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Chapter
Cyrus Shams
The chapter opens with Cyrus Shams, a disheveled and drug-addled young man, lying in his squalid Indiana apartment, desperately seeking a sign from God. After years of silence, he interprets a flickering light bulb as a potential divine message, though he questions whether it’s a miracle or just faulty wiring. Cyrus reflects on the unfairness of biblical figures like Muhammad and Saul, who received unambiguous revelations, while he is left grasping for clarity. His longing for a tangible connection with…-
74.6 K • Ongoing
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Chapter
Coda
The chapter "Sang Linh" from *Coda* captures a pivotal moment in 1997 New York, where the narrator reflects on the success of Orkideh's art exhibition *Why We Put Mirrors in Birdcages*. The narrator, a gallery owner, works alongside their oldest son, Duy, and the artist Roya to dismantle the show. Roya's meticulous nature shines as she oversees the handling of her paintings, particularly *Odi et Amo*, a piece evoking mixed emotions in the narrator due to its unsettling yet nostalgic imagery. The scene…-
74.6 K • Ongoing
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Chapter
Chapter Two
The chapter opens with Cyrus attending an AA meeting at Camp5 Center, a dingy lavender recovery clubhouse frequented by a mix of old-timers and reluctant newcomers. The setting is vividly described—cigarette smoke, a dim basement with plastic tables, and the no-nonsense presence of Angus B. selling cheap snacks. Cyrus’s sponsor, Gabe Bardo, a seasoned figure with 33 years of sobriety, sits quietly beside him. The meeting’s broad topic, “life on life’s terms,” sparks disjointed shares, from a…-
74.6 K • Ongoing
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Chapter
Chapter Twenty-two
The chapter opens with Cyrus dreaming of Orkideh, a bald woman with bushy eyebrows and oversized sunglasses, walking through a luxurious mall alongside President Invective, who struggles to keep pace. Orkideh appears amused by his discomfort, while Invective, clad in an ill-fitting suit, pants heavily despite carrying nothing. Cyrus reflects on his tendency to involuntarily include repulsive figures in his dreams, such as past bullies or infamous criminals, suggesting a subconscious grappling with…-
74.6 K • Ongoing
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Chapter
Chapter Twenty-three
The chapter depicts a pivotal moment between Roya and Leila during a visit in Tehran, August 1987. While their husbands are away camping, Leila leads Roya through the bustling Tajrish bazaar, filled with vendors and sensory details like flowers, kabobs, and perfumes. The atmosphere is lively yet ordinary until Leila abruptly pulls Roya into a secluded alley, where she kneels and presses her ear to the ground, claiming to hear angels drumming beneath the earth. Roya, confused but intrigued, follows suit,…-
74.6 K • Ongoing
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Chapter
Chapter Twenty-six
The chapter opens in Tehran, August 1987, with the narrator reflecting on a transformative first kiss with Leila, described as a word that evokes "heaven" rather than just "sky." The moment is charged with emotional depth, setting the tone for their intimate connection. The narrative shifts to a phone call from Ali and Gilgamesh, who are drunkenly checking in from a campsite, their boisterous banter contrasting with the quiet tension of the narrator and Leila's shared space. Leila's playful interaction…-
74.6 K • Ongoing
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The chapter opens with a reflection on Michelangelo's approach to sculpture—removing excess stone to reveal the masterpiece within. This metaphor extends to life, where eliminating negative elements (toxic relationships, bad habits) is often mistaken for creating goodness. The author critiques the Abrahamic moral framework, arguing that avoiding wrongdoing doesn't equate to active virtue. A rich man, for instance, may pride himself on not harming others while neglecting positive action, exposing the…
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74.6 K • Ongoing
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Cyrus sits on a bench in Prospect Park, reeling from the news of Orkideh’s death after receiving a voicemail from her ex-wife and gallerist, Sang. Despite having known Orkideh for only a short time, Cyrus is deeply affected, contrasting his grief with the seemingly effortless composure of those around him. The chapter reflects on the fleeting nature of modern grief, reduced to a brief interruption in the constant stream of daily life. As Cyrus hesitantly returns Sang’s call, the weight of the moment is…
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74.6 K • Ongoing
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Chapter
Chapter Twenty-one: Ali Shams
The chapter opens with Cyrus Shams in Brooklyn, attempting to call his friend Zee but hesitating to leave a message. His hands tremble uncontrollably, reflecting his inner turmoil. The narrative then shifts to memories of his father Ali's funeral, where only a handful of people attended, including his high school teacher, ex-girlfriend, and friends. Cyrus recalls the somber atmosphere and the scent of wet soil, a sensory memory that lingers with him. His uncle Arash's absence is noted, along with the later…-
74.6 K • Ongoing
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Chapter
Chapter Twenty-nine
The chapter "Orkideh, Martyr!" reflects on the narrator's life through a lens of gratitude and acceptance. Despite acknowledging that happiness was not a constant state, the speaker emphasizes experiencing profound joy, particularly during moments shared with Leila. This perspective challenges conventional notions of tragedy, suggesting that even a life cut short can be rich in meaning if it contained genuine happiness. The tone is introspective yet defiant, rejecting pity in favor of celebrating the…-
74.6 K • Ongoing
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