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Chapter
Chapter J
Chapter J opens with Bierce’s bemused reflection on the letter J, not merely as a sound but as a symbol of linguistic inconsistency and invention. He imagines its form as borrowed from the curled tail of a dog, suggesting that language often evolves from whimsy rather than logic. This image, both playful and satirical, sets the tone for his mock scholarship, which includes the fabricated figure of Dr. Jocolpus Bumer, whose untimely demise serves as a comical warning against taking philology too…-
82.1 K • Ongoing
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Chapter
Chapter K
Chapter K opens with an imagined history of the letter itself, tying K to an ancient culture known as the Cerathians, who Bierce claims once flourished in the land of Smero. The letter's modern form, according to his mock-history, emerged from a catastrophe—the collapse of a sacred temple—which transformed the Cerathian character “Klatch” into a symbol of loss and ruin. Bierce connects the shape of the letter to tragedy, humorously suggesting that the alphabet itself bears the weight of forgotten…-
82.1 K • Ongoing
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Story
The Devil’s Dictionary
The Devil’s Dictionary by Ambrose Bierce is a satirical and darkly humorous collection of witty, cynical definitions that expose the hypocrisies and absurdities of human nature, society, and language.-
5.0 K • Nov 8, '24
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5.2 K • Nov 8, '24
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4.1 K • Nov 8, '24
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Chapter
Chapter A
Chapter A unfolds with Bierce’s familiar edge, starting with Abasement, which he defines not as humility, but as calculated submission—particularly in contexts of employment or authority. Rather than depicting it as a virtue, he recasts it as a social strategy, where people learn to shrink themselves in order to survive power dynamics. The sharpness of the definition cuts through the illusion of dignity in hierarchy. For Bierce, the act of lowering oneself is not noble, but necessary in systems built…-
82.1 K • Ongoing
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Chapter
Chapter B
Chapter B begins with a look at Baal, a deity once worshipped across various ancient civilizations, often symbolizing power and natural forces. Bierce does not simply define Baal as a figure of mythology; he connects it to the confusion born of humanity’s attempts to build structures—literal and ideological—that reach too far. By referencing the story of Babel, he draws a line between the ambition to touch the divine and the chaos that follows. The implication is that veneration often disguises…-
82.1 K • Ongoing
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Chapter
Chapter C
Chapter C opens with Bierce’s knack for blending satire and sharp observation, starting with Caaba, a stone linked to Abraham that embodies religious ambiguity and human folly. By connecting it to the story of Babel, Bierce hints that divine worship often conceals confusion and vanity, turning sacred symbols into reminders of human error. This sets the stage for a series of definitions that unravel accepted meanings to reveal underlying absurdities in culture and belief. His humor highlights how even…-
82.1 K • Ongoing
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Chapter
Chapter D
Chapter D sets the tone with the redefinition of Damn, a word that Bierce cleverly allows to shift in meaning depending on who defines it—be it theologian, philosopher, or common man. This ambiguity allows him to satirize how language, especially in moral contexts, is shaped more by perception than principle. Bierce uses the term to mock not just religious doctrine, but the human tendency to tailor judgment for convenience. Through this lens, condemnation becomes a flexible tool used selectively. His wit…-
82.1 K • Ongoing
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Chapter
Chapter E
Chapter E opens with a humorous yet insightful look at Eating, defined by Bierce as the successful coordination of many bodily functions, distinguishing between mere consumption and the true enjoyment of a meal. This contrast highlights how the physical act of nourishment often lacks the pleasure associated with fine dining. Through a witty anecdote about the gastronome Brillat-Savarin, Bierce sets the tone for his exploration of ordinary acts, revealing their deeper cultural and emotional layers. The…-
82.1 K • Ongoing
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Chapter
Chapter F
Chapter F begins with Bierce’s playful critique of the mythical Fairy, portrayed not as a symbol of innocence but as a mischievous relic of outdated belief systems. He recalls how laws once protected these fictional beings, illustrating the absurd lengths to which societies have gone to defend the imaginary. By invoking their reported appearances in the 19th century, Bierce highlights the human tendency to embrace superstition, even when faced with advancing reason. His depiction draws attention to how…-
82.1 K • Ongoing
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Chapter
Chapter L
Chapter L opens with a stark look at Labor, which Bierce describes as an effort not for personal gain but for the benefit of someone else—typically an employer or master. This definition frames labor as a one-sided transaction in which toil and time are exchanged for minimal return, questioning the dignity often associated with hard work. He implies that work, praised as virtuous, often disguises exploitation beneath the language of duty. Bierce’s entry calls attention to how society masks inequality…-
82.1 K • Ongoing
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