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Chapter
Chapter Twenty-one: Ali Shams
The chapter opens with Cyrus Shams in Brooklyn, attempting to call his friend Zee but hesitating to leave a message. His hands tremble uncontrollably, reflecting his inner turmoil. The narrative then shifts to memories of his father Ali's funeral, where only a handful of people attended, including his high school teacher, ex-girlfriend, and friends. Cyrus recalls the somber atmosphere and the scent of wet soil, a sensory memory that lingers with him. His uncle Arash's absence is noted, along with the later…-
74.6 K • Ongoing
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Chapter
Cyrus Shams
The chapter opens with Cyrus Shams, a disheveled and drug-addled young man, lying in his squalid Indiana apartment, desperately seeking a sign from God. After years of silence, he interprets a flickering light bulb as a potential divine message, though he questions whether it’s a miracle or just faulty wiring. Cyrus reflects on the unfairness of biblical figures like Muhammad and Saul, who received unambiguous revelations, while he is left grasping for clarity. His longing for a tangible connection with…-
74.6 K • Ongoing
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Chapter
Chapter Thirty-one
The chapter opens with the narrator reflecting on their first experience with death, which they missed entirely, leaving them with unresolved grief. This time, they aim to confront their own mortality head-on through their final art installation, *Death-Speak*, which serves as a literal and metaphorical presence in the face of death. The narrator contrasts their experience with Leila, who may have found clarity in death, while they remain burdened by the weight of living. The installation becomes a way to…-
74.6 K • Ongoing
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The chapter follows Arash Shirazi, a young Iranian man conscripted into military service during the Iran-Iraq War in 1984. With no means to avoid enlistment, Arash reflects on the absurdity of war and the shift from a revolution led by idealists to one controlled by armed zealots. He resigns himself to his fate, imagining his future as just another martyr's photo on the mosque wall. His observations highlight the senselessness of war, where men like him—poor, uneducated, and without special skills—are…
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74.6 K • Ongoing
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Chapter
Nowhere and Nothing
The chapter opens with a whimsical dialogue between Pooh and Christopher Robin, where they embark on a journey to "Nowhere." This playful exploration introduces the concept of doing nothing, which Christopher Robin describes as a state of going along without effort or disturbance, simply listening and not bothering with plans or worries. The scene sets a tone of philosophical lightness, emphasizing the value of passive awareness and the importance of embracing the present moment. Through this interaction,…-
28.4 K • Ongoing
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Chapter
Chapter Twenty-two
The chapter opens with Cyrus dreaming of Orkideh, a bald woman with bushy eyebrows and oversized sunglasses, walking through a luxurious mall alongside President Invective, who struggles to keep pace. Orkideh appears amused by his discomfort, while Invective, clad in an ill-fitting suit, pants heavily despite carrying nothing. Cyrus reflects on his tendency to involuntarily include repulsive figures in his dreams, such as past bullies or infamous criminals, suggesting a subconscious grappling with…-
74.6 K • Ongoing
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Chapter
Chapter One
The chapter introduces Cyrus, a medical actor at Keady University Hospital who portrays dying patients or grieving family members for medical students to practice difficult conversations. He finds purpose in inhabiting various roles, from Sally Gutierrez, a mother losing her daughter, to Buck Stapleton, a Catholic coach facing his wife's brain death. The job requires him to calibrate emotional responses based on pain scales while evaluating students' empathy through score sheets. Cyrus enjoys the…-
74.6 K • Ongoing
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Chapter
Coda
The chapter "Sang Linh" from *Coda* captures a pivotal moment in 1997 New York, where the narrator reflects on the success of Orkideh's art exhibition *Why We Put Mirrors in Birdcages*. The narrator, a gallery owner, works alongside their oldest son, Duy, and the artist Roya to dismantle the show. Roya's meticulous nature shines as she oversees the handling of her paintings, particularly *Odi et Amo*, a piece evoking mixed emotions in the narrator due to its unsettling yet nostalgic imagery. The scene…-
74.6 K • Ongoing
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Chapter
Chapter Twelve
The chapter introduces Cyrus Shams, an Iranian-American navigating life in the Midwest during the post-9/11 era, where he grapples with xenophobia and cultural alienation. Cyrus perceives natural phenomena like storms and sunlight as personal affronts, reflecting his broader sense of isolation. His upbringing is marked by microaggressions, such as a math teacher’s racist joke and a social studies teacher’s condescending remarks about U.S. intervention in the Middle East. These experiences highlight…-
74.6 K • Ongoing
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Chapter
The Now of Pooh
The chapter "The Now of Pooh" explores the significance of inner wisdom and intuition over mere intellectual cleverness. It begins with a poetic depiction of a small Bear wandering through the forest, serving as a metaphor for human life and decision-making. The narrative questions the value placed on the intellect, suggesting that over-reliance on the brain and external knowledge can lead us astray. Instead, it emphasizes listening to the inner voice that guides us intuitively, highlighting that true…-
28.4 K • Ongoing
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