123 Results with the "Drama" genre
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Chapter
WEDNESDAY ANNA
The chapter opens with Anna recounting a traumatic childhood memory of her first oral presentation in third grade, where she vomited in front of her classmates while discussing kangaroos. This humiliating experience earned her the nickname "KangaRalph" and left her with a lasting aversion to public speaking. The anecdote serves as a metaphor for her current anxiety on the witness stand, where she fears not just nervousness but the consequences of revealing too much. The scene sets the tone for her internal…-
208.9 K • Ongoing
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Chapter
Act III — The Seagull
Act III opens within the dining room of Sorin’s home, where disorder reveals more than disarray. Trunks and luggage line the walls, not only suggesting travel but also a desire to escape from lives that have grown too tight. Trigorin sits at the table, distant and half-engaged, as Masha confesses her decision to marry Medviedenko. It’s a choice made not from love but fatigue—a hope that practicality might numb passion. Trigorin listens without judgment, his indifference veiled in polite concern.…-
17.7 K • Ongoing
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Chapter
WEDNESDAY ANNA
The chapter opens with Anna reflecting on her family's photo shelf, a visual timeline of their lives. She notes the disparity in the number of photos of herself compared to her siblings, Jesse and Kate, hinting at her feelings of being overlooked. The photos evoke a sense of nostalgia and longing, as Anna contemplates the unspoken messages they carry—love, attention, and the passage of time. Her father calls to check on her while her mother stays at the hospital with Kate, revealing the family's ongoing…-
208.9 K • Ongoing
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Chapter
MONDAY CAMPBELL
The chapter opens with an intimate scene between the narrator and Julia, reminiscing about their past and the passage of fifteen years. The narrator reflects on their youthful relationship, contrasting the impulsive passion of their teenage years with the deeper, more nuanced connection they share now. Julia's independence and unapologetic individuality initially drew the narrator to her, but their relationship ultimately altered her free-spirited nature. The narrator admits to avoiding meaningful…-
208.9 K • Ongoing
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Chapter
THURSDAY ANNA
The chapter opens with Anna in a state of emotional and physical distress, trapped in a car during a heavy rainstorm. The weather mirrors her inner turmoil as she struggles with the aftermath of her medical emancipation, feeling suffocated by both the atmosphere and her own tears. Campbell, her companion, tries to reassure her that the rain is a blessing as it deters reporters, allowing her to reunite with her family in peace. Anna's vulnerability is palpable as she grapples with the weight of her newfound…-
208.9 K • Ongoing
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Chapter
MONDAY CAMPBELL
The chapter introduces Campbell Alexander, a pragmatic lawyer who views lawsuits as tools for those backed into a corner. He reflects on his father’s adage about hammers and nails, drawing a parallel to the American justice system. His secretary, Kerri, organizes his messages with meticulous precision, but Campbell dismisses a call from his mother, revealing his detached demeanor. His routine is interrupted when Anna Fitzgerald, a determined teenager, enters his office seeking legal emancipation to avoid…-
208.9 K • Ongoing
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Chapter
THURSDAY JESSE
The chapter opens with Jesse returning home to find Julia Romano, a striking older woman, waiting for him. Initially flirtatious, Jesse’s demeanor shifts when Julia reveals she’s a guardian ad litem working on a case involving his sister, Anna, who is suing their parents for medical emancipation. Jesse’s playful banter contrasts with Julia’s professional tone, highlighting his irreverent attitude and her no-nonsense approach. Despite his attempts to charm her, Julia remains focused on her mission,…-
208.9 K • Ongoing
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Chapter
MONDAY CAMPBELL
The chapter opens with a tense courtroom scene where the narrator, a lawyer, expresses frustration with doctors who resent being subpoenaed. Dr. Chance, the witness, is visibly impatient, eager to return to his dying patient, Kate Fitzgerald. The lawyer deliberately prolongs the questioning, highlighting the doctor's discomfort. The stakes are high, as Kate's survival depends on medical donations from her younger sister, Anna, who sits radiating tension beside the narrator. The dynamic sets the stage for a…-
208.9 K • Ongoing
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Chapter
Act II — Uncle Vanya
Act II opens with a stillness that blankets the dimly lit dining room. Serebrakoff and Helena sit together, but the closeness between them is only physical. A deep emotional void stretches between their silences. He speaks with bitter honesty about his fears—old age, uselessness, and the indignity of becoming a burden. His words are heavy with regret, as if he feels time slipping from his hands with nothing to show for it. Helena tries to reassure him but her comfort is mechanical, lacking conviction.…-
13.2 K • Ongoing
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Chapter
WEDNESDAY ANNA
The chapter opens with Anna's morbid reflections on her own hypothetical funeral, imagining sparse attendance and minimal impact. She contrasts this with her sister Kate's future funeral, which she envisions as a crowded, high-profile event due to Kate's battle with cancer. Anna's musings reveal her feelings of invisibility and resentment, as well as her deep awareness of Kate's central role in their family dynamics. The scene shifts abruptly to a courthouse, where Anna meets with Judge DeSalvo to discuss…-
208.9 K • Ongoing
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