting mythological narratives like the Pawnee creation story with scientific explanations such as primordial soup and evolution. She muses on the improbability of life's complexity, noting how humans still manage to make flawed decisions despite their advanced cognitive abilities. This philosophical musing transitions into a starkly personal moment as Anna sits with her sister Kate and mother in the hospital, all avoiding the…-
208.9 K • Ongoing
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Chapter
THE WEEKEND ANNA
The chapter opens with Anna reflecting on the origins of human existence, contrasting mythological narratives like the Pawnee creation story with scientific explanations such as primordial soup and evolution. She muses on the improbability of life's complexity, noting how humans still manage to make mistakes despite their advanced cognitive abilities. This philosophical musing transitions into a scene at the hospital, where Anna, her sister Kate, and their mother distract themselves from the impending…-
208.9 K • Ongoing
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Chapter
THE WEEKEND BRIAN
The chapter opens with a surreal scene where Mrs. Zegna, a woman dressed as an octopus, arrives at the station distraught after losing her home in a fire. Her only remaining belongings are a Halloween costume and a Peter Paul and Mary album collection stored in a locker. The narrator, Brian, offers to connect her with a shelter and assist with insurance, only to learn she has none, as she doesn’t believe in preparing for disaster. This encounter prompts Brian to reflect on his own relationship with…-
208.9 K • Ongoing
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Chapter
THE WEEKEND BRIAN
The chapter opens with a surreal yet poignant scene where Mrs. Zegna, a woman dressed as an octopus, arrives at the station distraught after losing her home in a fire. Her only remaining belongings are a Halloween costume and a collection of albums, highlighting her vulnerability and refusal to live in fear of disaster. The narrator, Brian, offers practical help, but her lack of home insurance underscores her optimistic yet unprepared outlook. This encounter prompts Brian to reflect on his own shifting…-
208.9 K • Ongoing
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Chapter
THE WEEKEND ANNA
The chapter opens with Anna's philosophical musings about the nature of Heaven, pondering what age people might assume in the afterlife. She speculates whether individuals can choose their appearance, imagining herself as a seventeen-year-old to compensate for her insecurities. Her father's comment about feeling twenty-one at heart leads her to consider that people may eternally identify with a specific age or phase of life. This introspection transitions into practical concerns, such as how loved ones…-
208.9 K • Ongoing
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Chapter
THE WEEKEND JULIA
Julia engages in a playful yet revealing conversation with her sister Izzy, debating her conflicted feelings for Campbell, a charming but difficult man from her past. Their banter is laced with humor and sibling rivalry as Izzy teases Julia about her attraction to "jerks" while engrossed in her favorite romantic films. The dialogue exposes Julia's internal struggle: she is drawn to Campbell's familiarity but resists rekindling their connection, fearing emotional entanglement. Meanwhile, Julia grapples with…-
208.9 K • Ongoing
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Chapter
THE WEEKEND JULIA
The chapter opens with Julia questioning her attraction to Campbell, a man she describes as an "asshole," while her sister Izzy is engrossed in a romantic movie. Their banter reveals Julia's internal conflict about her feelings for Campbell, as well as her professional dilemma regarding a high-stakes legal decision involving Anna Fitzgerald. Izzy teases Julia about her poor taste in men, suggesting it might be hereditary, while Julia admits she finds it easy to reconnect with Campbell despite their…-
208.9 K • Ongoing
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Chapter
MONDAY CAMPBELL
The chapter opens with an intimate scene between the narrator and Julia, reminiscing about their past and the passage of fifteen years. The narrator reflects on their youthful relationship, contrasting the impulsive passion of their teenage years with the deeper, more nuanced connection they share now. Julia's independence and unapologetic individuality initially drew the narrator to her, but their relationship ultimately altered her free-spirited nature. The narrator admits to avoiding meaningful…-
208.9 K • Ongoing
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Chapter
MONDAY CAMPBELL
The chapter opens with an intimate scene between the narrator and Julia in a small cabin, where their physical closeness contrasts with the emotional distance of their past. Reflecting on their teenage years, the narrator recalls how Julia's independence initially attracted him, but their relationship ultimately diminished her free-spirited nature. Now, fifteen years later, he struggles with fleeting connections and escape tactics, yet finds himself unable to leave Julia despite his usual patterns of…-
208.9 K • Ongoing
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Chapter
MONDAY ANNA
The chapter opens with Anna reflecting on the imaginative language of childhood, which she calls "Ifspeak"—a boundless way of thinking where anything is possible. She contrasts this with adulthood, where such openness slowly fades. Anna's introspection sets the tone for her internal conflict as she navigates a courtroom battle over her medical autonomy. The surreal experience of hearing her life discussed as if she isn't present underscores her growing awareness of the complexities of adulthood and the…-
208.9 K • Ongoing
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