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A New Philosophy by Henri Bergson is a collection of essays where Bergson explores the nature of time, consciousness, and intuition, advocating for a philosophy that emphasizes direct experience and the fluidity of life over rigid, intellectual analysis.-
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Chapter
Preface
Preface serves as a welcoming point of entry into the complex yet accessible philosophy of Henri Bergson. The original inspiration for the work came from two essays published in early 1912, and this expanded edition adds more continuity and depth to clarify points that may challenge first-time readers. The writer does not intend to critique Bergson’s thought academically, as the philosopher’s ideas continue to develop. Instead, the goal is to make Bergson’s vision understandable for a broader…-
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Chapter
Chapter I – Method
Chapter I begins by positioning philosophical intuition not in opposition to science, but as its extension—one that builds on scientific understanding to reach deeper truths. Rather than reject scientific inquiry, Henri Bergson insists that true philosophy depends on it while going beyond its limits. Science gives us clarity and structure, but it cannot fully express the flow of life. Where science categorizes and defines, philosophy—through intuition—touches the essence that lies beneath. This…-
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Chapter
Chapter II – Teaching
Chapter II develops Henri Bergson’s view of life as a forward-moving force shaped not by mechanical causality but by inner momentum toward novelty and transformation. Progress, in this sense, is not driven by repetition or the weight of the past but by the draw of the future—what has not yet been realized but continually emerges. This movement is not random; it follows a rhythm of creative experimentation and accumulation of past experiences, always pressing toward complexity and consciousness. Such a…-
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Chapter I opens with a reflection on how Henri Bergson's thought marks a turning point in modern philosophy, particularly in how we approach consciousness, reality, and the sacred. His work introduces a way of thinking that does not begin with definitions or logical premises but with life itself—moving, changing, and creating. Bergson places intuition and imagination at the center of philosophical inquiry, offering an alternative to the sterile detachment often found in rigid rationalism. Though he does…
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Chapter
Chapter II – Immediacy
Chapter II presents a fundamental shift in how philosophy might approach life—not as something to be dissected from a distance, but as something to be encountered directly through lived time. Henri Bergson proposes that the essence of existence can only be grasped by immersing oneself in the continuity of experience, what he calls duration. Unlike fixed ideas or systems, duration unfolds, reflecting the natural flow of consciousness and life itself. Bergson sees this not just as a metaphysical insight,…-
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Chapter III begins by investigating how perception evolves from raw experience into structured thought, revealing a spectrum that moves from the immediacy of sensation to constructed concepts. Henri Bergson does not view experience as static or neatly divided; instead, he explains that what we often call facts are not final, but moments within a continuum. Each moment serves both as a foundation for what follows and as a result of what preceded. This flow creates a layered understanding of reality, where…
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Chapter IV offers a striking departure from traditional philosophical thought by challenging how we perceive and interpret reality. Henri Bergson insists that what we commonly call perception is not simply a private mental image but a direct connection with the real world. However, our practical needs limit this connection, pushing us to filter and simplify what we experience. What reaches our awareness is only a fraction of what exists, trimmed by usefulness and habit. In this sense, ordinary perception…
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Chapter V invites readers into Henri Bergson’s original vision of inner experience, a philosophy that reshapes how we understand thought, time, and freedom. He departs from the prevailing view of consciousness as a collection of separate parts. Instead, he argues that mental life flows like a melody, where each note influences the one before and after. Bergson sees consciousness as layered and continuous, not mechanical or static. This movement, which he calls “duration,” cannot be sliced into…
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Chapter VI opens by challenging one of the most entrenched views in classical philosophy: that perception is internal and subjective. Henri Bergson reverses this assumption, asserting that perception arises at the intersection between subject and object. Rather than treating it as something confined within the observer, he emphasizes its outward-directed nature. According to this view, what we perceive is not an internal reconstruction but a direct connection to reality. This changes the entire framework…
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