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Flatland: A Romance of Many Dimensions by Edwin A. Abbott is a satirical novella that explores a two-dimensional world inhabited by geometric shapes, using the protagonist’s discovery of a higher-dimensional reality to comment on the limitations of perception, social hierarchy, and the nature of reality itself.-
4.1 K • Nov 8, '24
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3.9 K • Nov 8, '24
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4.1 K • Nov 8, '24
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Section 1 introduces a world unlike ours—Flatland—a place confined entirely to two dimensions. The name is not used by its inhabitants, but it serves to help three-dimensional readers understand the limitations of life in such a plane. Imagine a sheet of paper where geometric shapes—Lines, Triangles, Squares, and more—move freely along the surface. They cannot rise above or sink below it. These figures aren’t drawn or imagined; they are living, thinking beings, each defined by their sides and…
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92.9 K • Ongoing
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Section 2 introduces the geographical orientation and architectural norms of Flatland, where the inhabitants navigate using a unique sense of direction. Unlike in Spaceland, there are no visible celestial bodies, so determining North cannot rely on stars or sunlight. Instead, nature itself supplies a solution through a subtle but constant attraction toward the South. In milder regions, this pull is barely noticeable, yet it’s sufficient for most people to find their bearings. Rain also always falls from…
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92.9 K • Ongoing
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Section 3 explores the social structure of Flatland through both its geometry and strict hierarchy. Buildings in populated areas must follow a legal standard that ensures safety by limiting sharp angles, with pentagonal forms being the lowest acceptable design. This reflects a broader cultural shift, where even architecture mirrors the drive toward symmetry and refinement. Only in remote, undeveloped regions might a square house still be found—an architectural relic seen more as a curiosity than a…
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92.9 K • Ongoing
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Chapter
Section 4: Concerning the Women
Section 4 presents a disturbing view of societal control in Flatland, particularly how irregular or discontented citizens are dealt with by the ruling Circles. Those who do not meet the strict standards of shape may find themselves confined for life in state institutions under the pretense of rehabilitation. A few of the most rebellious or hopelessly flawed are executed without fanfare, considered a threat to the stability of the realm. To suppress unrest, especially among the Isosceles class, the…-
92.9 K • Ongoing
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Section 5 explores the rigid structure that defines a woman’s place in Flatland—a society where mobility, both social and intellectual, is essentially impossible for them. Women are shaped as mere lines, and this geometric limitation marks them as inherently inferior in the eyes of the system. Unlike other shapes that can evolve into higher forms, women remain fixed, both in form and fate. There is no educational path, no social strategy, and no merit-based system that can change their status. As a…
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92.9 K • Ongoing
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Section 6 delves into the unique way Flatlanders interpret visual information in a world limited by two dimensions. Sight recognition plays an essential role in the lives of the upper classes, particularly in areas where the natural presence of fog assists in the process. In these foggy regions, objects at various distances take on different degrees of dimness. This visual fading creates a gradient effect, allowing trained eyes to discern one shape from another. For instance, the angle of a triangle might…
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92.9 K • Ongoing
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Section 7 reveals how deeply education in Flatland shapes not only personal success but societal structure. Advancement depends on passing the Final Test, and those from the Polygonal class often thrive, accelerating far beyond their Triangular classmates. In early stages, triangles and polygons may share the same curriculum, but over time, the Polygonal students display sharper insight and superior understanding. This distinction becomes clear as they enter professional life, where their education…
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92.9 K • Ongoing
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Section 8 begins with a clear sense of monotony that defines everyday life in Flatland. While societal issues such as conflict and rebellion exist, they fail to provide the kind of visual or emotional variation that brings richness to life. The world is composed entirely of straight lines, where perception is limited to variations in brightness and shade. This lack of depth or curvature deprives inhabitants of artistic pleasure. There are no paintings, no landscapes, no expressions of individuality through…
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92.9 K • Ongoing
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Section 9 captures a vivid and elegant moment in Flatland’s cultural history, when color had transformed even the simplest gatherings into breathtaking events. At a social function, the crowd itself became a visual spectacle, each figure dazzling in a unique hue. In public settings such as churches and theaters, these visual expressions grew so rich that they began to overwhelm even the most disciplined minds. The military review was the most splendid of all, where formations of twenty thousand Isosceles…
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92.9 K • Ongoing
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