123 Results with the "Drama" genre
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Chapter
THE WEEKEND ANNA
The chapter opens with Anna reflecting on the origins of human existence, contrasting mythological narratives like the Pawnee creation story with scientific explanations such as primordial soup and evolution. She muses on the improbability of life's complexity, noting how humans still manage to make flawed decisions despite their advanced cognitive abilities. This philosophical musing transitions into a starkly personal moment as Anna sits with her sister Kate and mother in the hospital, all avoiding the…-
208.9 K • Ongoing
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Chapter
THE WEEKEND ANNA
The chapter opens with Anna reflecting on the origins of human existence, contrasting mythological narratives like the Pawnee creation story with scientific explanations such as primordial soup and evolution. She muses on the improbability of life's complexity, noting how humans still manage to make mistakes despite their advanced cognitive abilities. This philosophical musing transitions into a scene at the hospital, where Anna, her sister Kate, and their mother distract themselves from the impending…-
208.9 K • Ongoing
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Chapter
THE WEEKEND BRIAN
The chapter opens with a surreal scene where Mrs. Zegna, a woman dressed as an octopus, arrives at the station distraught after losing her home in a fire. Her only remaining belongings are a Halloween costume and a Peter Paul and Mary album collection stored in a locker. The narrator, Brian, offers to connect her with a shelter and assist with insurance, only to learn she has none, as she doesn’t believe in preparing for disaster. This encounter prompts Brian to reflect on his own relationship with…-
208.9 K • Ongoing
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Chapter
THE WEEKEND BRIAN
The chapter opens with a surreal yet poignant scene where Mrs. Zegna, a woman dressed as an octopus, arrives at the station distraught after losing her home in a fire. Her only remaining belongings are a Halloween costume and a collection of albums, highlighting her vulnerability and refusal to live in fear of disaster. The narrator, Brian, offers practical help, but her lack of home insurance underscores her optimistic yet unprepared outlook. This encounter prompts Brian to reflect on his own shifting…-
208.9 K • Ongoing
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Chapter
MONDAY SARA
The chapter opens with Kate, a 14-year-old leukemia patient, meeting Taylor Ambrose, a 16-year-old boy undergoing chemotherapy, during their hospital treatments. Their playful banter about their conditions and hospital life reveals an instant connection, with Taylor’s humor and confidence drawing Kate out of her usual reserved demeanor. The narrator, likely Kate’s mother, observes their interaction with surprise and joy, noting how Taylor’s presence seems to invigorate Kate. Their exchange ends with…-
208.9 K • Ongoing
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Chapter
THE WEEKEND SARA
The chapter opens with Anna, a ten-year-old girl, asking her parents, Brian and Sara, for $614.96 to buy hockey goalie equipment after revealing she has secretly been practicing with a boys' team. Initially skeptical, her parents are surprised to learn she has been invited to join the team as their first female player. Anna's passion for hockey and her natural talent become apparent, but the cost of the gear sparks a family discussion about finances and the unexpected discovery of their daughter's hidden…-
208.9 K • Ongoing
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Chapter
THE WEEKEND ANNA
The chapter opens with Anna pondering the nature of existence in Heaven, questioning whether individuals retain their physical appearance at the time of death or can choose their ideal age. She speculates that Heaven might allow personal preferences, such as selecting one's appearance or surroundings, and reflects on her father's comment about feeling perpetually twenty-one at heart. This leads her to consider how people might recognize each other in the afterlife if they appear differently from their…-
208.9 K • Ongoing
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Chapter
THE WEEKEND ANNA
The chapter opens with Anna's philosophical musings about the nature of Heaven, pondering what age people might assume in the afterlife. She speculates whether individuals can choose their appearance, imagining herself as a seventeen-year-old to compensate for her insecurities. Her father's comment about feeling twenty-one at heart leads her to consider that people may eternally identify with a specific age or phase of life. This introspection transitions into practical concerns, such as how loved ones…-
208.9 K • Ongoing
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Chapter
THE WEEKEND JULIA
Julia engages in a playful yet revealing conversation with her sister Izzy, debating her conflicted feelings for Campbell, a charming but difficult man from her past. Their banter is laced with humor and sibling rivalry as Izzy teases Julia about her attraction to "jerks" while engrossed in her favorite romantic films. The dialogue exposes Julia's internal struggle: she is drawn to Campbell's familiarity but resists rekindling their connection, fearing emotional entanglement. Meanwhile, Julia grapples with…-
208.9 K • Ongoing
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Chapter
THE WEEKEND JULIA
The chapter opens with Julia questioning her attraction to Campbell, a man she describes as an "asshole," while her sister Izzy is engrossed in a romantic movie. Their banter reveals Julia's internal conflict about her feelings for Campbell, as well as her professional dilemma regarding a high-stakes legal decision involving Anna Fitzgerald. Izzy teases Julia about her poor taste in men, suggesting it might be hereditary, while Julia admits she finds it easy to reconnect with Campbell despite their…-
208.9 K • Ongoing
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